100 Books Like Memoirs of a Fox-Hunting Man

Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.

He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.

McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood. 

And the truth he finds in the details, from the brutality of religious authority figures to the abject… show more.

This memoir captures the journey of child soldiers during the civil war in Sierra Leone, and shows how once-innocent children with ordinary lives became killing machines in the hands of a ruthless rebel leader. Beah doesn't shy away from the gruesomeness of civil war, but there is beauty in how he weaves this memoir that reads like a novel. Though I am not usually a fan of books with a lot of violence, I was drawn to this one and could not put it down. I believe history is best learned from those who have first-hand experience. This is a one-of-a-kind book and to Beah’s credit, well-written as well. 

In my book I talk about how many people miss out on the love they expect—the love of a mother, father, spouse, or child—and yet how most of us survive by finding the love we need elsewhere. In Cider with Rosie, Laurie’s father abandons his family, but Laurie’s mother shines: her frisks and gaieties, her fits of screams, her love of man. This is the childhood memoir of one of the great (somewhat unacknowledged) poets of the twentieth century.

This memoir of Alexandra Fuller’s childhood is a hilarious take on her family’s experience of farming in Zimbabwe, Malawi, and Zambia in the 1970s and 1980s. It is a refreshing reminder of what it was like to live and grow up as a member of the white minority intent on remaining in power during a fast-changing, violent, and deeply unstable period in the history of southern Africa. It is a wonderful portrayal of some of the traumas of growing up with a witty, mad, and heavy-drinking mother who had to endure the unspeakable tragedy of losing a child, a chain-smoking father who farmed by day and fought terrorists by night, and a glamorous older sister. It is a book that keeps you laughing or crying the whole way through.

I read this book when it was first published, and I couldn’t put it down. The story opens with a dreadful accident where a lorry hits two girls out riding together. One girl and her horse are killed, the other girl has life-changing injuries. and her horse is so traumatised that the vet suggests putting him down. However, her mother refuses to do that. Instead, she loads the horse into a trailer and takes him and her daughter to Montana to meet a horse whisperer who she hopes can heal them all. (NB Although this story features a child, it is not a children’s book.)

The glorious Flambards series, starring gutsy heroine Christina, was a staple for pony-mad teenagers in the 70s and 80s and is still held in great affection by its legions of fans. It’s so full of heart and life that it’s stayed relevant and readable today. Orphaned at the turn of the twentieth century, Christina Parsons is sent to live with tyrannical, hunting-mad Uncle William and his two sons in their impoverished estate. One son, dashing thruster Mark, is thought to be a good match for Christina, but it’s his younger brother, the clever, awkward would-be aviator William who she falls for. Perhaps the most trusting and enduring love she finds, however, is that for horses, starting with the wonderful, kind Sweet Briar in this opening novel. The freedom they discover together, blasting across Flambards’ ancient turf from Uncle William’s angry bellowing, is a tour de force.

Naughty, pun-laden, wise-cracking, and wildly sexy, Riders was the first of Jilly Cooper’s ‘Rutshire Chronicles’ introducing us to the Cotswolds show-jumping set, led by the thoroughly unreconstructed Rupert Campbell-Black whose ruthless bid to win Olympic gold sweeps up all in his wake. The male characters, alternately strutting around in breeches and dinner suits and trailed by adoring Labradors and women, are all a wonderfully undomesticated pack. The feisty heroines who take them on inevitably end up swooning. It’s the horses – a brave bold and talented herd – that are by far the most noble characters and provide many genuinely moving moments. Riders is about as politically correct as a cigar in a maternity ward and unapologetically British from hunting cap to mahogany-topped boot, yet it remains the best ‘grown-up pony book’ in existence, still adored by tens of thousands of fans.

Jojo Moyes is better known for writing romance than pony books, but The Horse Dancer has all the ingredients for the perfect pony book: a troubled but talented teen, a beautiful horse, and a dream of being the best.

Fourteen-year-old Sarah wants to follow in her grandfather’s footsteps and join Le Cadre Noir French classical riding academy, but her hopes are dashed when her beloved grandfather falls gravely ill.

Suddenly alone in the world, Sarah is taken in by lawyer Natasha and her estranged husband Mac. Unfortunately, she omits to tell them she is the owner of a thoroughbred dancing horse called Boo. 

When Sarah rashly decides to run away to France with Boo I couldn’t help rooting for the pair.

This is a story of courage and determination that had me gripped from the first page to the last.

A “murder light” story, unique setting, and cast of crazy characters are the hallmarks of a classic cozy mystery, and Outfoxed certainly delivers! The setting serves up a whopping dose of southern charm and fox hunting tradition, while also providing a stage for a fierce rivalry between a native son Virginian and an upstart Yankee for the coveted position of joint-Master of the Hunt. When a murder is committed during the Opening Day Hunt, everyone is shocked to realize the murderer has to be an insider. That’s when the Master of the Jefferson Hunt of Virginia, “Sister” Jane Arnold, swings into action with both the horses, hounds, and even foxes on her side. Yes, the animals speak, and it’s charming and fun. The author’s obvious love of fox hunting comes through so clearly, it prompted me to give it a try. Once. Because I must admit, it was too much… show more.

A sharpshooter with high walls around her heart, Margaret lives alone in her family’s falling-apart mansion. Alone, that is, until charming alchemist Wes shows up and makes her an offer she can’t refuse: partner up in the dangerous hunt for the last living mythical creature, and bring her mother home. This delightful twist on the grumpy/sunshine trope will transport you to the mythical forest and candlelit manor with its lyrical writing. The vibes alone in this story cannot be beat. Add the promise of a hunt and a well-earned slow-burn romance, and this book will soothe your soul like a warm sweater on an autumn day.