Here are 100 books that Lost Highway fans have personally recommended if you like
Lost Highway.
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My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
DIY. Do-it-yourself. An ethos that seems simple enough now, but it was a revolution that started in underground music and eventually changed popular culture.
These in-the-trenches perspectives by bands that were immensely influential spoke directly to the eco-system of clubs, stores, bands, labels, and artists that I later tapped into with my label.
An almost inadvertent “How-To” primer for someone like me, who was disinterested in what the arbiters of popular culture were trying to sell.
Finally in paperback, the story of the musical revolution that happened right under the nose of the Reagan Eighties - when a small but sprawling network of bands, labels, fanzines, radio stations and other subversives re-energised American rock with punk rock's d-I-y credo and created music that was deeply personal, often brilliant, always challenging and immensely influential. OUR BAND COULD BE YOUR LIFE is a sweeping chronicle of music, politics, drugs, fear, loathing and faith that is already being recognized as an indie rock classic in its own right.
Among the legendary bands featured are: Black Flag, the Minutement, Mission…
Bruce Songs is an authoritative guide that offers an in-depth exploration of Bruce Springsteen's musical legacy. Covering Springsteen's entire discography, from "Greetings from Asbury Park, N.J." to "Only the Strong Survive", this unique book combines historical context, literary analysis, and meticulous research.
Unlike any other resource, it provides detailed analyses…
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
Often written in the crude, frequently profane, street lingo of mid-century Chicago, I could smell the cigar smoke and cheap likker, and hear the crackling amps and heated arguments in the recording studios and street corner bars.
I was totally immersed in the Nelson Algren vibe as the book described the bare-knuckle, world-changing events surrounding one of the great American music labels EVER, as some of the greatest music—the linchpins of rock and roll—were being birthed in a figure-it-out-as-you-go Chicago way.
A tour-de-force history of Jews, blues, and the birth of a new industry. On the south side of Chicago in the late 1940s, two immigrants, one a Jew born in Russia, the other a black blues singer from Mississippi met and changed the course of musical history. Muddy Waters electrified the blues, and Leonard Chess recorded it. Soon Bo Diddly and Chuck Berry added a dose of pulsating rhythm, and Chess Records captured that, too. Rock & roll had arrived, and an industry was born. In a book as vibrantly and exuberantly written as the music and people it portrays,…
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
At a time when anything that smacked of “punk rock” was dismissed as prurient, insignificant, and, ultimately, irrelevant, Greil hit me as something of a philosopher king.
He lent legitimacy and heft to the premise that I intuitively felt—but couldn’t articulate—that punk rock was more than offending the masses with loud music, torn clothes, and spiky hair. Rather, it was a deeper phenomenon that reverberated throughout our cultural landscape with a rich history behind it.
This was a welcome affirmation for me that this music, this lifestyle, could be a genuine agent of lasting social change.
This book is about a single, serpentine fact: late in 1976 a record called 'Anarchy in the UK' was issued in London, and this event launched a transformation of pop music all over the world. The song distilled, in crudely poetic form, a critique of modern society once set out by a small group of Paris intellectuals.
In Lipstick Traces, Greil Marcus's classic book on punk, Dadaism, the situationists, medieval heretics and the Knights of the Round Table (amongst others), the greatest cultural critic of our times unravels the secret history of the twentieth century.
Known more for his books on Mayas, Aztecs, and Spanish conquistadors, historian Matthew Restall's latest book takes his deepest dive yet into the history of pop music.
In the late-1970s, three music-obsessed, suburban London teenagers set out to make their own kind of pop music: after years of struggle, success…
My first interests in music were artists and bands that fell outside convenient genre pigeon-holing, and I wondered why conventional musical “histories” overlooked them. When I started to dig around, I discovered whole worlds of music that were far more compelling than anything that fit neatly into tidy narratives. It taught me to always look in the corners, between the cracks, beneath the floorboards, for the real weirdos and dreamers. With that healthy skepticism in hand, everything I did subsequently at my label ignored the pressures to conform to such silly and confining definitions. It was a way more fun, creative, and liberating way to run things.
Like most people, I thought songs were songs. They were just there, as they always had been. I didn’t think much of their provenance or their context.
This book popped my brain wide open and hipped me that all those benign, been-there-forever items in the Great American Songbook were haunted by the ghosts of a country founded under some troubling circumstances. It is an endlessly fascinating and eerie dig through the graveyards of our shared musical heritage.
