Books like Deity

I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.

It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.

Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.

I love love love an unreliable narrator! Especially when that narrator is a beautiful, elegant woman who turns out to have the ugliest soul imaginable. I think as a whole, our society tends to be extra afraid when they see conniving evil existing in a female’s mind, especially when she’s physically beautiful and well spoken.

At certain points in this book, I found myself weirdly rooting for Amy and chomping at the bit to see how far her “crazy” would take her. The twists and turns kept me racing through this book and left me wondering at the end, “What happens to them now?!”

This book really hooked me because mass hysteria is such a rare and bizarre psychological phenomenon, and Abbott portrays the creepiness and weirdness of it perfectly!

Perhaps also because my own teenage years were so turbulent and I still feel so connected to my younger self, I love to read and write about teenage friendships—in all their dark, obsessive intensity.

The Fever takes you there perfectly, and my fourth novel, A Guilty Secret (which is set in a remote Scottish boarding school), took special inspiration from Abbott’s brilliant tale.

I first read this YA novel as a teenager and have never forgotten it.

The book has long been out of print in the UK, but a few years ago, I laboriously tracked down an Australian ex-library copy to re-read. I was fascinated to realise the book actually falls into the (psychological) horror genre (having thought I hated horror after being traumatised as a kid by Nightmare on Elm Street!). I could also now see how, at heart, it is also a heartbreaking family drama.

Del-Del later became a huge inspiration for my debut novel Little White Lies, a psychological thriller about a family desperately struggling with the miraculous return of their teenage daughter Abigail following her abduction seven years previously.

One night, eleven-year-old Effie (a recent orphan) is dropped off at her aunts’ house.

She doesn’t really want to be there until she discovers that her aunts are witches and she may be one too! This female-driven graphic novel is full of colorful characters who help Effie find the magic within herself.

Graphic novels tell half the story through the art and Witches of Brooklyn beautifully rendered with lines that communicate energy and grace.

I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce. 

This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.

Van Tharp’s Super Trader is the book that changed my perspective on trading.

After reading it I began thinking of trading like a business (O’Neil touches on this as well) that works best with well-designed systems and processes.

Tharp goes deep into psychology and belief systems. He says “We don’t actually trade the market. We trade our beliefs about the market.” If this is the case, we better gain as much awareness of our beliefs as we can! He was a huge inspiration in this department and was one of my biggest inspirations in the realm of trading psychology.

Tharp also introduces position sizing concepts in this book that reveal “how much we bet” has far more to do with our overall success in trading than most anything else. Even more so than where we enter and exit. 

I discovered Wilson’s seminal book when I was in college.

It would not be an exaggeration to say that The Outsider changed my life. Before I read it I had no idea who I was or where I belonged. I was not a joiner. I wasn’t affected by peer pressure. As a consequence I felt alone and at sea.

At once, I recognized myself in The Outsider.

Wilson could have been writing about me. Suddenly, I understood who I was, why I reacted to certain things the way I did, and what my place in the world was and would be. There is no more desolate feeling of being alone and misunderstood in the world.

Wilson’s book gave me a sense of belonging. Who could ask for anything more?

I found Young’s book to be tremendously helpful as I searched for films to use in my abnormal psychology courses. There are numerous recommendations for psychologically relevant films that my students found fascinating.

The book is relatively short, but it is scholarly and a quick read. Young is a clinical psychologist, and he draws on his professional background in recommending relevant films. I came away from this book with dozens of new ideas for films to use in the classroom.

Once upon a time in the deep woods, a kind woman invited twelve family members and friends to Thanksgiving dinner. But not burning the turkey became the least of her worries. Wolf at the Door is a kick-ass nightmare, a ghoulish debut novella that will keep you sitting rigid in bed with your eyes and ears wide, long after its done. You may never walk in the woods again. How will our hero save her dinner guests from becoming the main course for two brutally vicious werewolves who just happen to be the neighbors? How well do you know the couple next door?