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My grandfather dictated a number of oral histories shortly before he died and left a series of sketchy diaries of his education at Sul Ross University (then Sul Ross State Teachers' College) in Alpine, Texas. Many years later, I got interested in his life and went to Sul Ross University to the archives, where the librarians gave me countless oral interviews from the 1930s and documents about the Civilian Conservations Projects in the area, namely the establishment of Big Bend National Park and the Balmorhea State Park Swimming Pool. This ignited my interest in the 1930s Depression and the New Deal—how, in a very short time, the U.S. federal government established work relief programs to help thousands out of work.
When I first read The Grapes of Wrath in high school, I was moved by the story of the Joad family’s poverty and desperation, and the lack of sympathy they encountered when they arrived in California.
It is a very gritty description of their journey to California, and details how their dreams sour when they arrive, working as slaves for big orchard owners. This was the fate of thousands of farmers who fled the Dust Bowl.
'I've done my damndest to rip a reader's nerves to rags, I don't want him satisfied.'
Shocking and controversial when it was first published, The Grapes of Wrath is Steinbeck's Pultizer Prize-winning epic of the Joad family, forced to travel west from Dust Bowl era Oklahoma in search of the promised land of California. Their story is one of false hopes, thwarted desires and powerlessness, yet out of their struggle Steinbeck created a drama that is both intensely human and majestic in its scale and moral vision.
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
The 1930s have always fascinated me. It was such a historically difficult time for the entire world. The Great Depression, the rise of Nazi Germany, WWII, and the rise of two of the world’s most notable leaders, FDR and Winston Churchill. I have spent years of study on this period and written three novels that take place during the thirties. Does it make me an expert? Only one deeply familiar with an exciting decade.
She checks all the boxes that I hunt for in thirties fiction. The Great Depression, family, and the persistent drive of a protagonist (Elsa) to survive in the midst of harsh adversity. I love when an author paints vivid word pictures of this era, and Hannah does a superb job (as usual).
I want to feel the thirties, to actually mentally become a participant in experiencing what the characters experience. Hannah does just that.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
My grandfather dictated a number of oral histories shortly before he died and left a series of sketchy diaries of his education at Sul Ross University (then Sul Ross State Teachers' College) in Alpine, Texas. Many years later, I got interested in his life and went to Sul Ross University to the archives, where the librarians gave me countless oral interviews from the 1930s and documents about the Civilian Conservations Projects in the area, namely the establishment of Big Bend National Park and the Balmorhea State Park Swimming Pool. This ignited my interest in the 1930s Depression and the New Deal—how, in a very short time, the U.S. federal government established work relief programs to help thousands out of work.
What I loved about this novel was learning about the Lincoln Indian Training School in Minnesota, where Native Americans were taken from their parents for “re-education.” They were not allowed to speak their own language. Krueger’s descriptions of sexual abuse and violence against children are harrowing.
The novel tells the story of two white orphans, Odie and Albert, who are placed in a Native American school, and how they come to escape the cruelties of the headmistress, whom they call “The Black Witch.”
When Odie commits a terrible crime, Odie and Albert flee the school, taking with them two other orphans, Mose, a mute Sioux, and Emma, a young girl who has been adopted by the headmistress. They float down the river in a canoe, reminiscent of Mark Twain’s Huckleberry Finn.
The novel is narrated as a yarn with plenty of hyperbole and melodrama, and there are many twists…
1932, Minnesota-the Lincoln School is a pitiless place where hundreds of Native American children, forcibly separated from their parents, are sent to be educated. It is also home to an orphan named Odie O'Banion, a lively boy whose exploits earn him the superintendent's wrath. Forced to flee, he and his brother Albert, their best friend Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own.
Over the course of one unforgettable summer, these four orphans will fly into the unknown and cross paths with others…
In River City, loyalty is everything—and nothing defines it more than warcheck, the elegantly violent game that unites the town.
Terra Laclem, daughter of a retired warcheck legend, is raised to honor family, faith, and tradition. But when her father betrays the ideals he’s always preached, Terra is forced to…
My grandfather dictated a number of oral histories shortly before he died and left a series of sketchy diaries of his education at Sul Ross University (then Sul Ross State Teachers' College) in Alpine, Texas. Many years later, I got interested in his life and went to Sul Ross University to the archives, where the librarians gave me countless oral interviews from the 1930s and documents about the Civilian Conservations Projects in the area, namely the establishment of Big Bend National Park and the Balmorhea State Park Swimming Pool. This ignited my interest in the 1930s Depression and the New Deal—how, in a very short time, the U.S. federal government established work relief programs to help thousands out of work.
