Books like Lay Down with Dogs — picked by fans

This book causes the reader to rethink all that they have been taught regarding the colonial history and founding of our United States.

Did Thomas Jefferson actually plagiarize the Declaration of Independence based on a similar document from 1775 that was sent on horseback from Charlotte, N.C., to the constitutional convention in Philadelphia a full year earlier? I see ample evidence that makes for a strong argument, and this book is both an entertaining and historically based-account of a 250-year-old mystery.

I enjoy historical mystery, particularly in a pioneer/colonial setting, and was a big fan of Dances With Wolves. This book takes it one step further and weaves an intriguing tale of adventure that features several distinct characters whose destiny overlaps as they each make their way through dangerous curves in the pre-Civil War era.

I couldn't put this one down after becoming immersed in the storyline. I could visualize how the landscape changed over time, particularly for Native Americans. Still, this book rightfully emphasizes how harmony among those from different cultures can lead to good outcomes for all.

I remember taking a charter fishing boat out from Beaufort Inlet when they found the Queen Anne's Revenge back in 1996, the flagship of the legendary Blackbeard, who was killed off Ocracoke Island in 1718. I also remember visiting Springer's Point and paddling “Teach's Hole” on the island, not to mention searching for his alleged treasure both there and at the site of his former home in Bath, N.C.

I have also visited White Point Gardens in Charleston, where Stede Bonnett and crew were hanged, and kayaked along the many sounds and inlets where these buccaneers used to plunder and pillage. From the time that I was a child, I have been enchanted with pirate culture, and this book offers historical accuracy that you can't find by watching Johnny Depp in the theater.

Although technically a biography, I view this book in the vein of mystery in many ways as it tells a compelling story of one of my most-admired musical/political heroes.

The story of Bob Marley, from his marginalized roots in Nine-Mile to world-renowned reggae artist and Rastafarian proponent of peace, is full of many trials and ordeals, including his own assassination attempt.

Timothy White's extensive research gave me a perspective of Bob that I would not otherwise have known about and took me deep into the life, beliefs, and challenges that Bob faced in his short life on our planet.

There is something special about Heather Webber’s work—all of it, mind you. But South of the Buttonwood Tree has something a little extra. 

It’ll break your heart on the same page you’re laughing. Her characters become people you’ve known your whole life by the end of the first chapter. By the end of the book, you’re leaving friends and family behind to live their lives without you—that’s how rich the story is.

There is no getting bogged down in details, yet you have them all. The story flows in a rhythm that feels warm and comforting but not so formulaic that you know what to expect when you read the first word. She really hits that comfort spot I know I need, and you might too.

This brilliant, best-selling book turned award-winning documentary is so fantastic for unraveling a revisionist history of the “tired old lady who wouldn’t move to the back of the bus.”

Not unlike the way I show how Dr. King’s memory has been sanitized and defanged, Theoharis shows how Parks’ memory has been voided of her long history of radical activism, and her unyielding pursuit of racial and social justice.

I thought about this book a lot as I was writing my chapter on the hidden Black women, the “sheroes” of the Civil Rights Movement who present-day Black feminist activists are resurrecting in public consciousness.

Patricia McKissack introduces the quilts of Gee’s Bend to young readers in this charming picture book. McKissack not only read about Gee’s Bend but she visited and learned how to quilt. Her text is written in poems that capture the lilt and rhythm of Gee’s Bend women. The speaker, “Baby Girl,” describes how she learned how to quilt from her grandma. The soft, painterly illustrations by Cozbi A. Cabrera resemble Gee’s Bend quilts, and depict the colorful scraps of material the women used. The story includes the visit of Dr. Martin Luther King to “the Bend” on his way to Camden, then Selma, to march for the right to vote. And the aftermath of that march. A superb picture book full of history and hope for readers of all ages.

In my writing I love to relate the stories of important historical actors that are unknown. Especially young actors.

Phillip Hoose apparently shares those loves. He gives us the story of Claudette Colvin who, at fifteen, refused to give up her seat on a Montgomery, Alabama bus to a White person. This was nine months before Rosa Parks’ famous stand. Through Hoose’s beautifully-rendered narrative, we are on the bus with Colvin that day and we are later in the courtroom when she bravely tells her story. 

As I said previously, I love to use the actual words historical actors spoke in my books. Hoose seems to share that passion as well. The author carried out fourteen interviews with Ms. Colvin. Through her own voice, we come to know this amazing young woman.

Sara Brooks was one of seventeen children raised by landowning African American farmers in Alabama. Hers is a lively and evocative account of growing up on the land in a loving family and a harsh coming of age at the hands of an abusive man. Like many southern black women of the era, Brooks is able to escape the bleak conditions of her life by moving first to Mobile and then to Cleveland where she worked as a domestic, eventually acquiring her own home and reuniting with the children she had been forced to leave behind. Hers is a hopeful and richly textured story of resistance and resilience.

I moved to Tuscaloosa, Alabama for graduate school in 1986, eleven years after this book was published, thirteen years after Nate Shaw’s death.

Reading the life of a man whose parents had been enslaved, a cotton farmer and sharecropper who bravely joined a union and stood up for other Black farmers, opened my eyes to the reality of life in the twentieth century for Black farmers in the state I now called home.

Told in expert storyteller Nate Shaw’s (a pseudonym for Ned Cobb) voice, based on interview transcripts, the book introduced me to a person and a way of life unlike anything I had encountered growing up in the city of Little Rock, Arkansas.