Books like Montaigne — picked by fans

I love this book because it changed the way I look at the world. It was a game changer when it was first written in French in 1949 and remains essential reading for anyone interested in European History.

Braudel offers a panoramic view of Europe’s diverse civilizations and how they were shaped by the continent’s environment and geography. Centred on the Mediterranean Braudel ranges across time and space and explores the interaction, exchange and conflict between people who lived on the sea, in the mountains and on the plain.

It remains a classic because Braudel was a rare thing among historians – he was a great writer.

I read this book the summer before I returned to university to complete my B.A. Thompson’s book convinced me that one of my first loves, the study of history, was where I wanted to be.

It is a ground-breaking study of people overlooked, ignored, and condescended to by historians, whose lives were changed by early forms of industrialization in late 18th and early 19th-century England. Thompson treats these people as active agents in shaping their worlds socially, economically, and politically, and he takes their role in “making class” and political activism seriously.

It is also beautifully written, and the depth of his research sets a high standard for subsequent generations of historians.

I love this book because it’s a story about ordinary people. But it’s a true story.

It reads like a fairytale: a peasant, Arnaud du Tilh, is accused of impersonating another man who had abandoned his wife several years before. Arnaud seems to have outwitted the judges until the errant husband returns condemning the impostor to death.

I like this story because it helps to identify with men and women in the past, who in many respects, are just like us. It’s also a piece of great history reconstructed from original trial records. Davis is a great writer.

I love this book because on the one hand it tells an incredible story of adventurous derring-do – how a few hundred men conquered a vast empire – and other hand is a testimony to the brutality and savagery that accompanied European colonization.

Diaz is crucial to understanding our present condition. I admire it because it helps us to understand why Europe emerged as the most important region in world history and reminds us of the terrible consequences that conquest had for indigenous people.

Did you think that all women married in former centuries? This fine and path-breaking book will put you right.

Amy Froide reveals that about one in five never married, and tells their stories to throw light on lives traditionally overlooked. Among the landed classes, many remained single because fathers couldn’t or wouldn’t raise a dowry to attract a suitable husband. Middle-class girls might be pressed to stay home and look after ageing parents or orphaned siblings. But we learn that other women remained single from choice, prizing their independence.

A lucky few had inherited the means to pay their way, while others opened a shop or practiced a craft, and took pride in supporting themselves.

Laslett’s book taught me the value of comparative material in studying Ancient History. Another part of the Medieval and Modern History syllabus was seventeenth-century England. Teaching was dominated by the Civil War, emphasizing its socio-economic aspects.

This book had just appeared, and I drew on it enthusiastically for my essays. It dealt with the only period of English pre-industrial history for which original documentation allows some meaningful, detailed study of ordinary life. This is not possible for Roman history, even through archaeology, but the experience of later times can be considered in studying Roman society.

For example, Laslett explored precisely how upper-class and merchant families were not nuclear but made up of a large number of near and distant relatives, servants, employees and apprentices: not unlike the traditional Roman familia, except that the latter included slaves.

A startling finding when I was researching Elizabethan ideas about the mind was how far their attitudes to the imagination differed from ours.

We see it as a creative force to be encouraged and liberated, but for them it was dangerous, deceptive, and unruly, leading towards sinfulness and madness. Roychoudhury explains how early scientific thinking was starting to unsettle this traditional view of the imagination as reprehensible, and traces the effects of this in works including A Midsummer Night’s Dream, The Sonnets, and Macbeth.

I would add that the new commercial playhouses for which Shakespeare wrote became experimental crucibles: these were spaces where the combined imaginations of playwright, actors, and audiences created virtual realities, unleashing an exhilarating and magical sense of the powers of imagination.

This riveting Young Adult novel sets the action on a stage in which “East” and “West” are not divided as typically imagined, but intertwined economically, politically, and culturally. Moses’ staff has been stolen from Topkapi Place and a team of Ottoman janissaries is sent on a mission through Italy and England to recover it. The team is made of free and formerly enslaved men and women hailing from rising empires and those lost. Their struggles offer a searing account of the Ottoman, West and North African, and European dependence on the trade of enslaved human beings. And while the theft of the staff of Moses may seem fanciful, its possession confers imperial power and thus is the perfect object to ask from who was it truly stolen and to whom should it be returned.

Strong is the undisputed doyen of Elizabethan painting. As Assistant Keeper (1959-67) and Director (1967-73) of the National Portrait Gallery and then Director of the Victoria and Albert Museum (1973-87), he devoted the better part of thirty years to groundbreaking exhibitions and publications on the Tudor court. His writings, more than anyone else’s, are what led me to Tudor art. This book distills the essence of Strong’s many seminal works from a long and distinguished career, but adds glorious new colour photography and generous nods to the art historians who have come after him. Strong wears his learning lightly, making this an ideal gateway text for anyone seeking a way into the world of Elizabethan painting and portraiture.

In The Sterkarm Handshake, the device for time travel is simply a tube; not magical, but scientific, down which modern ruthless developers travel back to 16th century Scotland. Here they meet with equally ruthless highlanders. The scientists are planning to plunder Scotland’s resources (the 16th-century locals have been plundering roundabout for years), and of course, the modern developers run into problems. As in all books of this genre, the characters who travel through time may want to fit in or may choose to reject what the past has to offer. 

The heroine, like similar time-travellers, falls in love with a long-dead character and here, there’s also the possibility of the 16th century Scots coming up the tube to 20th century England – a good twist. There are also some very satisfying links between past and present, moments where you smile and think, Ah, how clever!