I will never hear the songs he shines a lantern light on in the same way again.
For twenty years, Nick Tosches searched for facts about the life of Emmett Miller, a yodelling blackface performer whose songs prefigured jazz, country, blues and much of the popular music of the twentieth century.
Beginning with a handful of 78 rpm records and ending at a tombstone in a Macon, Georgia graveyard, Tosches pieces together a life - and illuminates the spirit of musicmarkers from Homer to the Rolling Stones.This is a brilliant, inspired journey by one of the most original writers at work today.
I am all about support, and support is a big part of Black Girl Magic. I believe that every woman should have a support system and community that values each and every person in it. Many of these authors have been featured on my podcast Support is Sexy, an interview-based podcast that introduces dynamic women professionals and the stories of their journeys to my audiences around the world. I recommended the books of these women because I love their message of self-care, self-love, support, and nurturing a healthy community.
I have known the amazing author Danyel Smith for over 15 years. At first, I only knew her through her incredible writing, but I grew to know her personally when she hired me as a Managing Editor at Vibe magazine when she was the Editor-in-Chief. During that time, I was able to personally witness her knowledge of music and the entertainment industry, as well as her unwavering passion for storytelling behind the music.
Her new book, Shine Bright, which she has been writing for more than five years, seems so fitting as part of her journey. Described as “a weave of biography, criticism, and memoir” it’s a history of Black women’s music as the foundational story of American pop.
American pop music is arguably this country’s greatest cultural contribution to the world, and its singular voice and virtuosity were created by a shining thread of Black women geniuses stretching back to the country’s founding. This is their surprising, heartbreaking, soaring story—from “one of the generation’s greatest, most insightful, most nuanced writers in pop culture” (Shea Serrano)
“Sparkling . . . the overdue singing of a Black girl’s song, with perfect pitch . . . delicious to read.”—Oprah Daily
ONE OF THE BEST BOOKS OF THE YEAR: NPR, Esquire, Publishers Weekly
It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.
More music-and-magic—this one is an alternate history, part of a series set in the invented European country of Alpennia that explores the lives of a community of queer women in the early 19th century. While not exactly a romance, Mother of Souls focuses on the relationship between Serafina, who can see magic, and Luzie, who has musical powers that only Serafina can perceive. Both women are struggling in different ways, and I loved seeing the way their relationship and their musical connection helped them both to move forward. I also loved the depth of the worldbuilding—the city of Rotenek feels as real as any place I’ve been to.
At last! Return to the enchanted realm of Alpennia for the eagerly awaited sequel to Daughter of Mystery and The Mystic Marriage.
All her life, Serafina Talarico has searched in vain for a place where she and her mystical talents belong. She never found it in Rome—the city of her birth—where her family’s Ethiopian origins marked them as immigrants. After traveling halfway across Europe to study with Alpennia’s Royal Thaumaturgist, her hopes of finding a home among Margerit Sovitre’s circle of scholars are dashed, for Serafina can perceive, but not evoke, the mystical forces of the Mysteries of the Saints…
Tales of magic have captivated me since I was a small child, and I started writing fantasy stories in high school. But it was only when I discovered the YA faerie subgenre several years ago that I truly found my niche. As my book recommendations will demonstrate, there’s a delicious connection between faerie magic and teenage angst, and it’s the tension that arises that makes for fantastic worldbuilding and storytelling. I hope that you enjoy my top books in the genre and find a new favorite for yourself!
In the first of two books, Stiefvater introduces us to Deirdre, an accomplished teen musician who has just met the mysterious Luke—who just happens to be a faerie that none of her friends or family can see. Oh, and he’s also an assassin. Caught between a mundane life of music recitals, school, and her family on one side, and the dangerous world of faerie on the other, what’s a girl to do? As a nerd and a loner growing up, what I wouldn’t have given for a secret faerie friend who dragged me into a world of magic and danger! Although Stiefvater has gone on to write more complex novels, her faerie duology will always have a place in my heart.
