Here are 100 books that The Collected Poems of Emily Dickinson fans have personally recommended if you like
The Collected Poems of Emily Dickinson.
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Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
While writing a paper about Douglass in graduate school in the 1990s, I learned that he had to overcome two obstacles to establishing an authentic voice in his own book.
First, abolitionists argued against slavery by claiming it dehumanized the slave. While that could be true, this theory could not account for charismatic Black writers like Douglass who were anything but dehumanized. Second, slave narratives in the antebellum era often followed a certain formula that limited the narrator’s originality.
In one striking passage in the Narrative, Douglass overcomes both restrictions by evoking an image of his body that offers visual testimony to creatively push back on these limiting conventions: “My feet have been so cracked with the frost [felt during cold nights during enslavement], that the pen with which I am writing might be laid in the gashes.”
Packaged in handsome and affordable trade editions, Clydesdale Classics is a new series of essential literary works. From the musings of literary geniuses like Mark Twain in The Adventures of Huckleberry Finn to the striking personal narrative of Harriet Jacobs in Incidents in the Life of a Slave Girl, this new series is a comprehensive collection of our literary history through the words of the exceptional few.
The Narrative of the Life of Frederick Douglass is perhaps the most widely read and well-known slave narrative. Originally published in 1845, the work was an instant success, selling more than 11,000 copies…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I’m a novelist, essayist, and journalist who’s written extensively about the problems and consolations of faith, about belonging in and out of faith, and about the tribes of what I think of as the In Between. When you’re in between, you’re neither in it nor out of it, whatever “it” might be for you. You bear an “infinity of traces,” as the writer Antonio Gramsci called these formative influences. My first novel looks at these influences directly, while my second one looks at them indirectly. I’m late in the game with a third novel now—a detective story that investigates a murder along with these same themes.
Indispensable. And the scandal of this autobiographical novel hasn’t worn off in a hundred-plus years. Stephen Dedalus is our young man, the self-appointed artist-priest. We see turn-of-the-century Ireland through his eyes and Irish Catholicism, too, each with its special richness and oppressiveness. Ultimately, it’s Stephen’s desire to escape "these nets" that drives his story. He’ll find God in his own way or, failing that, replace him with Art.
A masterpiece of modern fiction, James Joyce's semiautobiographical first novel follows Stephen Dedalus, a sensitive and creative youth who rebels against his family, his education, and his country by committing himself to the artist's life.
"I will not serve," vows Dedalus, "that in which I no longer believe...and I will try to express myself in some mode of life or art as freely as I can." Likening himself to God, Dedalus notes that the artist "remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails." Joyce's rendering of the impressions of…
Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
This long poem depicts the “prelude” – the influences from childhood – of William Wordsworth’s life as a poet. In other words, this literary biography explores the source of this poet’s unique voice. This poem was another exciting discovery made during my years as a graduate student.
There are many written works that explore the influence of a writer’s early life on the development of their unique poetic vision. A more recent example is a favorite of mine, Gabriel Garcia Marquez’s Living to Tell the Tale.
But, for me, Wordsworth stands out because of the incredible sustained poetic voice, vision, and rhythm of this piece, which he worked on and revised over his lifetime. I think the Two-Part Prelude of 1799 is better than the longer version of 1850. The Prelude of 1799 is long enough to take the reader to a new world, but short enough so the magic…
"The Prelude" is William Wordsworth's epic reflection on his lifetime journey as an artist and is widely considered to be one of his most significant works. First published in 1850 after the poet's death, Wordsworth began working on the blank verse poem in 1798 and continued modifying and expanding it for the rest of his life. Two earlier versions of the poem have been found and published, showing the evolution of this monumental work. A first version, called the "1799 Prelude", is the poem in its earliest and shortest stage. A second version, the "1805 Prelude", is much longer and…
Separating the true stories from the myths, The Duty of Memory provides a deeper understanding of the diverse motivations that drove ordinary people to join an underground network of French Resistants despite terrible odds and horrifying consequences.
This book takes the reader inside the true story of men and women…
Mark Rennella has given students and professionals helpful advice about writing throughout his career, most recently as a writing coach for MBA candidates at Harvard Business School. Mark earned a PhD in American history from Brandeis University and has taught literature and American history at Harvard University, the University of Miami, and the University of Tours (France). Mark's books, articles, business case studies, and collaborative writing endeavors have garnered him critical praise from historians, academicians, and business leaders alike. His concept of the “one-idea rule” was included among HBR.org’s ten favorite management tips for 2022 and was featured more recently in Forbes. He currently works as an editor for Harvard Business Publishing.
