Books like What I Want You to See

This book is written in verse, so the whole thing is like one long poem. The audiobook is read by the author, which I think captures the intent of the book beautifully.

Xiomara, or X, is a young girl living in Harlem who feels suffocated by her overbearing religious mother and her brilliant twin brother’s academic accomplishments. X writes poetry for her school assignments, but she also uses it as a form of diary to express the feelings she can’t otherwise. She challenges religion, her mother’s opinions, and the friends she makes at school.

One thing I really liked was how she’d write one poem for her assignment, and then the following poem would be titled “what I actually turned in.” The book uses different styles of poetry to convey different feelings and to set different scenes, and it explores a wide range of topics—from religion to dating and sex… show more.

Spalding’s book is such a fun read! It focuses on white blog writer and fashionista, Abby, who also happens to be plus-sized and wins the opportunity of a lifetime at her favorite local boutique. It’s there that she meets fellow intern and photographer Jordi Perez, a Latinx teen who makes that Los Angeles summer so much more romantic, creative, and sweeter. Add in Abby’s surprising bro-bestie Jax for some hamburger adventures and be prepared to swoon (and get hungry!) all around. It’s a great story of love and art, art and love, and how two creative spirits learn to intertwine their gifts and their goals.

Hayley is thrilled to be accepted to a prestigious summer program for aspiring teen animators. But then only boys are chosen to direct the participants’ short films, and that might only scratch the surface of the boys’ club culture within the program. The multiple forms of sexism Hayley experiences throughout are so real, they were painful to read (in the best, truest way), as I reflected on my own experiences with misogynistic gatekeeping—but the community and solidarity that develop throughout this fantastic novel are very satisfying. 

This is one of my favorite YAs combining the modern influence of technology on art, friendship, and love. Quiet sophomore Ivy ends up becoming a semi-public figure at her school and the world after she starts using an app, VEIL, to help other artists and students who are asking for supplies and support. While her impact is meaningful and it all sounds well and good, her own creative steps have sent her on a more public, emotionally-vulnerable journey than she ever wanted or expected.

This book hooked me from page one. It’s technically a Young Adult novel but is so literary that it appealed to me as an adult reader, too.

The protagonist, Reece, is a fierce sixteen-year-old at that pivotal moment between being a teen and a young adult that so many of us females can identify with. The story itself is very plot-driven–Reece is living in a motel with her dad, and we get the impression they’ve been on the run.

As the story unfolds, we get a close-up look at the circumstances Reece and her dad find themselves in and the things he’s done to protect her (or is it himself…). These are characters that will stay with me for a long time!

I was lucky enough to read this book when it was still a manuscript. It’s the story of 10-year old Hastin, driven by poverty but also by his impulsiveness and youthful optimism. Running away from home to make money to help his mother and sick sister, Hastin ends up far from his village in India, and in the clutches of a cruel circus owner. He also becomes keeper to a baby elephant, Nandita. As an outsider to the setting of this book, Lynne Kelly dug in, persevered, and did the hard work of writing the story with respect and care. The baby elephant is a pure delight. 

What I loved about Listen was reading about the perspective of one character, who benefited from the Federal Writers’ Project, part of Roosevelt’s New Deal to help Americans during the Great Depression. 

Liam doesn’t have a job and takes a job in a rural area in Oklahoma as part of the Federal Writers’ Project—his job is to listen to the stories of locals in the town and write them up as reports. The stories that Liam “collects” also give a reader a sense of how crushing the Great Depression was for many Americans.

An added twist to the story is when Liam meets Eden Sawyer, a talented young woman who is a largely self-taught artist, from a very poor family with an abusive father. They begin to meet secretly in the tower of the college in town, which is shaped like a medieval castle. She applies to study art at… show more.

It's been said that imagining the end of the world is easier than imagining the end of capitalism. Sadly, I think this is true. The ideology of capitalism, cultivated and promoted by marketing, media, governments, and many international institutions such as the World Bank and the International Monetary Fund, makes it difficult to imagine alternatives to capitalism.

I learned much from Wolfgang Streeck, who reminds us of the multiple stresses and strains that, separately and together, could result in capitalism's demise. I found this both worrying and empowering.

If we don't think outside the capitalist box, we will unconsciously limit the scope of change needed to confront capitalism's abject deficiencies. This will frustrate an intentional transition to a post-growth society.   

The author’s account of grinding, unrelentless poverty and neglect, set against her eventual, miraculous escape to a different life made me cheer.

Bravely, Kerry Hudson returns to the scenes of many crimes committed against her to really understand why the past refuses to let her go and whether anything has changed for deprived families in those rundown British towns she grew up in.

In an early chapter the author recalls being pushed between two adults across a table. She thought it was a game, but her parents were in fact arguing over who should keep her. Neither was willing.

This is an important and shameful piece of British social history and an unflinching examination of a dysfunctional family with different recollections of the past. 

I loved this book because it captures childhood in the rawest way—messy, painful, confusing, and resilient.

Walls writes about instability and survival with such clarity that I found myself nodding through entire chapters. I related deeply to the burden of growing up too fast and learning how to take care of people before you ever learned how to take care of yourself.

What moved me most was the love within the chaos—the complicated, contradictory love between parent and child that shapes you long after you’ve grown. It reminded me that you can carry pain and tenderness at the same time, and both can be true.