What I loved about this nonfiction book is that it tells the history of the frontier West, farming practices, and the Dust Bowl in the style of a narrative, with details of towns and people that make the history come alive.
The book gave me a sense of the dire situation of small-time farmers, trying to eke out a living on barren land. Early frontier settlements were not regulated. Farmers were not aware of the importance of trees or the dangers of soil erosion. They were just trying to survive.
Egan’s description of “Black Sunday” in 1935, a huge dust storm that swept across the United States, which buried whole towns and caused hundreds of deaths from dust pneumonia, is chilling.
In a tour de force of historical reportage, Timothy Egan’s National Book Award–winning story rescues an iconic chapter of American history from the shadows.
The dust storms that terrorized the High Plains in the darkest years of the Depression were like nothing ever seen before or since. Following a dozen families and their communities through the rise and fall of the region, Timothy Egan tells of their desperate attempts to carry on through blinding black dust blizzards, crop failure, and the death of loved ones. Brilliantly capturing the terrifying drama of catastrophe, he does equal justice to the human characters…
I love reading about artists and creators because I’ve been around them most of my life and they are the people I feel I understand the best – though I’m always surprised by the new crafts, facets, and ideas I learn! I grew up in and around my mother’s ceramic shop, my best friends in high school were artists and I was their dorky theater friend, and the two YA books I wrote centered on issues that face young creators. The passion of creative people and artistic friends has always driven me to do my best and not give up on my dreams.
Linka’s art-thriller is smart, compelling, and almost impossible to stop reading. Not only does it tackle being a first-year student in an art school in Los Angeles, it examines a subject that is often glamorized without being scrutinized: living in poverty as a homeless-at-times college student and artist. The myth of the starving artist is torn apart in this contemporary, empathetic, and intriguing story as we follow Sabine Reyes into the world where she thought she belonged, only to find out it’s not as picture-perfect as it seems. There’s some good romance in here, too and Linka’s sharp, penetrating stare at the character’s choices makes us, as readers, question what would we do? Who would we trust? And what happens when we’re wrong?
Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work-and warns her that she'll lose the merit-based award if she doesn't improve.
Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam,…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
This book hooked me from page one. It’s technically a Young Adult novel but is so literary that it appealed to me as an adult reader, too.
The protagonist, Reece, is a fierce sixteen-year-old at that pivotal moment between being a teen and a young adult that so many of us females can identify with. The story itself is very plot-driven–Reece is living in a motel with her dad, and we get the impression they’ve been on the run.
As the story unfolds, we get a close-up look at the circumstances Reece and her dad find themselves in and the things he’s done to protect her (or is it himself…). These are characters that will stay with me for a long time!
Sixteen-year-old Reece is an expert at keeping secrets. She has to be, since her father abducted her ten years ago. For as long as she can remember, she's been on the run, sneaking food out of the dumpster and sleeping in the woods. Every time she moves, the same rules apply-cut your hair, change your name, and, above all, don't let anybody get too close. Reece has no choice except to obey Dad's orders. When Reece meets her first real friend, a boy named Shawn, she begins to realize that everyone else has secrets too. And the deadliest secret of…
Fall 2028. Mickey Cooper, an elderly homeless man, receives an incredible proposition from a rogue pharmaceutical company: “Be our secret guinea pig for our new drug, and we’ll pay you life-changing money, which you’ll be able to enjoy because if (cough) when the treatment works, two months from now your…
Growing up middle-class, white, progressive, and repeatedly exposed to the mediated crises and movements of the Sixties left me with a lifelong challenge of making sense of the American dilemma. My road was long and winding–a year in Barcelona as Spain struggled to emerge from autocracy; years organizing for the nuclear freeze and against apartheid; study under academics puzzling through the possibilities of nonviolent and democratic politics. My efforts culminated in the publication of a volume that won the Organization of American Historians Liberty Legacy Award, for the “best book by a historian on the civil rights struggle from the beginnings of the nation to the present.”
Even some of my most historically aware students are often stunned to learn that the largest poor people’s organization of the 1960s and 1970s was the National Welfare Rights Organization. This is the story of the Black mothers who built one of NWRO’s most dynamic and creative local chapters. Through its dramatic, inspiring characters, this book made it plain to me just how much gender justice is indivisible from racial and economic justice. They staged massive protests in the Las Vegas strip with an amazing cast of allies. Then they moved on, and leveraged resources from far and wide to build "Operation Life," a social service, healthcare, and job training agency that they ran themselves.
