Here are 100 books that Making is Connecting fans have personally recommended if you like
Making is Connecting.
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Green sketching opened my eyes to the beauty and joy in my life that I’d never noticed before, beauty and joy that cost nothing to me or the planet. It quietened my busy brain, reduced my anxiety, and made me much more resilient. I’m now trying to help others put down their phones and pick up a pencil. Because when we change what we look at, we can change how we feel. And I’m convinced that once we see and appreciate nature’s beauty with fresh eyes, we’ll start to love and take care of it again.
As someone who straddles the sciences and the arts, I devoured this book and loved learning more about why participating in the arts, whether as a creator or a beholder, brings me so much joy.
I had no idea the cells in my heart actively respond to aesthetic stimuli!
NEW YORK TIMES BESTSELLER • A life-altering journey through the science of neuroaesthetics, which offers proof for how our brains and bodies transform when we participate in the arts—and how this knowledge can improve our health, enable us to flourish, and build stronger communities.
“This book blew my mind!”—Angela Duckworth, #1 New York Times bestselling author of Grit
Many of us think of the arts as entertainment—a luxury of some kind. In Your Brain on Art, authors Susan Magsamen and Ivy Ross show how activities from painting and dancing to expressive writing, architecture, and more are essential to our lives.…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
My whole life has been about the power of making. I’m a writer and educator specialising in craft. Previously, I worked at the Crafts Council in London, and now I write for craft magazines with a particular interest in the connective nature of craft in communities and the relationship between craft and wellbeing. I’m also a parent to a learning-disabled adult, so understand learning differences (and care). I recently started Quickthorn Books to showcase more makers. I run workshops in darning, crochet, knitting, and, most recently, making rag rugs. I’m proud to be a trustee of Heritage Crafts, and I can usually be found knitting in the corner.
Betsy is known as the Godmother of craftivism, and we had the pleasure of interviewing her for our book. She shows that in a world in which we can feel increasingly powerless, small acts of creativity can give us agency and make us feel like we have a voice. Her work with affirmations and collecting the stories of others continues online.
Craftivism is a worldwide movement that operates at the intersection where craft and activism meet; Craftivism the book is full of inspiration for crafters who want to create works that add to the greater good. With interviews and profiles of craftivists who are changing the world with their art, and through examples that range from community embroidery projects, stitching in prisons, revolutionary ceramics, AIDS activism, yarn bombing, and crafts that facilitate personal growth, Craftivism provides imaginative examples of how crafters can be creative and altruistic at the same time.
Artists profiled in the book are from the United States, Canada,…
My whole life has been about the power of making. I’m a writer and educator specialising in craft. Previously, I worked at the Crafts Council in London, and now I write for craft magazines with a particular interest in the connective nature of craft in communities and the relationship between craft and wellbeing. I’m also a parent to a learning-disabled adult, so understand learning differences (and care). I recently started Quickthorn Books to showcase more makers. I run workshops in darning, crochet, knitting, and, most recently, making rag rugs. I’m proud to be a trustee of Heritage Crafts, and I can usually be found knitting in the corner.
Sarah runs the Craftivist Collective, and her work proves that it’s possible to protest in a gentle and mindful way.
Her book outlines some of the ways she has managed to create change through quiet activism, and she has a new book coming out soon, which I’m looking forward to reading.
'This is mindful activism . . . thought-out, strategic and engaging' Guardian
'I love what Sarah does! It's quiet activism for everyone including introverts' Jon Ronson
'Sarah Corbett mixes an A-grade mind with astonishing creativity and emotional awareness' Lucy Siegle
If we want a world that is beautiful, kind and fair, shouldn't our activism be beautiful, kind and fair?
Award-winning campaigner and founder of the global Craftivist Collective Sarah Corbett shows how to respond to injustice not with apathy or aggression, but with gentle, effective protest.
This is a manifesto - for a more respectful and contemplative activism; for conversation…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
My whole life has been about the power of making. I’m a writer and educator specialising in craft. Previously, I worked at the Crafts Council in London, and now I write for craft magazines with a particular interest in the connective nature of craft in communities and the relationship between craft and wellbeing. I’m also a parent to a learning-disabled adult, so understand learning differences (and care). I recently started Quickthorn Books to showcase more makers. I run workshops in darning, crochet, knitting, and, most recently, making rag rugs. I’m proud to be a trustee of Heritage Crafts, and I can usually be found knitting in the corner.
