Here are 100 books that The Collected Poems of Wilfred Owen fans have personally recommended if you like
The Collected Poems of Wilfred Owen.
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Narrative history isn’t about dates, kings, and queens. It’s about deeds, actions, experiences, decisions of people great and small. It’s about putting the reader in the middle of a drama and watching events unfold around them as if they were there so they can understand, observe, and perhaps ask: what would I have done? The best history writing shouldn’t just inform, but inspire you, make you feel: laugh, cry, feel angry, flinch at horrific sights, cheer the heroes, boo the villains, because history is made by ordinary people, good and bad, who possess many similar traits to the reader.
If you want one book to understand how the first month or so of World War 1 played out, there is only one place to turn. Tuchman’s book is beautifully written, with a rich tapestry of characters and events, it covers the major events in Europe in August and early September 1914. It is largely seen through the eyes of ‘great men’—the military and political leaders of the day—which makes it slightly dated by today’s standards, but the skill and humanity of the reader and the sheer scope of the narrative will keep you in their thrall.
PULITZER PRIZE WINNER • “A brilliant piece of military history which proves up to the hilt the force of Winston Churchill’s statement that the first month of World War I was ‘a drama never surpassed.’”—Newsweek
Selected by the Modern Library as one of the 100 best nonfiction books of all time
In this landmark account, renowned historian Barbara W. Tuchman re-creates the first month of World War I: thirty days in the summer of 1914 that determined the course of the conflict, the century, and ultimately our present world. Beginning with the funeral of Edward VII, Tuchman traces each step…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I am the youngest child in my family, which means I grew up with the sense that I had to catch up. Everyone else knew things that I didn’t know. This made me explore the world and try to understand it by reading books. I studied literature at university because I felt that it held some secrets of the universe, and then I became a journalist because I wanted to practice writing. But I also wanted a legitimate reason for probing, researching, and searching for answers. I love these books because they have deepened my sense of the past while making me see that it is still with us.
Paul Fussell was a soldier in World War II, and he was also a professor of literature. His great book examines the way the experience of war changed a generation. It also changed literature (and art). After the experience of war, poets could no longer write about the world in idealized and romantic ways. They had to find forms to express the experience of being alive in ways that were new and shocking.
I love how Fussell uses his own experience of both war and scholarship to explain why Western art took such a turn in the 20th century. It helped me to understand modernist literature and myself.
Winner of both the National Book Award and the National Book Critics Circle Award and named by the Modern Library one of the twentieth century's 100 Best Non-Fiction Books, Paul Fussell's The Great War and Modern Memory was universally acclaimed on publication in 1970. Today, Fussell's landmark study remains as original and gripping as ever: a literate, literary, and unapologetic account of the Great War, the war that changed a generation, ushered in the modern era, and revolutionized how we see the world.
This brilliant work illuminates the trauma and tragedy of modern warfare in fresh, revelatory ways. Exploring the…
Each of these novels, in their own way, forces us to confront the realities of war and power, showing how fragile humanity truly is. They’ve inspired me to reflect on how interconnected we are, especially regarding the scars of conflict. I am reminded of the John Donne poem that inspired Hemingway’s title, For Whom the Bell Tolls (1940)–which begins: “No man is an island, intire of its selfe; every man is a piece of the continent, a part of the maine.” War doesn’t just affect the soldiers: war has its hooks in us all.
This book is one of the most haunting accounts of war I've ever read. Through the eyes of Paul Bäumer, a young German soldier, Remarque immerses you in the horrific realities of World War I. The sheer brutality of trench warfare, the disillusionment with nationalism, and the emotional devastation of losing comrades all play out in a way that feels as immediate now as it must have been when the book was first published. My grandfather fought in the First World War, and though he never spoke about it, I believe the emotional scars he carried shaped who he became. All Quiet makes me think about how those invisible wounds persist today—worldwide. War may evolve regarding weapons and strategies, but the psychological impact is chillingly consistent.
