Here are 100 books that Mary Wears What She Wants fans have personally recommended if you like
Mary Wears What She Wants.
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I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
This is a fantastic story with a strong female role model that reverts a lot of the classic princess stories.
It is a fabulous story about a brave and wonderful girl who refuses to be defined by her wardrobe or to whose idea of “living happily ever after” is much more than marrying a prince.
When the fiercest dragon in the whole world smashes Princess Elizabeth's castle, burns all her clothes, and captures her fiance, Prince Ronald, Elizabeth takes matters into her own hands. With her wits alone and nothing but a paper bag to wear, the princess challenges the dragon to show his strength in the hopes of saving the prince. But is it worth all that trouble?
Readers the world-over have fallen in love with this classic story of girl power. Now a newly designed Classic Munsch edition will introduce the tale to a new generation of…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
I love how beautifully illustrated the Little People Big Dreams series is and how they follow important people in history through their childhood in a very inspiring, fun, and accessible way. They don’t run away from difficult topics, but they are very age-appropriate.
I have a lot of them, and they are brilliant in showing diversity in a lot of different ways and the world-changing impact of being brave and true to yourself.
New in the critically acclaimed Little People, BIG DREAMS series, discover the incredible life of Simone de Beauvoir, the great French philosopher and mother of feminism.
When Simone de Beauvoir was a little girl, her father would proudly boast that she had the brain of a man - whatever that meant. But later, after years of studying, Simone would write a book that challenged the role of women in society, sending shock waves around the world. This moving book features stylish and quirky illustrations and extra facts at the back, including a biographical timeline with historical photos and a detailed…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
This is an absolute favourite of mine as a gift for new baby boys.
It is in rhyme and has very easy illustrations. It is never too early to let people know that feminism is for everyone, including boys, and to show in an easy way the things that they can do to help but also expand the options for them.
Feminism begins at home—and My First Book of Feminism (for Boys) is where it begins!
Simple illustrations paired with engaging, rhyming text make the compelling, age appropriate argument that girls and boys are equal, plain and simple. Humorous, familiar scenarios are treated as teachable moments for very young boys (ages 0-3) who will ideally grow up without ever questioning women's equality. From "no means no," to "women's rights are human rights," important, grownup ideas are made clear and fun for young, impressionable minds. This is the book every mom should read to her son!
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
I am Virginia Mendez, mother of 2 and author of 2 children’s books and a parenting book about the topic of gender equality from childhood. My day job is in Diversity and Inclusion Consulting, and I train companies and schools on how to bring more gender equality into their organisations. I wasn’t always a feminist, but I was by the time I was pregnant with my first child, and it made me determined to make the world a more fair place for everyone. Everyone.
Kids can talk about diversity in a way that doesn’t have to be scary.
In this case, not only do the books talk about the differences of being a woman but also disabilities and being adopted and raised by a couple of lesbians. This is a book that embraces our own individuality and how we can succeed by doing things our own way.
From Francesca Cavallo, author of the NY Times bestseller Good Night Stories for Rebel Girls.
This is the story of 17-time Paralympic medalist Tatyana McFadden. Born with spina bifida in Russia, Tatyana was raised in an orphanage where she walked on her hands for the first six years of her life. In 1994, she was adopted and moved to the United States, where she started racing and breaking records; and is now considered the best female wheelchair racer of all time, and the fastest woman on Earth. First book in the non-fiction Paralympians series, a picture book series telling the…
I have always loved children. I love tiny babies just discovering the world around them. I love elementary-age kids who are taking pride in developing new skills and learning how to deal with challenges. I love teens who are questioning and rethinking the things they thought they knew. I also love the science and practice of psychology (my profession for over thirty years) and, I love books. To date, I have written nine books. My audience ranges from preschool to high school and topics include strategies to understand and cope with problems as well as psychology as a topic of study.
This gentle picture book introduces us to Jacob who wants to dress up like his friend, Emily, and not in the costumes the other boys prefer. Despite being teased when he arrives at school wearing a dress fashioned from a towel, Jacob decides he wants a “real” dress. With support from his parents, he makes one of his own. Further teasing is met by Jacob’s expression of pride in his creation and refusal to compromise who he is. This colorful book promotes acceptance of gender nonconformance and can serve as an opener to discussions of the topic with young children.
One of 10 Best Indie Picture Books of 2014, ForeWord Reviews Runner-Up, 2014 New England Book Festival: Children's Books 2014 Distinguished List of the Association of Children's Librarians of Northern California CCBC Choices 2015
An affirming story about gender nonconformity.
