Here are 100 books that Mother of Souls fans have personally recommended if you like
Mother of Souls.
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It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This Young Adult romance takes place over the course of a single weekend, and it captures the urgency of young love perfectly. Sure Olivia and Toni fall hard and fast, but it’s no wonder—a great music festival can pull you far enough from your day-to-day that you feel as though you’ve been there a lifetime, even as an adult. And this book captures that so clearly, bringing you right into both girls’ perspectives, letting you feel every triumph and every moment of despair as they chase their dreams, musical and otherwise, and figure out who they are.
A stunning novel about being brave enough to be true to yourself, and learning to find joy even when times are unimaginably dark. Three days.
Two girls.
One life-changing music festival.
Toni is grieving the loss of her roadie father and needing to figure out where her life will go from here - and she's desperate to get back to loving music. Olivia is a hopeless romantic whose heart has just taken a beating (again) and is beginning to feel like she'll always be a square peg in a round hole - but the Farmland Music and Arts Festival is …
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This romance novel takes the classic “opposites attract” trope and spins it into a heartfelt exploration of loneliness and connection, turning points and second chances. Indie rock guitarist Ali knows she should quit dreaming about her brother’s band hitting the big time and commit to her future career in engineering, but it hurts to let go. Kristen has been a country pop star since she was a kid, and the grueling lifestyle has already taken its toll on her. I loved seeing them gradually come to trust one another through their shared passion for music, and the scenes where they write songs together are as intense and charged as the romantic scenes.
Alison has been in her brother's indie rock band, Right Turn, since she was a teenager. Right as she's about to graduate college and will have to start making real decisions about her future, there comes an offer for them to go on a small tour with pop-country sensation Kristen Nichols, who is looking to make serious changes to her sound and image and believes touring with indie darlings Right Turn will give the new 'her' credibility.
Kristen Nichols is the embodiment of everything about the music industry that Ali scoffs at, but she's offering them an affordable, real tour,…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
This is a comfort read I come back to again and again. It’s a historical fantasy filled with political intrigue and with multiple overlapping storylines, and I revel in the rich historical detail of 18th-century Austria. But the heart of the novel is the romance between timid young widow Charlotte von Steinbeck and charismatic castrato Carlo Morelli. Both outsiders in their own ways, they’re brought together by a shared appreciation of music, and their relationship gives both of them the courage to push back against the narrow expectations imposed on them by society.
The year is 1779, and Carlo Morelli, the most renowned castrato singer in Europe, has been invited as an honored guest to Eszterháza Palace. With Carlo in Prince Nikolaus Esterházy's carriage, ride a Prussian spy and one of the most notorious alchemists in the Habsburg Empire. Already at Eszterháza is Charlotte von Steinbeck, the very proper sister of Prince Nikolaus's mistress. Charlotte has retreated to the countryside to mourn her husband's death. Now, she must overcome the ingrained rules of her society in order to uncover the dangerous secrets lurking within the palace's golden walls. Music, magic, and blackmail mingle…
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
I love fantasy stories where music and magic intertwine, and this novel combines that with one of my other favourite tropes—characters going on a shared journey. It’s the perfect way to throw characters together, force them to get close, and make them jointly deal with all kinds of situations. Annice is a bard whose flute playing has magical powers. Finding herself pregnant after a one-night stand, she ends up on the run with the baby’s father, a man she never expected to see again. They’re drawn together initially by Annice’s music, and I love the way music helps them come to understand each other better.
The Bards of Shkoder hold the country together. They, and the elemental spirits they Sing – earth, air, fire, and water - bring the news of the sea to the mountains, news of the mountains to the plains. They give their people, from peasant to king, a song in common.