FROM THE AUTHOR OF THE NEW YORK TIMES BESTSELLING NOVEL SHIVER
"Vibrant and potent, YA readers searching for faerie stories will be happy to find this accomplished debut novel." –Publishers Weekly (starred review)
"This beautiful and out-of-the-ordinary debut novel, with its authentic depiction of Celtic Faerie lore and dangerous forbidden love in a contemporary American setting, will appeal to readers of Nancy Werlin's Impossible and Stephenie Meyer's Twilight series." –Booklist (starred review)
"Part adventure, part fantasy, and wholly riveting love story, Lament will delight nearly all audiences with its skillful blend of magic and ordinary life." ―KLIATT (starred review)
Since childhood, I've been in love with musicians, the world they live in, and the fruits of their labor. I spent years listening to my parent's record collection, which covered everything from pop, rock, and country, to jazz and classical. Today, music continues to stir my passion like nothing else. Though an industry career was never in the cards for me personally, I've frequently hovered around its periphery. My goal was to write a band story, one that strayed from common tropes to explore, through humor and heartbreak, the many joys and pitfalls of life in this mercurial and often nonsensical industry. The result was my trilogy, Idol Pursuits. Enjoy.
You've read it all before. The standard trope of a rockstar genius turned slow-motion trainwreck through drug-fueled self-indulgence has become all too common in music fiction. The truth is a successful career in the music business requires lots of hard work and smart decision-making. This is especially so in today's world of rapidly shifting technological and social dynamics. Herstand, in plain language, tells it like it is, offering both a sobering assessment of the many challenges you'll face, but also practical real-world advice on how to overcome them. Even if you have no intention of becoming a musician, it's an eye-opener into how the modern business works.
How to Make It in the New Music Business has become the go-to resource for "do it yourself" musicians eager to make a living in a turbulent industry. Inspiring thousands to stop waiting around for that "big break", Ari Herstand returns, maintaining that a stable career can be built by taking advantage of the tools at our fingertips. Including the latest trends and developments in the bustling UK music scene, he offers inspiring success stories across media. With the overarching theme of making real connections with human beings, it is a must-have for anyone navigating the complex yet advantageous modern…
I have been a professional violinist and teacher for over 30 years. I perform in the Washington-Idaho Symphony and specialize in the Suzuki method. My studio at the University of Idaho Preparatory Division includes violin and viola students ages 5-18. My career as an author began when I searched the shelves at my local library for books for my students to read. Only a few books about classical music graced the shelves. So I decided to try to do something about the void I noticed. My second book, about a trailblazing woman composer erased in history because of her gender, is forthcoming from Bushel & Peck Books.
Mo Williams has hit all the right notes in this lushly illustrated book for young readers. How does one grow up to be a classical musician? Well… one beautiful moment leads to another…and another…and another.
Just as in this book, one magical experience in my young life changed everything. Because my 4th grade teacher took our class to see the original Disney Fantasia film, I heard, for the first time, the sound of The Philadelphia Orchestra. Shadows of violin bows danced across the panoramic movie screen as the musicians, conducted by Leopold Stokowski, performed Bach’s Toccata and Fugue in D minor. Because of how that moment sounded and felt, I found my calling ̶ the violin. That’s how it happens. One precious musical moment leads to another, to places you never dreamed you would go.
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Mo Willems, a number one New York Times best-selling author and illustrator, composes a powerful symphony of chance, discovery, persistence, and magic in this moving tale of a young girl's journey to center stage. Illustrator Amber Ren brings Willems' music to life, conducting a stunning picture-book debut.
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
I love untold stories – those that look at people who history has often ignored. There are a lot of novels set in WWII, but this is the only one I’ve read that looks at what it was like to be an Afro-German during that period.
Hiero Falk is a mixed-race jazz trumpeter, member of a band who has been banned from playing live under Nazi laws. After escaping with two of his African-American bandmates to Paris, Hiero is forced into hiding as the trio struggle to get out of occupied France. There was so much history here that felt new to me and I was fascinated by Hiero’s story.
Man Booker Prize Finalist 2011 An Oprah Magazine Best Book of the Year
Shortlisted for the Governor General's Literary Award for Fiction
Berlin, 1939. The Hot Time Swingers, a popular jazz band, has been forbidden to play by the Nazis. Their young trumpet-player Hieronymus Falk, declared a musical genius by none other than Louis Armstrong, is arrested in a Paris café. He is never heard from again. He was twenty years old, a German citizen. And he was black.
Berlin, 1952. Falk is a jazz legend. Hot Time Swingers band members Sid Griffiths and…