In Storming Caesars Palace, historian Annelise Orleck tells the compelling story of how a group of welfare mothers built one of this country's most successful antipoverty programs. Declaring "We can do it and do it better," these women proved that poor mothers are the real experts on poverty. In 1972 they founded Operation Life, which was responsible for many firsts for the poor in Las Vegas-the first library, medical center, daycare center, job training, and senior citizen housing. By the late 1970s, Operation Life was bringing millions of dollars into the community. These women became influential in Washington, DC-respected and…
I grew up in a small seaside town north of Boston. I have three siblings, and we always spent a few weeks every summer with our cousins in a rented house somewhere in New England—a new place each year. I became a bookworm at a young age, and I’ve always loved reading novels about big families that capture both the magic and the conflicts inevitable with many siblings and relatives. I was also an anglophile, and I tended to gravitate toward books written in earlier decades, particularly those of the mid 20th century. When I began writing my own novels, it seemed natural to set them in those fascinating earlier times.
Toward the end of her career, Rebecca West wrote an unusually autobiographical novel, retelling her Edwardian childhood with the wisdom and sadness of hindsight. The Fountain Overflows, published in 1956, describes the struggles of an artistic family with a fiercely devoted mother and an impossibly wayward father. West brilliantly describes the hard work and ambitions of gifted children, but the book is mainly memorable for its strange, semi-magical atmosphere and the sense it gives readers of revisiting a lost world—for hanging over this book is the shadow of the First World War, a cataclysm that finally arrives in the sequel, This Dark Night.
The lives of the talented Aubrey children have long been clouded by their father's genius for instability, but his new job in the London suburbs promises, for a time at least, reprieve from scandal and the threat of ruin. Mrs. Aubrey, a former concert pianist, struggles to keep the family afloat, but then she is something of a high-strung eccentric herself, as is all too clear to her daughter Rose, through whose loving but sometimes cruel eyes events are seen. Still, living on the edge holds the promise of the unexpected, and the Aubreys, who encounter furious poltergeists, turn up…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
I’ll bookend this list with what I consider to be a sort of updated take on Larry Clark’s Tulsa. Serbian photog Boogie has published similarly solemn collections on Moscow and war-torn Belgrade. With It’s All Good, he arrived in New York’s most violent neighborhoods circa 2010 to document the hard and often tragic lives of urban youth. Gangsters pointing their guns into the lens or jabbing their veins with needles might not make the most appealing coffee table book, but the photos themselves are even more sublime than anything shot by Clark, making this book a worthy successor.
“A whole lot of initiations happen every day. You hear about them on the news, but you don’t know it was an initiation. You hear about somebody getting shot somewhere in New York, and nobody knows why that person got shot; nine times out of ten it was a gang initiation. I am a three-star general in the Bloods, so I know what’s going on. The majority of crime in New York City is ’cause of gangs; drugs, killings, stabbings, robberies, even the bullshit car theft, the fucking pettiest crimes and misdemeanors are all ’cause of gangs.” —Kasino, from his…
When an EMP brings down the power grid, Dr. Anna Hastings must learn what it means to be a doctor in a world deprived of almost all technology. She joins devoted father Mark Ryan and his young daughter on a perilous journey across a thousand miles of backcountry trails.
I produced dozens of hours of film and television, including for Al Jazeera’s Emmy, Peabody, and DuPont-award-winning program Faultlines; as well as short and long-form documentaries for Democracy Now and teleSUR, and reporting in The New York Times and Washington Post. I’ve written two books based on my journalism, No More Heroes: Grassroots Responses to the Savior Mentality and Floodlines: Community and Resistance From Katrina to the Jena Six. I produced the independent feature film Chocolate Babies, which was recently added to the Criterion Collection. My latest film is Powerlands.
The definitive book for understanding today’s social justice movements, and what needs to change for them to be successful. The brilliant women of color of INCITE come from a background of organizing and scholarship, and together they show the systemic flaw in left movements today, showing the ways that organizations become accountable to wealthy funders rather than the people they say they wish to serve. Read this book to learn what can be done to challenge this dynamic and build a better world.
A trillion-dollar industry, the US non-profit sector is one of the world's largest economies. From art museums and university hospitals to think tanks and church charities, over 1.5 million organizations of staggering diversity share the tax-exempt 501(c)(3) designation, if little else. Many social justice organizations have joined this world, often blunting political goals to satisfy government and foundation mandates. But even as funding shrinks, many activists often find it difficult to imagine movement-building outside the non-profit model. The Revolution Will Not Be Funded gathers essays by radical activists, educators, and non-profit staff from around the globe who critically rethink the…