Jacob loves playing dress-up, when he can be anything he wants to be. Some kids at school say he can't wear "girl" clothes, but Jacob wants to wear a dress to school. Can he convince his parents to let him wear what he wants? This heartwarming story speaks to the unique challenges faced by children who don't identify with traditional…
Hello! I’m a picture book author and former educator and bookseller. I also spent over a decade as a professor of Children’s Literature. More importantly, I’ve spent hundreds of hours of enjoying picture books with kiddos on my lap or circled up for storytime. (Is there a greater joy?) I was also a queer kid at a time when acknowledging LGBTQIAP2+ kids exist was unthinkable. But that is changing! Especially every time we buy, check out, and share diverse picture books with kids. Or treasure them for ourselves. I do!
A life-long lover of dresses that “swish” and “crinkle,” I’m in complete solidarity with Morris Micklewrite in his choice of the tangerine dress and shoes that “click” at dress-up time. But his classmates, hung up on narrow gender rules, don’t agree. Yet this story is not about Morris’s gender. It’s about his fondness for a color that reminds him of tigers and the sun, his love of playing spaceship and visiting elephants in his imagination. Even before I understood I was queer, I gravitated to peers who I now know are queer, too. Yet we bonded over play, singing, imagining adventures together! That’s what mattered. By this story’s end, some of Morris’s peers also realize it’s not gender rules that matter, but the greatness of the adventures you share!
Morris is a little boy who loves using his imagination. But most of all, Morris loves wearing the tangerine dress in his classroom's dress-up center. The children in Morris's class don't understand. Dresses, they say, are for girls. And Morris certainly isn't welcome in the spaceship some of his classmates are building. Astronauts, they say, don't wear dresses. One day when Morris feels all alone and sick from their taunts, his mother lets him stay home from school. Morris dreams of a fantastic space adventure with his cat, Moo. Inspired by his dream, Morris paints the incredible scene he saw…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
I’m a law professor and the son of a very well-dressed man. My father was a university Dean, a community organizer, a Presbyterian minister, and a social worker. But he also trained as a tailor and knew clothing—both how it is (or should be) constructed and also how it communicates. I became interested in the importance of clothing because of his influence. Then, in law, I noticed a lot of disputes that involved clothing: high school dress codes, workplace dress codes, dress codes used on public transportation. I wanted bring these two together to give a better idea of why we still fight and struggle over clothing.
Written by the great French semiotician, this book applies the semiotic method to symbolism of fashion. People often say that fashion is like a language, but Barthes actually explains precisely how it symbolizes. He explains how fashion is a symbolic system that includes not only clothing itself, but also representations of clothing in text and image, fashion magazines, films, and other depictions that anchor the meaning of sartorial symbols.
In his consideration of the language of the fashion magazine--the structural analysis of descriptions of women's clothing by writers about fashion--Barthes gives us a brief history of semiology. At the same time, he identifies economics as the underlying reason for the luxuriant prose of the fashion magazine: "Calculating, industrial society is obliged to form consumers who don't calculate; if clothing's producers and consumers had the same consciousness, clothing would be bought (and produced) only at the very slow rate of its dilapidation."
I am an honours graduate in aerospace engineering and psychology and I have written five historical novels. My debut novel, The Ming Storytellers, is set during China’s Ming dynasty and was well-reviewed by the Historical Novel Society. To pen this 600-page saga, I spent six years researching the Ming dynasty while studying a year of mandarin. I have travelled to Beijing, along the Great Wall, and to China’s southwestern province of Yunnan. Being a descendant of the Vietnamese royal family gave me access to rich genealogical sources passed down from my scholarly ancestors. These stories of concubines, eunuchs, and mandarins made the past come alive, complementing my research with plausible drama.
So you wish to paint your lips red like ancient Chinese women but are worried about confusing your Tang from your Ming. Get your make-up right with this manual. This succinct and wonderfully illustrated book is a treasure for lovers of Chinese fashion history or historical novelists like myself who may not be fluent in mandarin and depend on English publications. Creating vivid descriptions of concubines or Ming court characters is made easy when you can visualise exactly how people dressed or painted their faces during the different periods of China’s long history, including the Ming dynasty. I loved this book as it informed me about hairstyles, make-up, shoes, hats, clothing, and even the different insignias embroidered on eunuch clothing depending on their rank. With attention to variations across ethnicities and insights on historical and social changes, this book is a must-have.
Chinese clothing has undergone continuous transformations throughout history, providing a reflection of the culture in place at any given time. A wealth of archaeological findings coupled with ancient mythology, poetry and songs enable us to see the development of distinctive Chinese fashions through the ages. This illustrated introductory survey takes the reader through traditional Chinese clothing, ornamentation and ceremonial wear, discusses the importance of silk and the diverse costumes of China's ethnic groups before considering modern trends and China's place in the fashion world today.
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
