99 Books Like Clocker

I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale). 

When I was a child, the thing that plagued me most about my favorite genre, sci-fi, was that none of the protagonists were women! As a daughter to doctors and research scientists, it felt strange that the only female characters in sci-fi were these buxom, mystical healers or seamstresses who meekly repaired their crewmates’ uniforms. While that problem has been remedied over the last two decades of excellence in mainstream sci-fi with some truly unforgettable female heroines, they’re not as plentiful in the niche market of humorous sci-fi. I am thrilled to share this list of my favorite lighthearted, humorous sci-fi reads with female protagonists. 

I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale). 

I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale). 

For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events. 

From the ages of 1-4, my son Finn deeply rooted himself into the detailed world of Richard Scarry. These books could be such slow reads that we only needed two of them for long airplane rides. Through Finn’s love of Scarry books, I began searching for more books that delighted with detail. And when I did not see my family’s bicycle-rich lifestyle reflected in books, I created Cycle City.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.

I fell in love with opera history as an undergraduate exchange student in Vienna and went on to pursue my passion in graduate school. Rather than writing about opera composers and their music, I chose the unusual path of studying famous singers from the nineteenth century, especially the prima donnas who exerted extraordinary authority over composers, theater directors, and spectators. In my books and articles, I focus on the power of divas to thrill audiences and to shape the musical culture of which they are an integral part. The books I am recommending explore the lives and careers of some of the most fascinating prima donnas of the nineteenth century.

I grew up in a family of church singers. As a young man, I studied poetry and piano, literature and guitar, listening to Hank Williams and reading William Faulkner while dreaming of becoming a Nashville songwriter. Eventually, I performed as a singer-songwriter myself on three continents, so it’s entirely honest to say that music, language, and stories have always been the fabric of my life. These novels represent everything I love about music and how it connects us—to people, to worlds beyond—and I hope you find them just as meaningful (and occasionally heartwrenching) as I have.

Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.