100 Books Like Lugosi

I loved this book because it is a story that reclaims the tattered image of a bold and brave woman, Idina Sackville, as re-told by her great-granddaughter, Frances Osborne.

The Bolter tells a complete tale of a determined woman unwilling to be tamed by high-society rules but rather singularly interested in pursuing her own interests in love, passion, and life. Taylor Swift fans believe that her song, “The Bolter” from her album, The Tortured Poets Department, is directly inspired by Idina Sackville.

I read until the end because I was dying to know what became of Idina and how her legacy grew from socialite-gone-wrong to the understudied drive of a determined woman.

When I was working on the fundraising campaign to raise money for the statue of Virginia Woolf for Richmond, I was constantly being quoted the line, “I’d rather die than live in Richmond.” This line, uttered by Nicole Kidman as Woolf in The Hours, was completely made up by the screenwriter. 

Woolf’s decade (1914–1924) in Richmond was actually one of her most prolific. She launched the Hogarth Press, wrote major works, and hosted literary gatherings whilst also navigating the upheaval of World War I. This book, drawing from her letters and diaries, paints a richer picture of her time in Richmond. I think this bio-pic would challenge the Bloomsbury-dominated narrative and put pay to that rogue quote.

1950s MGM swimming star Esther Williams dazzled on-screen but faced challenges off it. Her autobiography recounts her rise from poverty, four turbulent marriages, and dangerous stunts that left her injured. A bio-pic of Williams would shine a spotlight on this resilient, forthright woman, blending the opulence of MGM’s golden age with the grit of her off-screen struggles.

From her innovative contributions (thank you for waterproof mascara and lycra swimwear!) to the harrowing realities of her stunts, her story is ripe for the big screen. Plus, imagine the sheer visual delight of recreating her most famous routines on the big screen.

In the summer of 1816, Mary Wollstonecraft Godwin, her husband-to-be Percy Bysshe Shelley, their close friend Lord Byron, Mary’s stepsister Claire Clairmont, and Byron’s physician John William Polidori gathered at the Villa Diodati near Lake Geneva, Switzerland, where they challenged each other to craft ghost stories.

Mary’s contribution—a tale exploring the possibility of reanimating a corpse—became the seed of Frankenstein. This summer and the creation of Frankenstein have been vividly portrayed in bio-pics such as Gothic (1984, Ken Russell), Haunted Summer (1988, Ivan Passer), and Rowing with the Wind (1988, Gonzalo Suárez).

Less explored is her time in Bath (Sept 1816 - May 1817), where she worked on the novel. This book (2024) delves into these months, showing how Mary navigated grief, personal loss, and her writing routine. For those who love books, it also highlights the texts she and Percy read during this period, which influenced her work.… show more.

LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.

His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices. 

The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”

He is a fictionalized account of the comedian Stan Laurel's life. Being a massive fan of Laurel & Hardy, whose films remain irrepressibly funny to this day, and having read several factual books about Stan and his sidekick, it was a no-brainer to pick this up and I thoroughly enjoyed it. Whilst at times it feels like a ‘tick box’ situation regarding some of the events that an aficionado of Laurel would expect to be covered, at other times it provides an acute insight into the man behind the films. The similarity of the process on show here is so close to Blonde that a comparison is inevitable, and whilst he doesn’t provide the same emotional impact and is quite clinical in the telling, it nevertheless remains an important work in its own right and therefore is highly recommended.

If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.

A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”   

First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s… show more.

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

Michael Redgrave was a great actor who succeeded both in the classical theatre and as a popular film star. His son Corin, himself an actor, has written a deeply felt, tender, and sympathetic book about his father.

He is perceptive about his father's subtle skill as an actor and the basis of his lifelong socialism. But he struggled to understand his personal life, which was complicated by his bisexuality: although married for fifty years to the actress Rachel Kempson, he indulged in a series of affairs with men.

In later years, his acting career was cruelly cut short when he was struck by Parkinson’s disease. The illness brought the two of them closer, with Corin conveying movingly his love, respect, and admiration for his father.