Here are 100 books that Flint Flushwork fans have personally recommended if you like
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If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Today surviving medieval church wall paintings are a bit of a rarity in England, but during the Middle Ages every church, almost without exception, would have been an absolute riot of colour, with saints, angels, and demons battling their way across the walls. What Rosewell's book does is allow you to understand not just what you are seeing, but how and why they were made in the first place. It explains the way in which the pigments were made, who painted them, and even who paid for them. It also contains an absolutely fantastic selection of images, that bring to life just how vibrant the walls of our churches once were. A gem.
Highly Commended in the Best Archaeological Book category of the 2008 British Archaeological Awards.
Wall paintings are a unique art form, complementing, and yet distinctly separate from, other religious imageryin churches. Unlike carvings, or stained glass windows, their support was the structure itself, with the artist's "canvas" the very stone and plaster of the church. They were also monumental, often larger than life-size images forpublic audiences. Notwithstanding their dissimilarity from other religious art, wall paintings were also an integral part of church interiors, enhancing devotional imagery and inspiring faith and commitment in their own right, and providing an artistic setting…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Definitely not as grim as the title might suggest. All churches are crammed full of memorials to the dead, and many dozens of books have been written that focus upon the people who lie in these tombs, or beneath the elegant grave slabs. However, sometimes little attention has been given to these memorials themselves, and the craftspeople who made them. This book is the culmination of a lifetime's research and will fascinate anyone who has an interest in church decoration - or dead people.
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
Surviving medieval painted rood screens are one of the wonders of England's churches. Each one artwork in its own right. In this magnificently illustrated work, the authors highlight twenty-four of the finest surviving examples, showing them in all their glorious detail. It may not be a groundbreaking work, but it is most certainly an inspiring one. If you ever thought the Middle Ages were drab and colourless, then this book will undoubtedly change your mind. A visual feast.
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
If you spend as long looking at medieval churches as I do, you also end up collecting a lot of books on the subject. Any church archaeologist cannot help also becoming something of a librarian. A passion for churches - and books. There are hundreds of church guidebooks out there, all of which have their own merits, but these are a small selection of books that look at different aspects of church history. They look at these amazing buildings through a different lens. These aren't a definitive guide - just books that I find myself returning to time and time again - for both information and pleasure.
I love this book, and not just because it is one of the few church archaeology books to mention graffiti. This book takes a very different approach to churches than most volumes you will have come across, as it quite literally strips them back to their bare bones. This is the deep history of the parish church, laid bare in the stones. Rodwell is a recognised expert in his field, and understands churches in ways that few others do - and after reading this you will never look at a medieval church in quite the same way again.
Churches are Britain's most completely surviving class of historic monument. They are also usually the oldest buildings within their settlements. As such, these structures, from parish church to cathedral, from medieval to Georgian, are a huge architectural and archaeological resource.
The last couple of decades have witnessed an unprecedented upsurge of public interest in the historic environment, and the growth of the tourism and 'heritage' industries has focused new attention on churches. While some visitors to churches, cathedrals and monastic ruins seem content to wander around with little or no understanding of what they are looking at, many have an…
Researching my novel Set in Stone, I did some hands-on carving in Jurassic limestone—I loved the fact that the materials and techniques are fundamentally unchanged over hundreds of years. My tutor is an expert in letter-cutting, and soon I wanted to try that, exacting though it is. This became an ingredient of my new novel. I began to think of a female character, dedicated to her solitary craft, very independent, but becoming involved in complicated relationships nevertheless. She walked into my mind very confidently as Meg, one of my three viewpoint characters. I hope you’ll enjoy my book selection!
This is a great introduction to the architecture of cathedrals, abbeys, and churches—a friendly guided tour of various periods, styles, and techniques that shows us how buildings and carvings in stone have evolved. New cathedrals in their day represented state-of-the-art magnificence, inspiring awe, and they continue to do so now.
If you wonder how weighty stone can soar heavenwards, take on lacy airiness, and capture light, this book will help you to appreciate the skills, craftsmanship, and often bravery required of masons whose names are usually unknown to us.
Visiting historic buildings is one of Britain's most popular pursuits. But, all too often, visitors are frustrated by existing guidebooks, which assume much prior knowledge of architectural history and terms. This highly illustrated, accessible book presents a completely new look at cathedrals, abbeys and churches through the eyes of a vastly experienced working stone-mason. Thomas Maude uses well-chosen historical and technical information, colourful anecdote and his hands-on knowledge of building structures and technique to convey the excitement which they hold in store. This remarkable and engaging book will help any visitor understand and enjoy the medieval ecclesiastical buildings of Britain…
I had visited many Eastern Orthodox churches across Eastern Europe and the Middle East for a research project, and finally came to Ethiopia. Here I encountered a large and thriving Christian community which reached back to the earliest days of the church. Its location between the Middle East and East Asia and Africa as well as Europe has given it a distinctive way of living and worshipping which is unique in the Christian world – and overlooked by other churches. I’ve spent the last twenty years exploring this tradition which gives the rest of us a radically different understanding of faith.