Those of us who knit know that it’s good for us, helping to keep us calm, moderate our heart rate, and more. Rachael explores the therapeutic nature of making in her own idiosyncratic way.
I love Rachael’s voice when she writes, enabling her to be profound while deeply down to earth. This is the only book by her that I haven’t edited myself, so was compelled to read it anyway.
Anyone can pick up a pair of needles and a ball of yarn. And everyone can be mindful. Mindfulness in Knitting casts fresh light on this renowned calming craft, and reveals how the act of "knit and purl" can be the epitome of conscious living. Ethical textile artist Rachael Matthews unpicks the threads of this popular pastime to explore how knitting connects us to each other and to the world around us. Through personal anecdote and expert insight, she unravels the true value of what it means to craft, its therapeutic benefits, and the joys of mindful making.
I grew up ignorant of reality: of my/our history, of the place I grew up in, of the social-ecological reality of the planet. I swallowed “the red pill” in my youth and awakened to a combination of wonder and horror, wonder at the beauty of the ecosphere and of humanity and horror at what is being done to it, to us, by us. In response, I started a garden, got involved in food system change, and became a journalist and author writing on social-ecological issues. My commitment to change intensified when I became a father and again when I became a grandfather.
This book scared the hell out of me and, at the same time—because the author offers credible solutions—gave me hope. In all his books, Homer-Dixon does something I can’t get enough of: he presents unfamiliar, often surprising facts about reality in the context of stories, especially stories about the people that uncover them.
The accumulated information and stories reveal a truth, in this case, that human ingenuity, the force that built civilization, may no longer be sufficient to get us out of the mess of problems we have created through its application. Homer-Dixon transformed my writing style.
Despite all of society’s advances, our problems proliferate. Wars abound, environmental degradation accelerates, economies topple overnight, and pandemics such as AIDS and tuberculosis continue to spread. The Internet and other media help to disseminate knowledge, but they’ve also created an “info-glut” and left us too little time to process it. What’s more, advances in technology have made the world so bewilderingly fast-paced and complex that fewer people are able even to grasp the problems, let alone generate solutions. That space between the problems that arise and our ability to solve them is “the ingenuity gap,” and as we careen towards…
I believe I was put on this planet to help people learn how to connect with each other and, especially, how to connect across their myriads of differences. Helping others develop stronger and deeper relationships in service of leading more meaningful and satisfying lives has given my life purpose through multiple careers—including as an executive, consultant, Stanford professor, and start-up co-founder. I’ve additionally invested fully in developing exceptional relationships with my husband (of 40 years), my now adult kids, and my closest friends and colleagues. I have seen first-hand how being interpersonally competent is a determinant of both professional and personal success.
This is one of my all-time favorites; I’ve read it multiple times at different points in my life. It has been especially helpful in learning that when one door closes in relationships, another one opens (as with my divorce).
The idea of a “neutral zone” between endings and new beginnings helped me take my time and ask myself, “What is waiting to happen in my life now?” Finally, this book helped me launch out anew with a sense of hope and renewal, as when I got remarried.
Other transitions it has helped me through are the loss of relationships when I changed jobs and the opportunity to connect with my kids in a whole new way once they became adults
Whether it is chosen or thrust upon you, change brings both opportunities and turmoil. Since first published 25 years ago, Transitions has helped hundreds of thousands of readers cope with these issues by providing an elegantly simple yet profoundly insightful roadmap of the transition process. With the understanding born of both personal and professional experience, William Bridges takes readers step by step through the three stages of any transition: The Ending, The Neutral Zone, and, in time, The New Beginning. Bridges explains how each stage can be understood and embraced, leading to meaningful and productive movement into a hopeful future.…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
This one is for girls who want to know more about tomboys in the here and now. Davis essentially asks “how did we get to this time of transgender and nonbinary identity?” She interrogates the term “tomboy” as a way of understanding how our understanding of gender norms has changed and remained unchanged—at the same time.
Based on the author’s viral New York Times op-ed, this heartfelt book is a celebration and exploration of the tomboy phenomenon and the future of girlhood.