Annice is a rare talent, able to Sing all four quarters, but her brother, the newly enthroned King Theron, sees her request to study at the Bardic Hall as a betrayal. To his surprise, Annice accepts his conditions, renouncing her royal blood and swearing to remain childless so as not…
Tales of magic have captivated me since I was a small child, and I started writing fantasy stories in high school. But it was only when I discovered the YA faerie subgenre several years ago that I truly found my niche. As my book recommendations will demonstrate, there’s a delicious connection between faerie magic and teenage angst, and it’s the tension that arises that makes for fantastic worldbuilding and storytelling. I hope that you enjoy my top books in the genre and find a new favorite for yourself!
In the first of two books, Stiefvater introduces us to Deirdre, an accomplished teen musician who has just met the mysterious Luke—who just happens to be a faerie that none of her friends or family can see. Oh, and he’s also an assassin. Caught between a mundane life of music recitals, school, and her family on one side, and the dangerous world of faerie on the other, what’s a girl to do? As a nerd and a loner growing up, what I wouldn’t have given for a secret faerie friend who dragged me into a world of magic and danger! Although Stiefvater has gone on to write more complex novels, her faerie duology will always have a place in my heart.
FROM THE AUTHOR OF THE NEW YORK TIMES BESTSELLING NOVEL SHIVER
"Vibrant and potent, YA readers searching for faerie stories will be happy to find this accomplished debut novel." –Publishers Weekly (starred review)
"This beautiful and out-of-the-ordinary debut novel, with its authentic depiction of Celtic Faerie lore and dangerous forbidden love in a contemporary American setting, will appeal to readers of Nancy Werlin's Impossible and Stephenie Meyer's Twilight series." –Booklist (starred review)
"Part adventure, part fantasy, and wholly riveting love story, Lament will delight nearly all audiences with its skillful blend of magic and ordinary life." ―KLIATT (starred review)
Though I’m not personally an orphan, I’ve always been drawn to books that feature them. Maybe it’s because I felt the lack of a father; mine wasn’t around much during my childhood, since he worked at a job in the city through the week. The absent or distant father is a recurring theme in my novels, including the Shakespeare Stealer series, Moonshine, The Imposter, The Year of the Hangman, and Curiosity. Of course, when you write for young readers, orphans also make ideal protagonists, since they’re forced to use their own resources to confront and resolve the story’s conflict, rather than relying on grownups.
And speaking of funny, they don’t get much better than Pratchett’s Discworld novels. Though they’re usually classified as fantasy, they’re really very pointed satire. He sends up everything from movies to opera to the postal system. Soul Music takes on popular music, and it’s one of his best.
Discworld is about to rock...Deputising for death was never going to be easy, not least when he has gone walkabout in search of the Meaning of Life - without even leaving a forwarding address. But for his granddaughter, Susan, it becomes even more difficult when she breaks one of the cardinal rules of the family business - don't get involved! All around the Disc, crowds are shouting out for Buddy Celyn and The Band With Rocks In. They are in the grip of a new and dangerous music and Buddy is under its thumb. It's alive, it changes people -…
An Heir of Realms tells the tale of two young heroines—a dragon rider and a portal jumper—who fight dragon-like parasites to save their realms from extinction.
Rhoswen is training as a Realm Rider to work with dragons and burn away the Narxon swarming into her realm. Rhoswen’s dream is to…
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
As a kid, I thought, because that is what I was taught by simplified historic revisionism, that Rock n Roll was invented one day when Bill Haley perfected his spit curl, or when Elvis went on the Ed Sullivan Show to shake his hips.
Lost Highway fundamentally reshaped my understanding of the dynamics that shaped this music, and thus, ultimately, everything that followed.
By delving into headwaters that crossed race and genre, I learned of the elemental—and mythical—forces that had been percolating for decades (centuries?) beneath our feet, and unleashed an enormous cultural shift.
Winner of Ishmael Reed's Before Columbus Foundation's American Book Award
This masterful explorationof American roots music--country, rockabilly, and the blues--spotlights the artists who created a distinctly American sound, including Ernest Tubb, Bobby "Blue" Bland, Elvis Presley, Merle Haggard, and Sleepy LaBeef. In incisive portraits based on searching interviews with these legendary performers, Peter Guralnick captures the boundless passion that drove these men to music-making and that kept them determinedly, and sometimes almost desperately, on the road.
