Books like Lugosi — picked by fans

I loved this book because it is a story that reclaims the tattered image of a bold and brave woman, Idina Sackville, as re-told by her great-granddaughter, Frances Osborne.

The Bolter tells a complete tale of a determined woman unwilling to be tamed by high-society rules but rather singularly interested in pursuing her own interests in love, passion, and life. Taylor Swift fans believe that her song, “The Bolter” from her album, The Tortured Poets Department, is directly inspired by Idina Sackville.

I read until the end because I was dying to know what became of Idina and how her legacy grew from socialite-gone-wrong to the understudied drive of a determined woman.

When I was working on the fundraising campaign to raise money for the statue of Virginia Woolf for Richmond, I was constantly being quoted the line, “I’d rather die than live in Richmond.” This line, uttered by Nicole Kidman as Woolf in The Hours, was completely made up by the screenwriter. 

Woolf’s decade (1914–1924) in Richmond was actually one of her most prolific. She launched the Hogarth Press, wrote major works, and hosted literary gatherings whilst also navigating the upheaval of World War I. This book, drawing from her letters and diaries, paints a richer picture of her time in Richmond. I think this bio-pic would challenge the Bloomsbury-dominated narrative and put pay to that rogue quote.

1950s MGM swimming star Esther Williams dazzled on-screen but faced challenges off it. Her autobiography recounts her rise from poverty, four turbulent marriages, and dangerous stunts that left her injured. A bio-pic of Williams would shine a spotlight on this resilient, forthright woman, blending the opulence of MGM’s golden age with the grit of her off-screen struggles.

From her innovative contributions (thank you for waterproof mascara and lycra swimwear!) to the harrowing realities of her stunts, her story is ripe for the big screen. Plus, imagine the sheer visual delight of recreating her most famous routines on the big screen.

In the summer of 1816, Mary Wollstonecraft Godwin, her husband-to-be Percy Bysshe Shelley, their close friend Lord Byron, Mary’s stepsister Claire Clairmont, and Byron’s physician John William Polidori gathered at the Villa Diodati near Lake Geneva, Switzerland, where they challenged each other to craft ghost stories.

Mary’s contribution—a tale exploring the possibility of reanimating a corpse—became the seed of Frankenstein. This summer and the creation of Frankenstein have been vividly portrayed in bio-pics such as Gothic (1984, Ken Russell), Haunted Summer (1988, Ivan Passer), and Rowing with the Wind (1988, Gonzalo Suárez).

Less explored is her time in Bath (Sept 1816 - May 1817), where she worked on the novel. This book (2024) delves into these months, showing how Mary navigated grief, personal loss, and her writing routine. For those who love books, it also highlights the texts she and Percy read during this period, which influenced her work.

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Time and again, history repeats itself.

Just as Clara Bow, Idina Sackville, and Rebekah Harkness lived wildly glamour lives in the public eye continually shamed for any behavior not fitting for a young woman’s reputation, this book gave me a unique perspective into the bold, brave strength of Elizabeth Taylor – whose parents were from Kansas of all places (although from a time before the Kansas City Chiefs reign). I could not put this book down because the continual shifts in Liz Taylor’s personal and professional life were jarring, inspiring, and mesmerizing.

I started this book to understand better what Taylor Swift saw in Elizabeth Taylor, using her for inspiration in a song titled “Elizabeth Taylor” on The Life of a Showgirl album. I stayed because I needed to know how it ended.

Although I knew of Hattie McDaniel’s groundbreaking achievement as the first African American woman to win an Academy Award for her iconic role as Mammy in Gone with the Wind, I knew little about Hattie’s life before, during, and after the film’s release. 

Through this book, I learned why McDaniel's victory marked such a pivotal moment in the history of cinema. More importantly, I appreciated how Tate moved beyond that singular moment to unveil the deeper layers of McDaniel's life, painting a vivid portrait of her struggles, triumphs, and the indelible mark she left on the entertainment industry, including the challenges she faced in a racially segregated Hollywood.

I applaud Tate for transforming Hattie McDaniel from a recognizable name into a three-dimensional, inspiring figure. 

He is a fictionalized account of the comedian Stan Laurel's life. Being a massive fan of Laurel & Hardy, whose films remain irrepressibly funny to this day, and having read several factual books about Stan and his sidekick, it was a no-brainer to pick this up and I thoroughly enjoyed it. Whilst at times it feels like a ‘tick box’ situation regarding some of the events that an aficionado of Laurel would expect to be covered, at other times it provides an acute insight into the man behind the films. The similarity of the process on show here is so close to Blonde that a comparison is inevitable, and whilst he doesn’t provide the same emotional impact and is quite clinical in the telling, it nevertheless remains an important work in its own right and therefore is highly recommended.

Martin Turnbull is somewhat of an expert on Old Hollywood and I found his incredible website in my research for Honey Black.

His website is full of original photos of LA throughout the decades and these were invaluable for me when I was writing certain scenes. I then discovered he had written a series of books based in Hollywood, following three friends who come together to navigate their way through the movie business, starting with The Garden of Allah set in the late 1920s. It’s a fascinating look at the seedier side of Old Hollywood. 

I stumbled across this beautiful non-fiction hardback while I was searching for books that would immerse me fully into Honey Black’s world, when I first started writing my novel.

This is an excellent book recounting the scandals of Old Hollywood – Clark Gable and Errol Flynn included – complete with an impressive amount of authentic photographs that bring every story to bright, technicolour life. A lot of the scandals referred to in my novel were discovered through reading this book!

The opening, hook, if you will, of this book is exactly why I loved it. She is an attorney.

He is a huge over-the-top movie star whose next role is in a courtroom. When he is late, she blows him off and he can’t believe it. I love love love how she stands up to him and basically, puts him in his place. But when he sees her in action, he’s stunned. And, that is what I love!

It’s convincing and I know that in the end things will work out. That’s the joy of Romance. The journey to the ending you know you’ll love.