Books like Morris Micklewhite and the Tangerine Dress — picked by fans

I’ll never forget reading this tale of a blue crayon in a red wrapper, struggling to draw red. I stood in the children’s book shop, a grown lesbian, feeling the hair on my arms rise, my eyes fill. This story is full of humor as fellow crayons and art supplies offer advice: “he wasn’t warm enough” “He’s got to press harder.” But his struggle also breaks our hearts: “I think he’s lazy,” one crayon says. “The masking tape thought he was broken inside.” The dread of feeling that you can’t be what everyone wants is visceral. Clearly a perfect allegory for gender identity, this story also rang through me. Then, Red tries to draw an ocean. And “It was easy!” Soon he was “really reaching for the sky.”

As a pastor’s kid, this light, lyrical book about a church community gathering awakens my earliest memories: the bells and banners, candles and choir, warm greetings, and toddler wiggles. This community offers something many of us lacked: “A church for all!” From the first image of a mixed-race queer family waking early for church to the assembling “Weak and healthy/ Neat and messy/ Poor and wealthy/ Plain and dressy” chatting and worshiping together—this brightly illustrated book captures a true spirit of inclusion. Like many queer people, I had to leave my first faith community. Later I was amazed to find houses of faith like this one. I even married a pastor. Young me couldn’t have imagined living out, opening a service with a book like A Church for All.

In this gorgeous, accessible story, Sylvia Rivera and Marsha P. Johnson, two transgender women meet on the street and become fast friends. They never knew whether they would eat, find shelter, or face violence from "Alice in the blue dress" (the police). Yet their friendship and generosity radiate throughout this story. They freely give their last dollar. Worry about kids without roofs. On Marsha’s birthday in 1969, they begin the “beautiful” revolution at the Stonewall Inn by refusing to be arrested for wearing dresses. This courage, this determination to create safe housing, this joyful zeal for equality inspires me still. Transgender people still face so much danger, something I've learned from people I care about. Sylvia and Marsha inspire me to revolt with love.

A few years before I came out, I remember marveling at the boldness of certain women like Frida Kahlo, Toni Morrison, Mary Wollstonecraft Shelley, who expressed so freely. With jealous awe I wished I could do that. But how could I? I came from a family of clergy people! In time, however, those brave women inspired me as I came out loud. The remarkable autobiographical story of Congresswoman Davids has that same power. She grew up always speaking, yet also listening, including to those often ignored. A lesbian and member of the Ho Chunk Nation, which means People of the Big Voice, she saw the lack of minority representation in Congress and boldly stepped forward. Now she listens and raises her Big Voice loud in service of others! So inspiring!

This gentle picture book introduces us to Jacob who wants to dress up like his friend, Emily, and not in the costumes the other boys prefer. Despite being teased when he arrives at school wearing a dress fashioned from a towel, Jacob decides he wants a “real” dress. With support from his parents, he makes one of his own. Further teasing is met by Jacob’s expression of pride in his creation and refusal to compromise who he is. This colorful book promotes acceptance of gender nonconformance and can serve as an opener to discussions of the topic with young children.

This is a great book about a little girl with fierce confidence. She stands strong for her beliefs despite setbacks. It is a great book to introduce in an age-appropriate way that women weren’t always treated as men, and the unfairness of it.

It is a very accessible reminder of the potential of bravery, speaking up, and pursuing what you know to be right. The power of one person taking a risk.

A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.

When we talk about transgender pride, the voices of Native people are often nowhere to be heard. 47,000 Beads is an exception. This beautiful book tells the story of Peyton, a pow-wow dancer who has stopped feeling comfortable wearing a dress. This book helped me understand more about Indigenous children who are Two-Spirit – a pan-Native term for people whose genders are sacred in their tribal nation, but unintelligible to the white people who colonized the United States. I’m so glad I was able to read it and I hope you will be too. 

The best book on mending, maintaining, and repairing clothes, ever. Beautifully written, inspirational, and easy to use, this is the definitive practical guide to all techniques related to clothing longevity.

I am nowhere near as good at mending as the author of this book, but I have found her techniques to be both practical and fairly simple, and the beautiful images make trying compelling.

When we think of fashion, we tend to envisage attention-getting, usually very expensive clothing. And because many of those pieces have been carefully preserved, most historical works also focus on costly luxury apparel.

But as John Styles, one of today’s most imaginative historians, demonstrates in this gorgeous book, fashion is not just a matter of big-name designers who show in Milan, Paris, or New York. Having discovered a wealth of new sources—fabric swatches pinned onto orphan records are just one of them—Styles reconstructs the ways in which ordinary Britons created apparel styles during the first “Consumer Revolution.”