Here are 100 books that What People Wore When fans have personally recommended if you like
What People Wore When.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
If you’re gonna draw any creatures, humans included, it’s important to understand all the factors that influence their size and their shape. The temperature of their environment, the altitude, the precipitation— even the gravity of the planet itself. The book gives gives an in-depth understanding as to why animals look they way they do, and why some weird structures are not only practical, but crucial for a species to survive.
Why are all the big land animals on Earth mammals? Why are reptiles so small today when they were so huge in the Age of Dinosaurs? Why are rivers, lakes and swamps dominated by large cold-blooded reptiles and not by mammals? Why are there so many birds on Earth and why are they all so small? In this beautifully written and utterly compelling book Lavers scours the fields of biology, physiology, ecology and palaeontology to find answers to these global-scale questions. In the process he reveals a fundamentally new view of life on Earth, one that offers no room for…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Clothing isn’t the only residue a culture and its people leave behind. Humans are natural pattern makers, and those patterns often give important insight into what those people value, as well as what fills their natural environment. Materials, dyes, tools… all these things have an influence on how a culture decorates their world and themselves. Patterns are a very subtle way to underscore a moment in a story.
This beautiful, highly influential book, long a classic in its field, remains today one of the most comprehensive and best-organized presentations of historic ornamental design. The original 100 color plates, meticulously reproduced here from the rare original folio edition, present a dazzling spectrum of copyright-free design motifs from both ancient and modern cultures. The Grammar of Ornament features designs from around the world: the West to the Far East and many cultures in between.
Graphic and fine artists will find nearly three thousand designs rendered in fine detail from a variety of sources:
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
You get a lot of insight into a culture from the maps they create. Not only how they view themselves, but how they view others around them. There have been times in history when cultures weren’t even concerned with their maps being geographically accurate— they were a tool for teaching religion, or indulging a yearning for the fantastic. This book gives an excellent overview as to the many ways humans have used, and designed, maps throughout the centuries.
Mapping the World is a one-of-a-kind collection of cartographic treasures that spans thousands of years and many cultures, from an ancient Babylonian map of the world etched on clay to the latest high-tech maps of the earth, seas, and the skies above. With more than one hundred maps and other illustrations and an introduction and running commentary by Ralph E. Ehrenberg, this book tells a fascinating story of geographic discovery, scientific invention, and the art and technique of mapmaking.
Mapping the World is organized chronologically with a brief introduction that places the maps in their historical context. Special "portfolios" within…
This book is an elegiac meditation on the will to survive. Tor, a beluga whaler, and his wife, Astrid, a botanist specializing in Arctic flora, are stranded during the dark season of 1937-38 at his remote whaling station in the Svalbard archipelago when they misjudge ice conditions and fail to…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Nothing angers me more than when a book tries to explain something in words when it can be communicated much more effectively through illustration. That’s the beauty of Eric Sloane. The man visually recorded everything from weather phenomena to architecture to tools of bygone eras. I’m recommending the book A Museum of Early American Tools because its the one I’ve found the most useful, but I recommend checking out any of his books. At the very least, it can help you appreciate how those design decisions we take for granted— the roof of a barn, or the shape of a hammer handle— were honed by a balance of tradition, practicality, and circumstance.
This absorbing and profusely illustrated book describes in detail scores of early American tools and the wooden and metal artifacts made with them. Informally and expressively written, the text covers bulding tools and methods; farm and kitchen implements; and the tools of curriers, wheelwrights, coopers, blacksmiths, coachmakers, loggers, tanners, and many other craftsmen of the pre-industrial age. Scores of pen-and-ink sketches by the author accurately depict "special tools for every job," among them a hollowing gouge, hay fork, cornering chisel, apple butter paddle, boring auger, mortising chisel, a holding dog, hauling sledge, winnowing tray, reaping hooks, splitting wedge, felling axe,…
Clothing is one of the most important aspects of our humanity, of the things which make us who we are. We use fashion to identify allies and enemies. To express our interests, politics, and belief systems. To make a statement about who we are to the outside world. To show our identity or ethnicity. Or to indicate our affiliation with certain groups. Fashion is everywhere, but compared to other disciplines, is very rarely talked about. Though I'm a lingerie expert, fashion in its totality interests me. I’m excited every time I learn something new, not just because I enjoy pretty garments, but because I also learn something about the nature of who we are.
From poisonous gowns to flammable petticoats, Fashion Victims shares the dark side of fashion history. What was the human cost to those beautiful gowns, both in terms of the wearers and the makers? This book is a little grimmer than my previous recommendations but no less interesting. A fascinating read.
From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns.
Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths…
I am a historian primarily of western Europe in the eleventh and twelfth centuries. My leading interest has shifted over many years from the people who were persecuted as heretics at that time to their persecutors, as it dawned on me that whereas scepticism about the teachings of the Roman (or any) church was easily understandable, the persecution of mostly rather humble people who presented no real threat to that Church or to wider society was not, and needed to be explained.
By exploring how their sumptuous ritual vestments were designed, manufactured, and cared for, Maureen Miller shines powerful new light on the key social transformation of the European middle ages - how the clergy emerged as a distinct and dominant order of society in the eleventh and twelfth centuries - and how the process was shaped by their essential, intimate and contradictory relationships with the women who discharged these tasks.
