Here are 100 books that Letters to a Young Poet fans have personally recommended if you like
Letters to a Young Poet.
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I grew up when the space race was starting, and I became fascinated by all things regarding the planets, rockets, and the cosmos. For several years, I lived in the Houston area and spent hours and hours at the Johnson Space Center, where the history and future of space exploration are on display. The books on my list represent a major theme in my writing, which is futuristic in concept and asks the question: what we would do if our planet became uninhabitable. The answer provides the canvas to explore the advantages of technology, but most importantly, the determination of the human spirit.
This book grabbed me with the horrific opening scene and made me think about how this planet is moving into a climate-threatening situation.
I loved the way Robinson made me feel what it was like to live in a heat-ravaged world. I liked the main character, the head of the Ministry for the Future, because she was believable. She was smart, compassionate, and politically savvy, the kind of person you could trust in this position.
I like that the climate threat is the canvas upon which the characters need to react. For me, it is very relevant to our current situation.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This book beautifully, soulfully and informatively documents the life of one of America's greatest artists. I reveled in its pages, marvelling at the inner workings of the man and at the fascinating life he led for decades at the forefront of American music.
At various times tragic, hilarious, enlightening, scary, off-putting and inspiring, he couldn't have made it more like his own music if he'd tried. I never met Miles, but this particular book has the ring of veracity about it—at times, brutally so—and the countless stories of virtually every notable musician in Jazz and beyond are entertaining and eye-opening. Loved it.
Miles: The Autobiography, like the man himself, holds nothing back. He talks about his battles against drugs and racism, and discusses the many women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus and many others. The man who has given us the most exciting music of recent times has now given us a fascinating and compelling insight into his extraordinary life. 'An engrossing read ...gives fascinating insights into the cult phenomenon' Miles Copeland, Weekend Telegraph 'Magnificently truthful, action packed, raw and…
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This book washed over me like a fresh Spring breeze after a long Winter. Any time an artist can speak eloquently about their motivations, sensitivities, and beliefs, it provides validation to all other artists even if, as in Kandinsky's case, it seems some of his certainties verged on dogma. But I'll take artistic dogma over inartistic ambiguity any day.
Art is the closest thing to nature that human beings can create, yet its relevance can be completely overlooked by the general public. Documents such as this are like messages in a bottle, hieroglyphs on the cave wall of contemporary society left for discovery by future—and hopefully more receptive—generations.
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution…
Crossing is a vividly human re-imagining of the love, sacrifices, and accomplishments that two Chinese brothers - American Immigrants - experience as they travel to California to build the Transcontinental Railroad.
I'm a guitar player, a writer of music and a bandleader. I've made 12 records—working on my 13th—have written 2 books, and made an app called "Humanome," which is a metronome that intentionally doesn't keep steady time. I have a Patreon page and a YouTube channel. I've devoted most of my life so far to playing music, touring, practicing—lots and lots of practicing—and more or less thinking about music non-stop. As a player, I care strongly about improvising—the spontaneous creation of music—and as a writer, I care deeply about melody, rhythm, and form. I get a lot of inspiration from visual art and from soulfulness in all its forms.
This Zen-like book affirmed, for all subsequent generations of guitarists, that music instruction books didn't have to be dull, theory-laden texts filled with patterns and cliches. Mick was all about creativity, open-mindedness, exploration, and thinking outside the coffin.
Ultimately, many years after reading it as a teenager, I was greatly inspired by its refusal to adhere to the status quo when I wrote my own book. All musicians, even those less creative, are aware that the essence of great playing is spontaneity: the willingness to stand close to the primal fire of creation, even though there's a danger of being burned. One of the most important guitar books ever and worth a look even for non-musicians.
Veteran musician and educator Mick Goodrick presents practical information for guitarists who want to improve their playing technique and style and simply become better musicians. Rather than a step-by-step method book, the information is presented in a general essay format, discussing ways that the various techniques covered may be applied by the advancing guitarist to enhance his/her own style of playing, some of the areas discussed include: basic fingerboard mechanics • modes, scales and chords • contemporary harmony, • harmonica and overtone influences • being self-critical • improvising short pieces • different playing situations.
I didn’t enjoy my first degree in Modern History and Political Science and it took twenty-five years and another MA in Women’s History, Gender, and Society, before my enthusiasm was rekindled. I’ve always believed it’s important to know where we come from, as well as the history of our country, and I don’t just mean wars, laws, and politics – but the lives of ordinary people, men, women, and children, because finally, we discover that our hopes, aspirations, and challenges are not so very different to the people who lived 500 years ago. I’m also passionate about the reality of women’s lived experience in all periods of history.
I love this book despite feeling frustrated by the excessive detail. Turner brings Chaucer’s cosmopolitan world and diverse literary works to life by focusing on places and spaces significant to him. I especially enjoyed the chapter on Households, where Chaucer was sent to serve in his adolescence, like many of his contemporaries, as page-boy, valet, entertainer, general factotum. I also learnt about his international travels, as a diplomat, prisoner of war, member of Parliament, and the sadness of his unfulfilled private life.
The last two chapters recount Chaucer’s final year living in the precincts of Westminster Abbey, his sudden death, relatively obscure burial, subsequent reburial in Poet’s Corner, and elevation as Father of English Literature, which Turner controversially challenges, placing him in a European cultural background.
