Here are 100 books that Memoirs of an Infantry Officer fans have personally recommended if you like
Memoirs of an Infantry Officer.
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Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
If you want one book to understand how the first month or so of World War 1 played out, there is only one place to turn. Tuchman’s book is beautifully written, with a rich tapestry of characters and events, it covers the major events in Europe in August and early September 1914. It is largely seen through the eyes of ‘great men’—the military and political leaders of the day—which makes it slightly dated by today’s standards, but the skill and humanity of the reader and the sheer scope of the narrative will keep you in their thrall.
PULITZER PRIZE WINNER • “A brilliant piece of military history which proves up to the hilt the force of Winston Churchill’s statement that the first month of World War I was ‘a drama never surpassed.’”—Newsweek
Selected by the Modern Library as one of the 100 best nonfiction books of all time
In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.
I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
Each of these novels, in their own way, forces us to confront the realities of war and power, showing how fragile humanity truly is. They’ve inspired me to reflect on how interconnected we are, especially regarding the scars of conflict. I am reminded of the John Donne poem that inspired Hemingway’s title, For Whom the Bell Tolls (1940)–which begins: “No man is an island, intire of its selfe; every man is a piece of the continent, a part of the maine.” War doesn’t just affect the soldiers: war has its hooks in us all.
This book is one of the most haunting accounts of war I've ever read. Through the eyes of Paul Bäumer, a young German soldier, Remarque immerses you in the horrific realities of World War I. The sheer brutality of trench warfare, the disillusionment with nationalism, and the emotional devastation of losing comrades all play out in a way that feels as immediate now as it must have been when the book was first published. My grandfather fought in the First World War, and though he never spoke about it, I believe the emotional scars he carried shaped who he became. All Quiet makes me think about how those invisible wounds persist today—worldwide. War may evolve regarding weapons and strategies, but the psychological impact is chillingly consistent.
This novel isn’t just about the battlefield. It’s about the inner lives of soldiers and the way war corrupts not just bodies but minds,…
The story is told by a young 'unknown soldier' in the trenches of Flanders during the First World War. Through his eyes we see all the realities of war; under fire, on patrol, waiting in the trenches, at home on leave, and in hospitals and dressing stations. Although there are vividly described incidents which remain in mind, there is no sense of adventure here, only the feeling of youth betrayed and a deceptively simple indictment of war - of any war - told for a whole generation of victims.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’m a former newspaper guy who always wanted to write novels and finally took a serious crack at fiction a few years before I retired from journalism. I’m also a World War II buff, a fact that stems from my having grown up around veterans of the war — fathers, uncles, grandfathers — who told me their stories. As a novelist writing about World War II, I realized I couldn’t fully understand that war until I understood the one that preceded it, hence my focus on books related to the earlier conflict.
Like Sassoon, Owen entered the war as a “dreamy” youth interested in literature and art. Unlike Sassoon, though — whom Owen idolized — Owen did not survive the war. He was killed in action on November 4, 1918, a week before the war ended.
Owen wrote all of the poems for which he is remembered between August 1917 and September 1918. His experience of the war turned him from “ a very minor poet to something altogether larger,” writes C. Day Lewis. “…It was a forced growth, a revolution in his mind which, blasting its way through all the poetic bric-a-brac, enabled him to see his subject clear — ‘War, and the pity of War.’ The subject made the poet: The poet made the poems, which radically changed our attitude toward war.”
The hallmarks of Owen’s poetry are his compassion for the frontline soldier and the precision and clarity with…
Wilfred Owen was twenty-two when he enlisted in the Artists' Rifle Corps during World War I. By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.
I’ve always loved horses, in real life and fiction. I guzzled up pony stories as soon as I was old enough to read, then I started writing them, tales of teenage orphans adopted by distant aunts who lived in crumbling stately piles with fields full of ponies. When I started writing fiction for a living, it stood to reason horses would feature, and three decades after one trotted into my debut novel French Relations – then galloped off into the sunset in its sequelWell Groomed- they’re still a mainstay. Of the twenty novels I’ve written, more than half have horses at their heart, including my new Comptons series.
This first of Sassoon’s semi-biographical Sherston trilogy is a nostalgic amble along Edwardian English lanes, across its village greens, and over its hedges, tracing the early years of likeable, witty George Sherston before the Great War. It depicts a bygone era of pearl-clutching maiden aunts, rumbustious village cricket matches, and the rigours of the hunting field, in which enthusiastic recruit George is a terrific observer of the larger-than-life characters he encounters. He is winningly grateful to his horses for being so much better at it than him, from flighty first pony Sheila to trusty hunter Harkaway, and ‘bargain’ point-to-pointer Cockbird who is gifted to the cavalry at the book’s close, just as George accepts his commission to the Flintshire Fusiliers to fight in the Great War, saying farewell to his halcyon childhood. Sassoon, famous for his war poetry, is such a warm and intelligent writer that his affection for characters…
The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell
A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.
In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's…
History has always fascinated me. I majored in history as an undergrad, but what really shaped me was listening to people tell their stories. My earliest memories are of sitting with my grandparents and listening to them share bits of their lives with me. Those stories helped me understand that history is not a list of events, but rather a sharing of the human experience. Each of the stories in this book list highlights a moment in history, but they also show readers our humanity across time; that people have the same hopes and dreams no matter where they came from and what they experienced.
What I liked most about this story was that it was written from a child’s point of view.
In this historical fiction novel about WWI, Alfie’s father suffers from shell-shock (what today we call PTSD). Alfie’s father is hospitalized, and the story is a journey of discovery, pain, healing, and the long-term impact war has on soldiers and families.