This writing instruction book came to my aid as I began to teach writing at Harvard University in the late 1990s, when I was trying to help college students cultivate their own voice as writers.
The title was brilliant, surprising the reader that the subject was revision and not writing, per se. This focused on a fundamental truth, which is that good writing – whether it be fiction or non-fiction, artistic or professional – almost always goes through several revisions. Students often recoil at the idea of revisions because they threaten to burden them with more work.
What Murray underlined (and a point I’ve reiterated) is that revisions provide the opportunity to improve your work. The more that writers are comfortable with making revisions, the easier it will be to cultivate and improve their voices in their written work.
Pulitzer Prize-winning author Donald M. Murray takes a lively and inspiring approach to writing and revision that does not condescend but invites students into the writer's studio.
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
This book is a guided tour through poetry’s potential and its cliches. At its heart, this book is a toolbox (that’s not my metaphor; it’s literally on the book’s cover).
I once harbored an ambition to support myself solely through writing (secretly, I still do), so I encountered Kooser’s opening advice with a combination of humor and denial: “You’ll never be able to make a living writing poems.” But once I accepted this very pragmatic and practical mindset, I began writing better. (And, oddly, writing more.)
This book helped me become a happier, more relaxed writer. As a bonus, I’ve found that the tools readily adapt to prose.
"No other poet seems better suited to represent the United States as its Laureate in this era than Ted Kooser, and The Poetry Home Repair Manual should enhance his grip on our slumbering Republic."-Larry Woiwode, Poet Laureate of North Dakota, in North Dakota Quarterly
Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend-a friend who is willing to share everything he's learned about the art he's spent a lifetime learning to execute so well.
The Hew Cullan stories are historical crime fiction set at the university of St Andrews, Scotland, in the late sixteenth century. I was a student at St Andrews in the 1980s and now live nearby in the East Neuk of Fife, where the imprint of the town and its surrounding landscapes have remained unchanged since medieval times. What interests me most in writing of the past is how people thought and felt, lived and died and dreamt, and I have chosen books which capture that sense of the inner life, of a moment that belongs to a single time and place, and make it true and permanent.
I first read They Were Defeated over thirty years ago, and recently reread to see if it had the power to move me still today. It does. Set in 1641, in Devonshire and Cambridge at the very brink of the Civil War, it reads like a love letter to a lost world, where the poets and Platonists are illuminated in already fading light, beautifully and tenderly observed. Rose Macaulay wrote that she had done her best "to make no person in this work use in conversation any word, phrase or idiom" not used at the time. "Ghosts of words," she calls them, after Thomas Browne. An astonishing feat in the pre-digital age. Yet the language of her ghosts is clear and true and natural. And the still moment, at the very heart of her heart-breaking story, transcends the factions that surround it and stays fixed for all time. This is…
THEY WERE DEFEATED begins in 1640 at a harvest festival - but religious persecution is in the air, and the idyllic rural scene is soon darkened by the threat of a witch hunt...Rose Macaulay interweaves the lives of Robert Herrick and other contemporary poets with those of a small group of fictional characters. Their lives, and in particular the life of her heroine Julian, are set vividly before us against a period which was one of the most dramatic and unsetttled in English history. Skilfully intertwining tragedy, comedy and beauty, THEY WERE DEFEATED was Rose Macaulay's only historical novel, and…
What were America's first prisons like? How did penal reformers, prison administrators, and politicians deal with the challenges of confining human beings in long-term captivity as punishment--what they saw as a humane intervention?
The Deviant Prison centers on one early prison: Eastern State Penitentiary. Built in Philadelphia, one of the…
I’m an author and a college writing professor with an MFA in Creative Writing. Additionally, I am involved in and teach other art forms and the humanities including music, film, and literature. I enjoy researching and writing about literary figures, musicians, and other creatives, all of which have been a focus in my children’s books.
