Books like Language of Vision — picked by fans

I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.

I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.

I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.

I am a philosopher, neuroscientist, geostrategist, and futurologist with a deep interest in the exponential growth of disruptive technologies and how they have the potential to both foster and hinder the progress of human civilisation. My mission is rooted in Transdisciplinary Philosophy and finding transdisciplinary, equitable, and sustainable solutions to identify, predict, and manage frontier risks and geopolitical fractures, both here on earth and in Outer Space. My work at the Geneva Centre for Security Policy, St. Antony’s College (Oxford), and the WEF (as a member of various Global Future Agenda Councils) focuses on the interplay between philosophy, neuroscience, strategic culture, applied history, disruptive technologies, grand strategy, IR theory, and security.

I’m an American environmental historian with specialties in food and horticulture. I mostly write on alcohol, wine, garden history, and orchids, but I’ve also kept a small flock of backyard chickens since early 2020. In my preparation for my brood, I read every single chicken history and chicken-keeping book available. Here’s the best of the best.

I live in the past, even as the wellness industry tells me to be present. I try to be present! Of course, I also worry about the future. Time for me, inexorably, moves both backward and forward. I’m always writing things down, scared of forgetting. How do other people do it? That’s why I read fiction (or one of the reasons). As Philip Roth said of his father in Patrimony, “To be alive, to him, is to be made of memory—to him if a man’s not made of memory, he’s made of nothing.”

I love to travel, write, and work in film and TV. My thoughts about how technology is changing people mixed with love for the Mojave Desert drives the story in my first novel, Edna in the Desert. Most of the desert has cell phone service but you can still lose it for stretches. Occasionally, there's a house in the middle of one of these expanses, and I always wondered what a teen living there would do without the usual modern distractions.

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.

Over a long lifetime, I’ve been intrigued to observe many variations on the themes of marriage, widowhood, divorce, and adultery among my friends, patients, and clients. The majority of marriages are probably happy, but these are not usually very interesting to write about, so marriages in fiction often involve some kind of conflict which leads to a more or less satisfactory resolution. I am a retired doctor, originally from England, and now living in New Zealand with my second husband, to whom I have been married for over 40 years.

I have a reputation as an expert on the portrayal of psychopathology in contemporary cinema, and I have lectured on this topic hundreds of times in dozens of different countries. This reputation builds on five editions of Movies and Mental Illness and two editions of Positive Psychology at the Movies. I am also currently coauthoring a third book: Movies, Mini-series, and Multiculturalism: Using Films to Understand Culture, and I edit a series of film reviews for Hogrefe titled A Clinical Psychologist Goes to the Movies. Much of my career has been devoted to exploring the fascinating interface of psychopathology and media.