An acclaimed biography that recreates the cosmopolitan world in which a wine merchant's son became one of the most celebrated of all English writers
Geoffrey Chaucer is often called the father of English literature, but this acclaimed biography reveals him as a great European writer and thinker. Uncovering important new information about Chaucer's travels, private life, and the circulation of his writings, Marion Turner reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. From the wharves of London to the frescoed chapels of Florence, the book recounts Chaucer's…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!
A stunning picture book biography from Monica Brown and illustrator Julie Paschkis about one of the world's most enduring and popular poets, Pablo Neruda
Once there was a little boy named Neftalí who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words. Neftalí discovered the magic between the pages of books. When he was sixteen, he began publishing his poems as Pablo Neruda.
Pablo wrote poems about the things he loved―things made by his friends in the café, things found at the marketplace, and things he saw in nature. He…
Almost Home is a fictional retelling of the last great tragedy of the Civil War.
In late April 1865, almost 2,000 newly freed Union prisoners of war are packed onto the steamer Sultana, in poor repair and with a listed capacity of 376 passengers. Among them are four Indiana soldiers…
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is…
THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt...Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay's only historical novel, and…
Philosophical novels challenge rather than appease. They subvert. They obscure. As a former acquisitions editor at major publishing houses, I am confounded by the scarcity of chances taken on books that don’t fit the status quo or, are "difficult." I am most interested in how books—even when they meander and cavort—lead to surprising and unsettling revelations. Or how they don’t lead to revelations at all but keep the reader guessing as to when some semblance of grace will be achieved. I don’t wish to sound pessimistic; if anything, I wish to be realistic. Philosophical novels are reflections of life, which is often confusing, contradictory, and, yes, difficult. With a touch of grace for good measure.
Bolaño wrote two epics: The Savage Detectives and the much more widely read 2666. Savage may be a sloppier novel—it follows two fictional founders of a fictional poetic movement called the visceral realists who are trying to track down the mysterious founder of the movement—but it’s also a novel about the elusiveness of meaning. With a lot of sex and violence thrown in for measure. The frame-story narrative informed my own, although I employed a lot less sex.
Winner of the Herralde Prize and the Romulo Gallegos Prize. Natasha Wimmer's translation of The Savage Detectives was chosen as one of the ten best books of 2007 by the Washington Post and the New York Times.
New Year's Eve 1975, Mexico City. Two hunted men leave town in a hurry, on the desert-bound trail of a vanished poet.
Spanning two decades and crossing continents, theirs is a remarkable quest through a darkening universe - our own. It is a journey told and shared by a generation of lovers, rebels and readers, whose testimonies…
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
If you doubt poetry’s power to sweep you up and bring you to tears, you must read Burleigh’s deep dive into Langston Hughes’ inspiration for his famous poem, “The Negro Speaks of Rivers”. You’ll take this story to heart and keep it there. I got the chills from the author’s note, which explains that Burleigh’s goal was to explore “the moment when Langston Hughes came to believe in himself as a writer” – and have that moment inspire others. In vibrant, poetic prose perfect for reading aloud, Burleigh begins with Hughes celebrating his first book.
In a flashback, Hughes, on a train, muses over his personal history. As the train crosses the Mississippi, he reaches further back into his people’s history, until he entwines those strands into one gorgeous, resonant work of art.
Robert Burleigh's inspiring text captures the magical moment when Langston Hughes came to believe in himself as a writer, as he first wrote "The Negro Speaks of Rivers."
Clackety clack clack clack... Can you hear the rhythm of the train? Langston Hughes did. Traveling to see his father in 1920, as he listened to the sounds of the train -- metal on metal, wheels on rails -- Hughes's imagination took flight. On that ride, he was inspired to write his first famous poem, "The Negro Speaks of Rivers." This picture book tells the story of Langston Hughes's rise to accomplishing…
Creativity, Teaching, and Natural Inspiration
by
Mark Doherty,
I have woven numerous delightful and descriptive true life stories, many from my adventures as an outdoorsman and singer songwriter, into my life as a high school English teacher. I think you'll find this work both entertaining as well as informative, and I hope you enjoy the often lighthearted repartee…
I love sharing poetry with children! I became inspired to write poetic picture books during my 20-year career as an elementary school librarian. In class, we often read aloud, discussed, and performed poems. My students considered word choices, identified alliteration, metaphor, and simile, and developed a sophisticated vocabulary of “beautiful” words. They delighted in using their senses to write about special places and moments and did research to create and illustrate fact-based poems about people and animals. In exploring poetry and biographies of poets, students found inspiration and used their authentic voices to craft their own funny, engaging, and thoughtful poetry.
I’m hooked when authors get to the heart of how someone finds their passion. That’s what Don Tate does as he spins the tale of how an enslaved boy, forbidden to learn to read and write, became a sought-after poet. Children will cheer for George as he teaches himself to read and becomes a published poet. They will hold their breath as George returns to his enslaver, and they will share his joy at his eventual freedom. Tate’s storytelling — this picture book biography brilliantly encompasses the hope, tension, and satisfaction of a story — shows that George’s physical bondage could not imprison his dreams. Through George’s fascinating story, children surely will be inspired to follow their own dreams.
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Poet
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This book is for kids age
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9.
What is this book about?
George loved words. Enslaved and forced to work long hours, he was unable to attend school or learn how to read.
But he was determined―he listened to the white children's lessons and learned the alphabet. Then he taught himself to read.
Soon, he began composing poetry in his head and reciting it aloud as he sold fruits and vegetables on a nearby college campus. News of the enslaved poet traveled quickly among the students, and before long, George had customers for his poems. But George was still enslaved. Would he ever be free?
Award-winning author-illustrator Don Tate tells an inspiring…