The story could be set in any place and time because these themes transcend all wars.
The day the First World War broke out, Alfie Summerfield's father promised he wouldn't go away to fight - but he broke that promise the following day.
Four years later, Alfie doesn't know where his father might be, other than that he's away on a special, secret mission.
Then, while shining shoes at King's Cross Station, Alfie unexpectedly sees his father's name - on a sheaf of papers belonging to a military doctor. Bewildered and confused, Alfie realises his father is in a hospital close by - a hospital treating soldiers with an unusual condition.
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I am the prize-winning author of sixteen novels, most recently Little Egypt, The Squeeze, and Blasted Things. I teach creative writing at the University of St Andrews. I live in Edinburgh and am a Fellow of the Royal Society of Literature. I’m a novelist and student of human nature. I love to work out what motivates people, how and why they make choices, their coping mechanisms, and how they act under pressure. Before I begin a novel set in the past, I read as much fiction written at the time as I can find, as well as autobiography and history. In this way, I attempt to truffle down into the actions and impulses of individuals, both performative and deeply interior, that characterise the spirit of the era that I’m writing.
Chris, a shell-shocked soldier who suffers from amnesia, returns from the front expecting life to be as he remembered. But he’s lost fifteen years of his memory and doesn’t recognise his wife Kitty, is horrified by how his cousin Jenny has aged, and longs only for Margaret, the girl he loved all those years ago. Despairing for his sanity, Kitty and Jenny summon Margaret, sure he’ll come to his senses when he sees her, only to find that he still adores her, dowdy, careworn, and poor as she is. The war is only glancingly mentioned here but its loss and damage aches between the lines. Told by Jenny, who loves Chris but starts to see Kitty in a new light, the dreadful snobbishness of the times is laid clear. The Return of the Soldier is a brief novel, romantic and witty, moving and bitter – I devoured it in one…
A shell-shocked officer returns from the chaos of World War I to the tranquility of his stately English home — leaving his memory of the preceding 15 years amid the muddy trenches at the front lines. Anxiously awaiting the soldier's return are the three women who love him best: the perceptive cousin who narrates his story, the beautiful wife he fails to recognize, and the tender first love of his youth. This remarkable war novel, Rebecca West's first work of fiction, depicts neither battles nor battlefields. Originally published in 1918, it takes a searching look at the far-reaching effects of…
I've been drawn to the experience of women on the home front since, at the age of seven, I witnessed my grandmother’s raw, unprocessed grief at the death of her favourite brother. Later, I read accounts by women and men caught up in that war who all displayed a breathtaking degree of selflessness. This novel is my homage to them. It meant a lot to me to write it, prompting tears several times while I typed. Evocatively written about sensitive issues, I wanted to capture the emotional toll that bravery involves and to write about the characters’ experiences with empathy and love. I hope it is a book you can curl up with.
Although my novel is set mainly on the home front, it starts in no man’s land and the trenches and returns to the front a few more times to demonstrate how close the links were between the home and war fronts. I wanted these passages to be realistic and needed facts, details, and knowledge from which to write.
I read John Lewis-Stempel’s meticulously researched book because it focuses on the experiences of Subalterns—young men who were made officers while they were often still at school. I found it moving, harrowing, and shocking—a book that stayed with me because it showed the impossibility of performing that role and surviving more than a few weeks. It proved invaluable for the first chapter of the book which is entitled The Subaltern.
The extraordinary story of British junior officers in the First World War, who led their men out of the trenches and faced a life expectancy of six weeks.
During the Great War, many boys went straight from the classroom to the most dangerous job in the world - that of junior officer on the Western Front. Although desperately aware of how many of their predecessors had fallen before them, nearly all stepped forward, unflinchingly, to do their duty. The average life expectancy of a subaltern in the trenches was a mere six weeks.
In this remarkable book, John Lewis-Stempel focuses…
As children, my brother and I were constant playmates. He was an early riser and often woke me up so our day of play could begin as soon as possible. I have sight, and my brother is blind. Play for us was an all-senses experience. We felt the rumble of our bikes on the street, listened to the screech of the metal swing set, and guessed spices by their smell. We also devoured stories. We listened to audiobooks, he read to me in Braille, and I read to him. All of these experiences, and more, prepared me to be an author of numerous children’s books with sensory details to make stories come alive.
Pat the Bunny is designed for the youngest children learning to read, yet I remember this book on our shelf throughout my whole childhood.
Each page is interactive as children are invited to pat the soft bunny, smell the flowers, touch Dad’s scratchy face, and more. Besides learning to read, children learn to notice sensory details in the world around them.
The timeless children's classic full of interactive fun—a perfect gift for new babies and first birthdays.
For generations, Pat the Bunny has been creating special first-time moments between parents and their children. One of the best-selling children’s books of all time, this classic touch-and-feel book offers babies a playful and engaging experience, all the while creating cherished memories that will last a lifetime.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
It’s not common for books about WWI to contain detailed analysis of both the battlefields and the home front (although this dual coverage is a feature of my lost generation multi-biographies).
To compile a comprehensive history of Australia during the war that combines what happened at home with what occurred at the various fronts is indeed a daunting task, yet Joan Beaumont accomplished it with conspicuous success in this acclaimed and award-winning book.
Winner of the 2014 Prime Minister's Literary Award for Australian History.The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac 'legend'. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible.Broken Nation is the first book to bring together all the dimensions of World War I. Combining deep scholarship with powerful…