I've always loved history and it was the subject I took my degree in. After a career in business I've come back to history. I have an interest in how Britain has shaped our world; it has influenced more parts of the world than any other nation, sometimes for the better, but often for the worse. Jerusalem is the most pivotal city in the world and Britain has played a role in its long history. One part of this history is what led me to tell the story of an incredible British-led expedition to Jerusalem at the start of the 20th century, which sought the Ark of the Covenant.
Wasif Jawhariyyeh was a musician and composer belonging to the Greek Orthodox community of Jerusalem who lived in the city during the late Ottoman and Mandatory eras.
He was acquainted with many of the ruling families in the city and worked within the British administration. This book chronicles his life and provides a vivid depiction of the city throughout the Ottoman and Mandate periods until 1948 when he went into exile.
The book offers a captivating perspective on the lives of the city's inhabitants during those times and the amalgamation of diverse populations. Jawhariyyeh occasionally reminisces through a nostalgic lens, suggesting that issues between various groups only arose after the British arrival.
Nonetheless, the book provides an insightful and engaging glimpse into the city's social fabric.
The memoirs of Wasif Jawhariyyeh are a remarkable treasure trove of writings on the life, culture, music, and history of Jerusalem. Spanning over four decades, from 1904 to 1948, they cover a period of enormous and turbulent change in Jerusalem's history, but change lived and recalled from the daily vantage point of the street storyteller. Oud player, music lover and ethnographer, poet, collector, partygoer, satirist, civil servant, local historian, devoted son, husband, father, and person of faith, Wasif viewed the life of his city through multiple roles and lenses. The result is a vibrant, unpredictable, sprawling collection of anecdotes, observations,…
I was born in England, live in America, and write history books about Germany. I’ve published eight books in all (and co-edited two others), and I’m proud that two of them won prizes. I review books, too, in publications like the Guardian and the London Review of Books. History is how I make my living, but it is also a calling and a passion. I can’t imagine doing anything else. I have always enjoyed reading literature and find I am reading even more avidly since the pandemic. There are so many German novels I love it was hard to choose just five. I hope you enjoy my choices.
If I were allowed to have only one novel about German culture and the coming of the Nazis, this would be it. And, if I were allowed only one novel about the price paid by those who create great art, this would also be it.
I have never read a better fictional account of what it means to make music, and there is something truly thrilling (but also quite chilling) about the story of the composer Adrian Leverkuhn’s Faustian pact with the devil.
I was also captivated by the way that Thomas Mann has his narrator tell this story, from the recent German past, from the “present” of bombs falling on Germany at the end of World War II.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
Following mysterious trails and uncovering esoteric stories: it’s what I love to do, and it’s also what I love to read about. Before I released Extreme Music, I wrote extensively about unusual music subcultures and audiological anomalies, for example artists who put out hourlong blocks of unchanging white noise. I’ve learned that the most interesting ideas – and tales – exist in these outer fringes.
The definitive book on outsider musicians, from The Shaggs to Jandek to the hyper-obscure likes of Y. Bhekhirst, who left copies of his outrageously bizarre cassette album, Hot In the Airport, at several NYC record stores before permanently disappearing into thin air. A detailed work that required copious original research to dig up murky facts about obscure musicians, it has been an inspiration to me as a writer. In fact, in my book I dedicate an entire chapter to outsider musicians of the digital age, in obvious homage to this magical tome.
Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. This book profiles dozens of outsider musicians, both prominent and obscure—figures such as The Shaggs, Syd Barrett, Tiny Tim, Jandek, Captain Beefheart, Daniel Johnston, Harry Partch, and The Legendary Stardust Cowboy—and presents their strange life stories along with photographs, interviews, cartoons, and discographies. About the only things these self-taught artists have in common are an utter lack of conventional tunefulness and an overabundance of earnestness and passion. But, believe it or not, they’re worth listening to, often outmatching all contenders for…