David Phillipson is an archeologist who has excavated – and shown me round – sites at Axum and other places. Here he guides us through the early history of the church from the 4th to 15th centuries by showing the wonderful photos, descriptions, and plans of the main church sites, supplemented by historical and geographical essays. A tour of the buildings is a clear and perceptive introduction to this tradition – as well as being a breath-taking journey through some of the more important historic centres of this ancient civilisation.
The kings of Aksum formally became Christian during the second quarter of the 4th century, making Ethiopia the second country in the world (after Armenia) officially to adopt the new faith. This landmark book is the first to integrate historical, archaeological, and art-historical evidence to provide a comprehensive account of Ethiopian Christian civilization and its churches-both built and rock-hewn-from the Aksumite period to the 13th century.
David W. Phillipson, a foremost authority on Ethiopia's archaeology, situates these churches within the development of Ethiopian society, illuminating the exceptional continuity of the country's Christian civilization. He offers a fresh view of the…
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m a sociologist who has just written a book about the ways that we engage with death and dying online, and before that I wrote a book about media coverage of disasters. Macabre subjects have always fascinated me, I guess, not because they are macabre but because they reveal a great deal about the ways we live and our sense of the value of life itself.
Ariès was a masterful medieval historian, and in this slim volume, based on a series of lectures he gave at Johns Hopkins University, he traced big cultural shifts in the way Western culture has thought about death and dying.
Medieval traditions lauded a so-called “tame death,” in which the dying person calmly accepted their fate, received visitors at home, and directed the rituals and ceremonies that would accompany their impending demise. Death was a normal part of domestic life, witnessed by young and old alike.
This is eventually contrasted with the modern way of dying, in which people die in hospitals, not at home, hidden away from most of a society that has come to believe people need to be shielded from sad and upsetting matters like illness and death. It is a fascinating work of history and a powerful critique of contemporary mores around mortality.
I am a historian of medieval women, especially women in the Iberian peninsula, and royal women. I became interested in Berenguela of Castile through studying her sister, Blanche, who was queen and regent of France. I learned about Blanche through studying Cistercian architecture – I remain really interested in material culture, memorialization, interpersonal relationships (like motherhood!), and political life in the medieval world, all of which I study primarily through the lens of gender. I still turn to these classic, foundational works on medieval women when I want to teach students how the field developed, and when I want to understand essential premises about Iberia, motherhood, religion, queenship, and historiography.
Another companion on my journey to becoming a medievalist, The Oldest Vocation is one of the earliest works of medieval scholarship to take the history of motherhood seriously. Atkinson showed us how mothering was a calling in the medieval world, whether it was a physical experience or a spiritual one. I think this was the first book I ever bought the moment it was available!
According to an old story, a woman concealed her sex and ruled as pope for a few years in the ninth century. Pope Joan was not betrayed by a lover or discovered by an enemy; her downfall came when she went into labor during a papal procession through the streets of Rome. From the myth of Joan to the experiences of saints, nuns, and ordinary women, The Oldest Vocation brings to life both the richness and the troubling contradictions of Christian motherhood in medieval Europe.
After tracing the roots of medieval ideologies of motherhood in early Christianity, Clarissa W. Atkinson…
I studied the Tudor era in high school and have been hooked ever since. It was an era of enormous change. The world was opening up, science was advancing, religion was losing its grip over people, and new ideas were challenging every level of society. Discovery was everywhere–new planets, lands, theories, foods, and trading routes. Society was changing, and women were beginning to have a voice and education. It was also an era of characters–men and some women who made a mark on the world through their wit and wisdom–and some just by being rogues. There are no dull moments in Tudor times.
I love this because Ken Follett is a master storyteller. It spans the Elizabethan era and captures the intrigue, international conspiracies, horrors of religious persecution, and the opening up of the world through trade and exploration.
Yet again, Follett takes you to the town of Kingsbridge and into the world and lives of the characters who live there. You are engaged and invested in them and even feel you know them. I loved the reality, the emotion, the highs of joy, and the lows of sadness.
"Absorbing . . . impossible to resist." -The Washington Post
As Europe erupts, can one young spy protect his queen? #1 New York Times bestselling author Ken Follett takes us deep into the treacherous world of powerful monarchs, intrigue, murder, and treason with his magnificent new epic, A Column of Fire.
In 1558, the ancient stones of Kingsbridge Cathedral look down on a city torn apart by religious conflict. As power in England shifts precariously between Catholics and Protestants, royalty and commoners clash, testing friendship, loyalty, and love.
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I’m a medieval historian, and I’ve written academic books and articles about the history of the medieval world, but I have also written two historical novels. I became interested in history in general and the Middle Ages in particular from reading historical fiction as a child (Jean Plaidy!). The past is another country, and visiting it through fiction is an excellent way to get a feel for it, for its values, norms, and cultures, for how it is different from and similar to our own age. I’ve chosen novels that I love that do this especially well, and bring to light less well-known aspects of the Middle Ages.
It is difficult to imagine a list of great novels about the Middle Ages that does not include this book.
I read it first when I was in graduate school, and it brought so much of what I was studying to life – the monastic world of its setting with all its contradictions and spectacular architecture; fights over religion and the true nature of spirituality; the non-linear nature of medieval literature.
I love how it can be read on one level as a page-turny murder mystery and on another as a post-modern novel that explores the nature of signs and meaning. Its mystificatory preface reveals the distance between the medieval world and what we can say about it.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
