Here are 100 books that Sun Don't Shine fans have personally recommended if you like
Sun Don't Shine.
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I grew up on the high plains of eastern Montana. Like most rural folks, we lived close to the bone, even in the best of times. Then, when I was nine, my father died—and things got even harder. We finally had to put our acres up for lease, and I made a goal to leave that hard place. Though I worked hard for this new life I find myself leading—I studied, won scholarships, earned an MFA, and became a professor—ever since I left Montana, I’ve been trying to understand the distance between there and where I find myself now. I’ve been trying to understand rural America.
This book takes on class, gender, and addiction, plus a host of other contemporary issues facing rural America and the nation—and Smarsh still manages to craft a compelling, human memoir.
This book might be the antidote to all the easy, anodyne, partisan conclusions the talking heads offer about rural America. As someone who grew up in rural America but now lives in a small city on the West Coast, I felt challenged reading this memoir.
Smarsh is the best kind of rabble-rouser; she’s telling it straight no matter who is listening.
*Finalist for the National Book Award* *Finalist for the Kirkus Prize* *Instant New York Times Bestseller* *Named a Best Book of the Year by NPR, New York Post, BuzzFeed, Shelf Awareness, Bustle, and Publishers Weekly*
An essential read for our times: an eye-opening memoir of working-class poverty in America that will deepen our understanding of the ways in which class shapes our country and “a deeply humane memoir that crackles with clarifying insight”.*
Sarah Smarsh was born a fifth generation Kansas wheat farmer on her paternal side, and the product of generations of teen mothers on her maternal side. Through…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
I am always looking for books for the middle-grade kiddos in my life, and this book is the perfect book for a fierce youngster. It follows the story of Tessa, a somewhat mouthy (in the best way) young teen who is dealing with a host of issues, including the recent death of her mom.
The minute I met Tessa, I was rooting for her. She's angry and grieving but also charming and tender-hearted. When her aging cat leads her to an abandoned house in the neighborhood, a whole new realm opens to her–one with ghosts, goths, and unexpected allies.
On the verge of her thirteenth birthday, Tess' s life is falling apart. Her mother is dead. Her father is like a zombie. And now her beloved cat, Alice, has started running into the street when cars go by, trying to get run over. The only thing Tess can think of that might help? Running away. As she ventures from home, Tess stumbles upon a crew of manga-loving goth kids hiding out in the local haunted house performing se ances. There, she discovers that the house' s ghostly entity desperately wants a cat to care for in the afterlife, and…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
This was such a fascinating read for me. It’s an epic tale told over the lifetime of a woman warrior named Akmaral that interweaves fact and folklore into a mesmerizing story about matriarchal power, the ferocity of love and hate, and the alternating currents of battle and peace.
I was so absorbed in the beautiful language of this book that I couldn’t put it down. The novel recreates the expansive, unforgiving world of 5th-century Central Asia, a setting firmly rooted in the natural and spiritual worlds and the struggle to survive.
While being dazzled by the writing, I felt like I had a crash course in ancient history as well!
Before the Silk Road had a name, nomads roamed the Asian steppes and women fought side by side as equals with men. Like all women of the Sauromatae, Akmaral is bound for battle from birth, training as a girl in horsemanship, archery, spear, and blade. Her prowess ignites the jealousy of Erzhan, a gifted warrior who hates her as much as he desires her. When Scythian renegades attack, the two must unite to defeat them. Among their captives is Timor, the rebels' enigmatic leader who refuses to be broken, even as he is enslaved. He fascinates Akmaral. But as attraction…
The Not Quite Enlightened Sleuth
by
Verlin Darrow,
A Buddhist nun returns to her hometown and solves multiple murders while enduring her dysfunctional family.
Ivy Lutz leaves her life as a Buddhist nun in Sri Lanka and returns home to northern California when her elderly mother suffers a stroke. Her sheltered life is blasted apart by a series…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
Miriam Toews has an incredible writing style that is somehow whimsical and also serious, and this book is no exception.