After initial ambivalence about distinctive garb for its ministers, early Christianity developed both liturgical garments and visible markers of clerical status outside church. From the ninth century, moreover, new converts to the faith beyond the Alps developed a highly ornate style of liturgical attire; church vestments were made of precious silks and decorated with embroidered and woven ornament, often incorporating gold and jewels. Making use of surviving medieval textiles and garments; mosaics, frescoes, and manuscript illuminations; canon law; liturgical sources; literary works; hagiography; theological tracts; chronicles, letters, inventories of ecclesiastical treasuries, and wills, Maureen C. Miller in Clothing the Clergy…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Maria Hayward is my go-to author for all things clothing and fashion in Tudor England. In this book, she focuses on dress during Henry VIII’s reign, and the sumptuary legislation that regulated what people could wear. However, this is more than just a study of legislation. Hayward also uses wills, portraits, inventories and letters to describe and analyse the actual clothes owned by people from across the social spectrum. Of particular use to newcomers to the history of fashion is the information she provides about the different types of fabric and accessories, and her glossary.
English dress in the second half of the sixteenth century has been studied in depth, yet remarkably little has been written on the earlier years, or indeed on male clothing for the whole century. The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's…
I’ve always wanted to know why people acquire the things they choose, how they get them, and what they do with them. For years, too, I’ve been fascinated by the period when modernity was being born, a time full of worldwide exploration, the founding of new nations and societies, and the invention of new ways of making, transporting, and distributing all sorts of goods and services. I discovered that studying consumers, consumer goods, and trade from the mid-seventeenth to the late eighteenth century was the perfect way to satisfy my curiosity. The Material Atlantic is my report about what I’ve learned.
Luxury is not usually associated with slavery. But in the colonial Americas, it could be. Sometimes, because some enslaved men and women were tailors and seamstresses, and some of the clothing they created was costly. More often, however, because some enslaved people got their hands on expensive, fashionable clothing.
Historians have begun to tell this story, and few do it better than the young scholar Tamara Walker. In this superb study, Walker tracks down all sorts of sources, written and pictorial, to describe the many ways that enslaved individuals acquired fine clothing in Lima, Peru, a Spanish-American colonial capital renowned for its residents’ opulent apparel.
Exquisite Slaves adds a fresh dimension to the exciting scholarship that is revealing how marginalized groups have obtained goods usually forbidden to them.
In Exquisite Slaves, Tamara J. Walker examines how slaves used elegant clothing as a language for expressing attitudes about gender and status in the wealthy urban center of eighteenth- and nineteenth-century Lima, Peru. Drawing on traditional historical research methods, visual studies, feminist theory, and material culture scholarship, Walker argues that clothing was an emblem of not only the reach but also the limits of slaveholders' power and racial domination. Even as it acknowledges the significant limits imposed on slaves' access to elegant clothing, Exquisite Slaves also showcases the insistence and ingenuity with which slaves dressed to convey their own sense…
As a child (and budding feminist), I inhaled historical fiction about queens and other formidable women. This led to my scholarly interest in female power and authority. Aristocratic women had meaningful political influence in Old Regime France through family networks and proximity to power. However, with the French Revolution of 1789, women’s exclusion from political power (and the vote) was made explicit. This led me to examine the tools women had to accumulate political and social capital, including beauty and the control of fashion. We need to take the intersection of beauty, fashion, and politics seriously to understand the operation of power in both history and the modern world. The books I chose privilege my own interest in eighteenth-century France, but have a broader significance. And they are all really fun to read!
A major divergence in the nature of elite men's and women’s clothing styles took place in the eighteenth century that symbolized a new understanding of both femininity and French national identity. The fancy dress men wore at court transformed into the sober black suit of the male professional, while women’s clothing became increasingly ornate, fussy, and “feminine” in the modern understanding of the term. Jones links fashion and gender systems to social, cultural, and economic practices—including the rise of consumer culture—and demonstrates why the study of fashion and sexuality are far from frivolous.
The connection between fashion, femininity, frivolity and Frenchness has become a cliche. Yet, relegating fashion to the realm of frivolity and femininity is a distinctly modern belief that developed along with the urban culture of the Enlightenment. In eighteenth-century France, a commercial culture filled with shop girls, fashion magazines and window displays began to supplant a court-based fashion culture based on rank and distinction, stimulating debates over the proper relationship between women and commercial culture, public and private spheres, and morality and taste. Mary Wollstonecraft was one of those particularly critical of this 'vulgar' obsession with 'tawdry finery', declaring it…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
Fashion has been the love of my life since I was a little kid pouring over magazines and watching shows on fashion TV in the middle of the night. But I’ve always known fashion is not about clothing, its about feeling and it’s about people. That’s why I love to read the stories about people who work in fashion, who have been impacted by fashion and those who love it just as much as I do.
In Dress Code, fashion director Veronique Hyland makes the connection between clothing and our culture.
She argues that fashion is an integral part of all of our lives and explains the ways that it means so much more than the outfit hanging in our closets. The essays are great at helping the reader contextualize clothing in a world where social media and politics, inform the way we shop and style ourselves.
A New Yorker Magazine Best Book of 2022 * An Esquire Best Nonfiction Book of 2022 * A Town & Country Must-Read Book of 2022 * A Fashionista Summer Read
"Smart, funny, and impressively thorough."-The Cut
In the spirit of works by Jia Tolentino and Anne Helen Peterson, a smart and incisive essay collection centered on the fashion industry-its history, its importance, why we wear what we wear, and why it matters-from Elle Magazine's fashion features director.
Why does fashion hold so much power over us? Most of us care about how we dress and how we present ourselves. Style…