This novel isn’t just about the battlefield. It’s about the inner lives of soldiers and the way war corrupts not just bodies but minds,…
The story is told by a young 'unknown soldier' in the trenches of Flanders during the First World War. Through his eyes we see all the realities of war; under fire, on patrol, waiting in the trenches, at home on leave, and in hospitals and dressing stations. Although there are vividly described incidents which remain in mind, there is no sense of adventure here, only the feeling of youth betrayed and a deceptively simple indictment of war - of any war - told for a whole generation of victims.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’m a former newspaper guy who always wanted to write novels and finally took a serious crack at fiction a few years before I retired from journalism. I’m also a World War II buff, a fact that stems from my having grown up around veterans of the war — fathers, uncles, grandfathers — who told me their stories. As a novelist writing about World War II, I realized I couldn’t fully understand that war until I understood the one that preceded it, hence my focus on books related to the earlier conflict.
Sassoon chronicled the war’s psychological, emotional, and physical landscape in several books of poetry and a three-part, partly-novelized memoir in which he cast himself as a typical well-off Englishman, George Sherston. The tale — of which Memoirs of an Infantry Officer is the second installment — follows Sassoon’s/Sherston’s evolution from a dreamy, poetic youth into a brave and loyal officer who eventually comes to publicly oppose the war. (An act that famously landed in him a psychiatric hospital, where he met a budding poet named Wilfred Owen.)
Sassoon’s matter-of-fact depiction of life in the British trenches, with its wild and sudden swings between boredom and terror, is indispensable. His literal description of that life gradually takes on the quality of a hallucination as the reality of the war hardens in his mind and in the reader’s.
The second volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell
A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.
The second volume of Siegfried Sassoon's semiautobiographical George Sherston trilogy picks up shortly after Memoirs of a Fox-hunting Man: in 1916, with the young Sherston deep in the trenches of WWI. For his decorated bravery, and also his harmful recklessness, he…
The greatest influence on my interest in the theme of war is, of course, my father. Only later, when I became involved with the FEPOW groups, I heard the real stories of what happened to them as individuals, as well as the poor treatment of families back home in Britain. My book is based on their stories. However, this interest also spread to other areas as I read about the history of war while studying literature and, later, the work of various official War Artists. In all of it, the despair and hopelessness comes through, definitely not any sense of the ‘glory’.
As part of my English Literature studies, I was instantly taken by the desperation and reality of life for these very young men fighting in the trenches during WWI.
Even if poetry is not your preferred style, for anyone interested in military history, Owen’s poems describe the stark fear and appalling conditions for the soldiers and the clear incompetence of those in charge.
They are hauntingly vivid in his descriptions of their existence and, of course, the inhumanity of war. It is particularly sad that he died as hostilities ended.
'Orpheus, the pagan saint of poets, went through hell and came back singing. In twentieth-century mythology, the singer wears a steel helmet and makes his descent "down some profound dull tunnel" in the stinking mud of the Western Front. For most readers of English poetry, the face under that helmet is that of Wilfred Owen.' Professor Jon Stallworthy, from his Introduction.
When Wilfred Owen was killed in the days before the Armistice in 1918, he left behind a shattering, truthful and indelible record of a soldier's experience of the First World War. His greatest war poetry has been collected, edited…
In 1997, I was hired by the Northwest Youth Corps as a trail crew leader. That season, and across five more seasons, I built trails across the Pacific Northwest and Desert Southwest, including in many national parks. Since then, I have been in love with backpacking trails (including hiking the Long Trail and Colorado Trail), building trails, and writing about trails (Crosscut: Poems). I now live in Vermont with my wife and daughter. We have a trail we built that weaves through our woods.
There are so few books available about trail building. Riprap might be the oldest and one of the most beautiful. Riprap poetically describes Snyder’s summer trail-building job in 1955 in Yosemite National Park. These poems not only sing about the beauty and physicality of trail building but also echo back on the ancient Chinese poets who Snyder was studying during that time. In the end, Riprap shows us trail building but also illuminates how wildness can infuse the human spirit.
By any measure, Gary Snyder is one of the greatest poets in America in the last century. From his first book of poems to his latest collection of essays, his work and his example, standing between Tu Fu and Thoreau, have been influential all over the world. Riprap, his first book of poems, was published in Japan in 1959 by Origin Press, and it is the fiftieth anniversary of that groundbreaking book we celebrate with this edition. A small press reprint of that book included Snyder's translations of Han Shan's Cold Mountain Poems, perhaps the finest translations of that remarkable…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
Studying unexplored topics has always fascinated me as a historian. Some overlooked aspects in history might shed a new light on many things that we consider obvious. I studied the Ottoman home front during the First World War from an unusual perspective by taking up the concept of moral crisis. Until very recently, talking about the First World War in the Middle East meant talking about only the European side of the story such as the famous “Lawrence of Arabia” and/or only political events that were attached to the Anglo-British rivalry. Instead, we need a “new” history of this watershed event that takes the local aspects into consideration. After all, the Great War was the most remarkable moment in the history of the Middle East which shaped its modern dynamics.
