Books like The Conference of the Birds — picked by fans

I read this trilogy in 1998 when I had just finished high school.

Even then, I understood the book presented Frodo as the main hero, but I was always aware that without Sam, Frodo couldn't go far. He was just a gardener in the beginning, but when the books were over, he proved himself and even became the mayor of the Shire.

Seeing a regular guy carrying the main hero on his shoulders is something else. The decisions he made and his forcing himself to do more transformed him into a natural hero and a leader.

This fascinating little gem of a book is concerned with tiny, largely unknown islands scattered around the world. Schalansky essentially selected them largely for how far they are from big, continental lands. Even after spending a significant portion of my life at sea, I can only claim to have visited or even sailed within sight of about a dozen of them. Most of these small atolls are far from their mother countries. But each of these isolated islands has a story that is inextricably tied to the sea.

Long after I began studying Italian, I resisted reading Italy’s greatest poet. His classic book seemed too daunting, too distant, too dull. Then, an Italian teacher gave me the first adaptation of the La Divina Commedia that she had read as a girl: a vintage Italian Walt Disney comic book featuring Mickey Mouse (Topolino in Italian) as Dante with Minnie Mouse as his adored Beatrice.   

I was so intrigued that I bought an English translation of the Divine Comedy—several, although I’m partial to John Ciardi’s. My unanticipated reaction: Wow! Like modern readers ensnared by the wizardly world of Harry Potter, I skidded into a fully imagined alternate world. An action-packed, high-adrenalin, breath-taking, rip-roaring yarn leaped off the pages into vivid, writhing, pulsating life. If you love action-packed tales and also seek insights into the Italian soul, read The Inferno. Purgatorio and Paradiso are optional. 

I refer to Arthur Waley’s famous translation and abridgment of the novel Journey to the West, purportedly written by Wu Cheng’en in sixteenth-century China.

The story has the underlying theme of a quest—the protagonist Monkey, born from a stone egg, an impetuous, impatient, self-centered creature, occasionally violent but ultimately good-hearted, seeks knowledge and eternal life. His exploits get him in trouble with the Jade Emperor who imprisons him beneath a mountain for five hundred thousand years. He is released by the monk Tripitaka when he promises to accompany him to India to bring the Buddhist scriptures back to China. Adventures ensue with monsters, dragons, and ghosts. They pick up companions along the way until they eventually succeed and become enlightened.

It is a magical, humorous story with a refreshingly non-western sensibility. It is comprised of Chinese folk tales with added political satire. It also has an almost cartoon-like quality.

… show more.

Attar’s masterpiece is a Sufi classic. It represents the journey of the birds—which in Islam as in so many traditions represents the spirit. 30 birds set out to see the “Big Bird”, the Phoenix, and in doing so travel through seven valleys which represent the stages of the spiritual path. In one of the more famous puns in Islamic literature, when they reach the destination, they see God as a mirror of themselves, the thirty birds (in Persian “si-murgh”, si=30, murgh=birds) recognize themselves as a reflection of the Simurgh, the phoenix. Peter Avery’s translation is a wonderful resource, as it is accompanied by incredibly helpful notes.

Written by the renowned Sunni scholar and Sufi teacher Abu ’l-Qasim al-Qushayri (986–1074) of Khorasan in Eastern Iran, this is probably the most popular Sufi training manual ever. It is still widely used by Sufis today, so you can begin your Sufi journey by reading it. It also serves as a window onto the life of “Sufi friends of God” or “saints,” whom the author depicts as uncrowned kings of this world. We see them in a variety of contexts: suffering from hunger and thirst in the desert during a pilgrimage to Mecca, participating ecstatically or quietly in spiritual concerts, reciting and interpreting the Qur’an, waging war against outward enemies (“infidels”) and their own demonic desires, earning livelihood, meditating in a retreat, praying, working miracles, interacting with the commoners, their family members and peers, dreaming, and dying.

So, first things first with this list of recommendations to unlock your creativity: you got to get yourself out of the way. There’s no better way to do this than acquainting yourself with Sufism, even on an introductory level.

I am very close friends with the pre-eminent American translator of the 13th-century Sufi poet Jalal al-Dīn Rumi, and it still took me many years to get to this book. Maybe everything happens at the right time, but you still need to settle with yourself to get any ball rolling, especially the powerful tool of your own creativity–the only medicine, the single refuge. 

Sufiism predates Islam and contains some of the most interesting thinking from the ancient world to stand alongside the ancient Greeks and Romans. All three traditions, the Greek, the Roman, and the Sufi, did a tremendous job of deconstructing humbug and turning a clear eye on the truth.

Teaching tales from the Sufi tradition have been passed down to us, but we no longer know where they came from—for instance, did you know that the famous tale of the blind men and the elephant is a Sufi teaching tale? Idries Shah has gathered together a wonderful collection of these teaching tales with names like The Man Who Was Aware of Death, The Man with the Inexplicable Life, and Wisdom for Sale. If you married the teaching tale, the fairy tale, and existential thought, this is what you would get. I love these tales! 

Cemalnur Sargut, whose own first name literally means Beauty-Light, thus the title of this volume, is a reminder that this Path of Love is a living tradition. She is a living Sufi female teacher in Istanbul, who offers brilliant insights into the Qur’an, Rumi, and Ibn ‘Arabi with effortless grace. To listen to Cemalnur or read her book is a reminder of the gates to heaven are still open.   

Now that you know what Sufism is all about, it is time to find out what lies behind the romantic façade of Sufi love poetry, ecstatic outbursts, and exotic rituals. For this purpose, I cannot recommend a better guide than this collective monograph. Its authors explain the nuts and bolts of Sufi life past and present: how Sufis interact with the world that they are supposed to despise and reject, how they feed themselves and their families, how they create and sustain their fellowships and associations, how their shrines serve as centers of charity, education, and arbitration as well as objects of pilgrimages, both collective and individual. My greatest takeaway from this informative and richly illustrated volume is Sufism’s remarkable adaptability. It thrives in the countryside, urban spaces, and cyber environment, often against great odds.