Monica Brown’s picture book biography of Pablo Neruda is a wonderfully written account of his life and the creation of his beautiful writing and poems that sing, even under the weight of tremendous struggles. The lyrical text soars on the page while Julie Paschkis’ colorful illustrations capture the heart and soul of the poet of the people. This is a must-read!
A stunning picture book biography from Monica Brown and illustrator Julie Paschkis about one of the world's most enduring and popular poets, Pablo Neruda
Once there was a little boy named Neftalí who loved wild things wildly and quiet things quietly. From the moment he could talk, he surrounded himself with words. Neftalí discovered the magic between the pages of books. When he was sixteen, he began publishing his poems as Pablo Neruda.
Pablo wrote poems about the things he loved―things made by his friends in the café, things found at the marketplace, and things he saw in nature. He…
I read every single day without fail. So I have read a lot of books over the years. I am always so impressed with- and love- a good, twisty, surprise ending. From children’s books to middle grade to adult… surprise me at the end, and I’m in! (Extra points for making me cry a little bit!) If you, too, love a good twist at the end of a story, give these books a try!
This book was absolutely stunning. Beautiful writing, beautiful settings, beautiful love. It is very unique in that it tells the love story of Linda and Thomas backward. At first, we meet them in middle age. Then, in their twenties, they live in Africa. Oh, I was so enthralled with their journey there. I feel like I saw it as a movie, so rich were the details. Then, at the end we see them as teenagers.
The ending of this book was so shocking to me that I actually cried. I have read it several more times over the years, knowing full well what the ending will bring me, and still, my heart breaks!
From the last time Linda and Thomas meet, at a charmless hotel in a distant city, to the moment, thirty-five years earlier, when a chance encounter on a rocky beach binds them fatefully together, this hypnotically compelling novel unfolds a tale of intense passion, drama, and suspense. The Last Time They Met is a singularly ambitious and accomplished work by one of today's most widely celebrated novelists.
I have been researching, curating, and writing women’s history for 30 years. I curated the suffragette exhibition Purple, White, and Green at the Museum of London. I wrote The Suffragettes in Pictures; Love and Dirt: The Marriage of Arthur Munby and Hannah Cullwick; Elsie and Mairi Go To War: Two Extraordinary Women on the Western Front; The Criminal Conversation of Mrs Norton, and Rise Up, Women! The Remarkable Lives of the Suffragettes.
I am a public historian, devoted to sharing my research and writing with all. I am a keen podcaster, Youtuber, and guest on television and radio. You could say I’m a heroine addict.
I hope you love my recommendations.
At last! A book that places Byron’s wife, Annabella Milbank, and mathematician daughter, Ada Lovelace, centre-stage instead of the dusty wings of all previous books about this notorious and complicated man. It is the perfect book for anyone interested in Byron and his world, and more importantly for readers keen to consider a more nuanced account of his wife and daughter.
In 1815, the clever, courted, and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet.
Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her…
Pioneer Paddles of the Colonial South
by
William D. Auman,
Award-winning novelist William Auman, author of If Trees Could Testify..., takes the reader on a time-traveling odyssey featuring 345 bodies of water in six states within the historical context through which they unfold.
Journey into remaining Colonial-era wilderness with stories of pirate treasure, epic frontiersmen, Indigenous Peoples, and Revolutionary…
The first twenty-five years of my life appeared to be atypical for an inner-city African American boy from a large family. Only a small number of children were bused to more “academically advanced” schools. I earned that honor by frequently running away from the local school. Overcoming the challenges of being a minority in a demanding, predominantly Jewish, school district eventually benefited me greatly. In the early 1970s, my parents did something unprecedented for a working-class African American family from Queens: They bought an old, dilapidated farmhouse in Upstate New York's dairy country as a summer home. What other unusual life experiences that impact people of color have taken place on the American tapestry?
From childhood through college and a burgeoning career, the author’s honest and unambiguous voice matures as he paints a vivid picture of growing up poor, Black, and gay. Despite societal and familial challenges, having a loving single mother committed to his education helped him to navigate to success. Page after page, readers will find something relatable in unexpected ways.
WINNER OF THE 2020 STONEWALL BOOK AWARD-ISRAEL FISHMAN NONFICTION AWARD
"Jones's voice and sensibility are so distinct that he turns one of the oldest of literary genres inside out and upside down." NPR'S Fresh Air
Jones tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes, Jones draws readers into his boyhood and adolescence-into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds…