91 Books Like Lament

Wow, it is nearly impossible to choose just one of my faves from Holly Black’s faerie stories. They are all amazing! Seriously…. Every. Last. One. But what grabbed me with this book was the way it started. This story has an eerie feel to it from the very first page. I love how Holly weaves reality into her fantasy and the way the Fae are already known and accepted in their world, but also feared (because hello, they’re Fae!). There's everything in this story, romance, adventure, and coming-of-age badassery, which again bodes well if you ever find yourself face to face with the Faire Folk.

Dark and delicious. Two of the most apt words to describe this thrilling story. I adore the world Melissa created and the equally dark and delicious fae who populate it. There's a certain poetry between the characters, and I love how Aislinn learns to face her greatest fears, a skill that will serve anyone well when venturing into the dark and dangerous realm of the Fae. You'll be hooked into this story in no time because it grabs your interest from the very first page, a must for me to get invested in any story because I confess, I’m a little impatient that way. I also love the ink twist on it… and the side characters you’ll fall in love with, they will eventually all get their turn in the spotlight, which is the perfect reason to keep reading through the entire series… and to date, there are a lot… show more.

Prepare to have your world turned upside down in this peculiar take on the faerie novel. We meet Cathy as a resident of modern England but learn she’s actually an escapee from “The Nether,” a faerie mirror world that’s stuck in the 19th century. As a historian, I absolutely love how Newman moves characters between the worlds—without time travel! And just imagine being in the shoes of a young woman forced to straddle the freedoms that come with modern life with a life with an arranged marriage. And above all, she must appeal to the whims of the faerie lord who controls her family’s fortunes. Come for the premise, but stick around for her deep world-building and richly-drawn characters (I mean, who doesn’t love a talking gargoyle?)

One thing you’ll discover as you read YA tales about the fae is that bored faeries are always causing trouble. In Porter’s novel, they tempt Ksenia’s foster brother and best friend away from her and then put her through a progression of nightmares as she tries to wrest him out of their clutches. There’s so much darkness in this book but it never quite tips into horror. It’s more of that incessant creepiness of the Twilight Zone, with scenes that keep ratcheting up the tension and impossible situations. This isn’t your average faerie tale with romance and hijinks—not by a long shot. But because of all that, it’s an absolute delight to read.

More music-and-magic—this one is an alternate history, part of a series set in the invented European country of Alpennia that explores the lives of a community of queer women in the early 19th century. While not exactly a romance, Mother of Souls focuses on the relationship between Serafina, who can see magic, and Luzie, who has musical powers that only Serafina can perceive. Both women are struggling in different ways, and I loved seeing the way their relationship and their musical connection helped them both to move forward. I also loved the depth of the worldbuilding—the city of Rotenek feels as real as any place I’ve been to.

And speaking of funny, they don’t get much better than Pratchett’s Discworld novels. Though they’re usually classified as fantasy, they’re really very pointed satire. He sends up everything from movies to opera to the postal system. Soul Music takes on popular music, and it’s one of his best. 

This series grabbed me from page one. I don’t make a habit of reading books including the Fae, but I absolutely fell in love with everything she’s written after that.

You can tell she does her research on fae mythology, yet adds her own touches to it, including blending their world with ours.

Holly Black co-wrote the Spiderwick Chronicles and knows her stuff. I found this series of graphic novels extremely entertaining, and chillingly true to the old legends. Black takes old legends from several Eurocentric cultures and has them coexisting in one single city, as just people, trying to make it. Poor Rue, the main character, is only half-human. When she finds out her mother is one of "the good neighbors"-- a fairy princess, she has to venture to her grandfather's realm to find her, meanwhile, a swan maiden is murdered up the street, and nixies steal her boyfriend. The drama of the series was riveting, as were the legends she called upon.

As a kid, I thought, because that is what I was taught by simplified historic revisionism, that Rock n Roll was invented one day when Bill Haley perfected his spit curl, or when Elvis went on the Ed Sullivan Show to shake his hips.

Lost Highway fundamentally reshaped my understanding of the dynamics that shaped this music, and thus, ultimately, everything that followed.

By delving into headwaters that crossed race and genre, I learned of the elemental—and mythical—forces that had been percolating for decades (centuries?) beneath our feet, and unleashed an enormous cultural shift.  

If I were allowed to have only one novel about German culture and the coming of the Nazis, this would be it. And, if I were allowed only one novel about the price paid by those who create great art, this would also be it.

I have never read a better fictional account of what it means to make music, and there is something truly thrilling (but also quite chilling) about the story of the composer Adrian Leverkuhn’s Faustian pact with the devil.

I was also captivated by the way that Thomas Mann has his narrator tell this story, from the recent German past, from the “present” of bombs falling on Germany at the end of World War II.