Based on a wide array of archival sources, the book discusses the Ottoman governance of Greater Syria during the First World War. During the war, the Ottoman government-appointed Cemal Pasa, one of the chief names of the ruling Committee of Union and Progress, as the commander of the Fourth Army and the military governor of Ottoman Arab provinces to lead a campaign against in the British-held Suez Canal. However, in addition to the military aim of this appointment, there was also a political and social one that can briefly be summarized as further centralization of the state through the “iron fist” of the governor. The book presents us the power struggle in the region between the Ottoman government, Arab leaders, Zionists, and the Central Powers (the allies of the Ottoman Empire during the war) who attempted to increase their influence in the region after the British and French were declared…
During the First World War, Cemal Pasha attempted to establish direct control over Syrian and thereby reaffirm Ottoman authority there through various policies of control, including the abolishment of local intermediaries.
Elaborating on these Ottoman policies of control, this book assesses Cemal Pasha's policies towards different political groups in Syrian society, including; Arabists, Zionists, Christian clergymen and Armenian immigrants. The author then goes on to analyse Pasha's educational activities, the conscription of Syrians- both Muslim and Christian, and the reconstruction of the major Syrian cities, assessing how these policies contributed to his attempt to create ideal Ottoman citizens.
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.
I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.
I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.
This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.
Reading my great uncle’s war letters home to Kansas City and seeing his artwork—he was a magazine illustrator in civilian life and then editor of the 27th Empire Division’s magazine, Gas Attack—I knew, as a writer, I had to put his story down on paper. What his National Guard regiment did, the 107th, simply blew me away. From writing about what the 107th endured in the Great War, I was carried away to tackle the all-black 369th Regiment, famously known as Harlem’s Hell Fighters. I then had to tell the story of New York City’s most famous regiment, the Fighting 69th. My trilogy of New York’s National Guard in the war is now done.
Pulitzer-Prize winning author Toland, in a riveting style, gives us a detailed account of what it was like on the Western Front in 1918 for the British and French armies, their leaders and their soldiers, but more importantly for America, its crucial role and for its men, from President Wilson and General Pershing down to the mud-splattered private on the frontlines. He also delves into the Russia Revolution. When you finish this book, you get a full understanding of the war and what it was like during that last year.
From freezing infantrymen huddled in bloodied trenches on the front lines to intricate political maneuvering and tense strategy sessions in European capitals, noted historian John Toland tells of the unforgettable final year of the First World War. As 1918 opened, the Allies and Central Powers remained locked in a desperate, bloody stalemate, despite the deaths of millions of soldiers over the previous three and a half years. The arrival of the Americans "over there" by the middle of the year turned the tide of war, resulting in an Allied victory in November. In these pages participants on both sides, from…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I’m Steve R Dunn, a naval historian and author of twelve books of naval history, with two more commissioned for 2024 and 2025. As a child I used to invent naval fleets and have always loved the water. Now, I write about little-known aspects of the First World War at sea, and try to demonstrate that, despite the mass slaughter and ultimate victory on the Western Front, if Britain had lost command of the sea, the war would have been lost. The combination of recognisably modern weapons with Nelsonian command and control systems renders the naval side of WW1 endlessly fascinating to me.
This is the book that got me into naval history and made me want to be a naval historian.
Bennett was a serving officer in the RN and the son of a naval officer. He writes with pace, experience, and clarity about the major naval encounters of the First World War. It is a book that would be a good primer for anyone wanting to start the WW1 at sea journey. I purchased it in a second-hand bookshop in Cambridge and never looked back.
With the call to action stations in August 1914, the Royal Navy faced its greatest test since the time of Nelson.
This classic history of the Great War at sea combines graphic and stirring accounts of all the principal naval engagements -- battles overseas, in home waters and, for the first time, under the sea--with analysis of the strategy and tactics of both sides. Geoffrey Bennett brings these sea battles dramatically to life, and confirms the Allied navies' vital contribution to victory.