We are in the middle of a cultural revolution, where the spectrum of gender and sexual identities is seemingly unlimited. So when author and journalist Lisa Selin Davis's six-year-old daughter first called herself a "tomboy," Davis was hesitant. Her child favored sweatpants and T-shirts over anything pink or princess-themed, just like the sporty, skinned-kneed girls Davis had played with as a kid. But "tomboy" seemed like an outdated word—why use a word with "boy"…
Iʻve been travelling to islands before realizing I was seeking them. It was my political convictions that brought me to Haiti and Cuba, and later to Indonesia and Thai Islands due to my philosophical interests. When I headed to Greece for the first time it was to Corfu and the Peloponnese, my lineage, but also to Ithaca, Crete, the Cyclades, and eventually to Lesvos. Now I live in Hawaiʻi. I was attracted to the poetics of island landscapes, but as a scholar of space, society, and justice, I also understood that islands hold distinct sets of constraints and opportunities that require further study with intersectional and decolonial perspectives.
This is a spectacular and detailed book—think city as island—that can engross you over and over again. Simone, development activist and scholar, carries us into four African cities and shares the grassroots efforts of people coming together to create systems of trust for economic exchange and meeting social needs—without or outside the state and capital. It is the potential for alternatives that makes this book so attractive to me and inspired my own work on convivial economics. Simone helps us to see that new ways of being and acting collaboratively can spring up and offer a blueprint for how we can move forward in solidarity.
Among government officials, urban planners, and development workers, Africa's burgeoning metropolises are frequently understood as failed cities, unable to provide even basic services. Whatever resourcefulness does exist is regarded as only temporary compensation for fundamental failure. In For the City Yet to Come, AbdouMaliq Simone argues that by overlooking all that does work in Africa's cities, this perspective forecloses opportunities to capitalize on existing informal economies and structures in development efforts within Africa and to apply lessons drawn from them to rapidly growing urban areas around the world. Simone contends that Africa's cities do work on some level and to…
Driving cars through Europe and the Sahara Desert to sell them in Niger and exploring China and Russia on the Trans-Siberia Express (1992) as a student, I quickly realised that what we think we know about the world is very superficial, cliché, and stereotype. This made me embark on a PhD supervised by Erasmus University Rotterdam professor Frank M. Go (may he rest in peace), to whom I am forever grateful for suggesting the classic literature on this page. Now I advise governments, I am founding chairman of the International Place Branding Association, co-editor of the journal of Place Branding and Public Diplomacy, and a passionate visiting scholar in Beijing, London, Milan, Rotterdam, and Turin.
My dear colleague Simon Anholt is the founding father of the idea of the city, region or nation as brand.
He created the Anholt Ipsos Nation Brands Index and the Good Country Index; has written extensively on the subject; and has inspired me throughout my career. In his latest book The Good Country Equationhe clearly proves – through the data that he’s collected – that for places to be admired, they have to be admirable.
In other words, places are respected for what they contribute to humanity and the planet, not for their propaganda. This is obviously an important discovery that forces governments and their stakeholders to focus on meaningful strategy, policy and cooperation as opposed to image promotion.
I also enjoyed reading Simon’s book as he shares his personal experiences as a government advisor.
"Not only does Anholt explain the challenges facing the world with unique clarity, he also provides genuinely new, informative, practical, innovative solutions. . . . The book is a must-read for anyone who cares about humanity's shared future." --H. E. Mohamed Abdullahi Mohamed (Farmaajo), President of the Federal Republic of Somalia
Why doesn't the world work? Why, despite all the power, technology, money and knowledge that humanity has accumulated, are we are still unable to defeat global challenges like climate change, war, poverty, migration, extremism, and inequality?
Simon Anholt has spent decades helping countries from Austria to Zambia to improve…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
As someone who’s spent a career capturing moments, both on film and in digital, I’ve had a front-row seat to the way the internet has upended creative industries. At first, it seemed like a gift. Then, I watched artists lose control of their work, their rights, and their livelihoods. That’s why I decided to push back by founding The American Society for Collective Rights Licensing.
Reading this book felt like having someone finally call out the problem for what it is. It made me think about how much we’ve sacrificed in the name of “progress”.
In this sharp and witty book, long-time Silicon Valley observer and author Andrew Keen argues that, on balance, the Internet has had a disastrous impact on all our lives.
By tracing the history of the Internet, from its founding in the 1960s to the creation of the World Wide Web in 1989, through the waves of start-ups and the rise of the big data companies to the increasing attempts to monetize almost every human activity, Keen shows how the Web has had a deeply negative effect on our culture, economy and society.
Informed by Keen's own research and interviews, as…