I fell so in love with the characters in this book that I didn’t want the story to end. The novel follows young Swiv, a quirky and fierce kid who is dealing with a lot of very grown-up issues as she navigates an absent father, a feisty grandmother, and a single mother.
While this might sound like a Young Adult novel, it is very much a book for adults, which just shows how talented Toews is at using the voice of young protagonists to unearth some very heavy and serious adult topics. Still, even with the heavy content, Swiv’s special spirit gives the book a welcomed lightness.
FROM THE WRITER OF THE OSCAR-WININNG WOMEN TALKING INTERNATIONAL BESTSELLING AUTHOR LONGLISTED FOR THE DUBLIN LITERARY AWARD
'Go Grandma Elvira!' Margaret Atwood 'Wickedly funny and fearlessly honest.' The New Yorker 'Glorious.' Sarah Moss ____________ You are a small thing, and you must learn to fight.
Swiv has taken this advice too literally. Now she's suspended from school, in the care of her foul-mouthed, hilarious grandmother.
Mom is busy being pregnant, so Grandma gives Swiv a very different education. Swiv learns maths with Amish jigsaws and How to Dig a Winter Grave. Grandma's methods may be unorthodox, but she has faced…
I love reading about artists and creators because I’ve been around them most of my life and they are the people I feel I understand the best – though I’m always surprised by the new crafts, facets, and ideas I learn! I grew up in and around my mother’s ceramic shop, my best friends in high school were artists and I was their dorky theater friend, and the two YA books I wrote centered on issues that face young creators. The passion of creative people and artistic friends has always driven me to do my best and not give up on my dreams.
Linka’s art-thriller is smart, compelling, and almost impossible to stop reading. Not only does it tackle being a first-year student in an art school in Los Angeles, it examines a subject that is often glamorized without being scrutinized: living in poverty as a homeless-at-times college student and artist. The myth of the starving artist is torn apart in this contemporary, empathetic, and intriguing story as we follow Sabine Reyes into the world where she thought she belonged, only to find out it’s not as picture-perfect as it seems. There’s some good romance in here, too and Linka’s sharp, penetrating stare at the character’s choices makes us, as readers, question what would we do? Who would we trust? And what happens when we’re wrong?
Winning a scholarship to California's most prestigious art school seems like a fairy tale ending to Sabine Reye's awful senior year. After losing both her mother and her home, Sabine longs for a place where she belongs. But the cutthroat world of visual arts is nothing like what Sabine had imagined. Colin Krell, the renowned faculty member whom she had hoped would mentor her, seems to take merciless delight in tearing down her best work-and warns her that she'll lose the merit-based award if she doesn't improve.
Desperate and humiliated, Sabine doesn't know where to turn. Then she meets Adam,…
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight.
After ten-year-old Hastin's family borrows money to pay for his sister's hospital bill, he leaves his village in northern India to take a job as an elephant keeper and work off the debt. He thinks it will be an adventure, but he isn't prepared for the cruel circus owner. The crowds that come to the circus see a lively animal who plays soccer and balances on milk bottles, but Hastin sees Nandita, a sweet elephant and his best friend, who is chained when she's not performing and hurt with a hook until she learns tricks perfectly. Hastin protects Nandita as…
Tina Edwards loved her childhood and creating fairy houses, a passion shared with her father, a world-renowned architect. But at nine years old, she found him dead at his desk and is haunted by this memory. Tina's mother abruptly moved away, leaving Tina with feelings of abandonment and suspicion.
I grew up in New York City listening to my parents’ stories of extreme hardship and suffering during the Nazi occupation of their native Greece—and the courageous resistance they and many Greeks mounted. I’m outraged by the unfairness of extreme poverty in the midst of plenty and motivated to fight for economic justice. In the early 1980s, as homelessness was first becoming a crisis, I got involved in legal advocacy to address it, first as a volunteer lawyer and then as a full-time advocate. I believe housing is a human right and that no one should be homeless in a country as rich as the US.
I liked this book immediately, and not just because it is written by someone I know and have worked with for decades and greatly respect. The book includes parts of the author’s early iconic work on homelessness in New York City, which, when published as a report in 1981, first focused public attention on the then-growing crisis.
The book includes stories of homeless New Yorkers that the author encountered when he lived for a period on the streets, in shelters, and flophouses as part of his research—an approach I found fascinating—as well as scholarly analysis. It’s a rich resource I return to again and again for insight, understanding, and, as needed, inspiration.
"It must be some kind of experiment or something, to see how long people can live without food, without shelter, without security."-homeless woman, Grand Central Station, winter
"Homelessness is a routine fact of life on the margins. Materially, it emerges out of a tangled but unmysterious mix of factors: scarce housing, poorly planned and badly implemented policies of relocation and support, dismal prospects of work, exhausted or alienated kin.... Any outreach worker could tell you that list would be incomplete without one more: how misery can come to prefer its own company."-from the book
I spent 16 years teaching in NYC public schools, six of them on Rikers Island the world's biggest jail where I helped incarcerated teens improve their reading and writing skills. That experience helped to launch me on my own writing career. The job of the author? To hold up a mirror to society and reflect upon the page what the reader may not have experienced yet or missed seeing in the world outside the borders of a book.
Booth is an extraordinary writer and Tyrell is her signature story. Tyrell is a young man living under incredible pressure with a family that needs him to have both feet on the ground. But he's always on the verge of going the wrong way. Will the need for fast money put him in prison like his father? Booth is in complete command of her characters, story and pacing here. A marvelous book that will make you grateful for your own choices in life.
An astonishing new voice in teen literature, writing what is sure to be one of the most talked-about debuts of the year.
Tyrell is a young African-American teen who can't get a break. He's living (for now) with his spaced-out mother and little brother in a homeless shelter. His father's in jail. His girlfriend supports him, but he doesn't feel good enough for her -- and seems to be always on the verge of doing the wrong thing around her. There's another girl at the homeless shelter who is also after him, although the desires there are complicated. Tyrell feels…
Throughout my childhood and young adulthood, I escaped an abusive real life by reading stories that transported me away. They were written by female authors who seemed to speak directly to me. By their example, they told me to be brave and strong. To keep learning. They taught that if I rose to the challenges that presented themselves, I too would end up triumphant like them.
Walls’ recounts her unconventional childhood marked by poverty, instability, and the eccentric choices of her parents.
The memoir offers an unflinching but often tender portrait of a deeply flawed family and the complicated bonds of love and loyalty. Walls’s voice is both clear-eyed and compassionate as she revisits her past.
Wanting to make sense of my own dysfunctional family, I reread this book several times.
Now a major motion picture starring Brie Larson, Naomi Watts and Woody Harrelson.
This is a startling memoir of a successful journalist's journey from the deserted and dusty mining towns of the American Southwest, to an antique filled apartment on Park Avenue. Jeanette Walls narrates her nomadic and adventurous childhood with her dreaming, 'brilliant' but alcoholic parents.
At the age of seventeen she escapes on a Greyhound bus to New York with her older sister; her younger siblings follow later. After pursuing the education and civilisation her parents sought to escape, Jeanette eventually succeeds in her quest for the 'mundane,…
I’m deeply concerned about the health of the planet and am puzzled by our failure to act. As someone who thinks a lot about museums and heritage (aka the stories we tell about ourselves), I’m intrigued by how we think about places of environmental harm as heritage and how we pay attention to the environmental impact of heritage sites like WWI battlefields, English ironworks, and Appalachian coal mines. Interrogating what we remember and what we forget illuminates the systems of power that benefit from ignoring environmental and social costs. My hope is that understanding the history of toxic harm points us to a more sustainable, just future.
Nixon’s concept of “slow violence” is one of the most useful for recognizing the long-term, and “slow motion urgency” of environmental damage.
His lucid storytelling highlights the environmentalism of marginalized communities. I’m inspired by his goal of changing how we think about the “deferred casualties of our poisonous, unsustainable practices.”
The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as…
