100 Books Like Juggling Truths

My home village of Serowe is a place I find fascinating for its history, its culture, its people and their peculiar mix of self-regard and obeisance. Bessie Head, a writer who has had the most influence on my work, was a great chronicler of Serowe throughout her oeuvre of brilliant novels and short stories. But it is this book, a mix of social and oral history, and interviews with the inhabitants of Serowe (of different races, cultures, and classes), that really has my heart.

Covering various historical eras and years spanning from 1875 to around 1963, the book’s subjects ran the gamut from the reign of Khama the Great to the origins of the green milking rubber hedge that is still ubiquitous in the village today. 

I love a classic tale of forbidden love, and this book explores love across class lines and across traditional Tswana values and modern values: a poor, uneducated boy who fled his family cattlepost and escaped to Gaborone, where he falls in love with the privately educated daughter of a retired diplomat.

What I love about this book, too, is how it provides a portrait of Gaborone at a certain time (the book was published in 1981) and the various people who made the city their home—upwardly mobile Batswana, political refugees from both Botswana and South Africa, diamond smugglers, officers from the colonial government and as the rural wide-eyed boy observes, “men wearing women’s attire and vice-versa…unbelievably high heels on both men and women.” 

I love short stories for all the meaning, depth, substance, and sense of a full life they can reveal in a few short pages, and these short stories by Wame Molefhe do just that.

They are intimate and lovely, and in elegant prose, they reveal women in the thick of life, caught in treacherous circumstances, solitarily mourning extramarital lovers, mourning same-sex love they were not brave enough to pursue, mourning a best friend who might have had an affair with one’s husband thus exposing her to disease.

The characters' names recur in most of the stories, though each character is different, navigating a different set of circumstances. The effect is of intimacy, of encountering and re-encountering relatives or friends around the corner, at the supermarket, at a funeral, or a wedding. 

“In Africa, you want more, I think.” So goes the first line of this sprawling and complex novel by the American writer Norman Rush. The version of me who has had to read countless broad and sweeping generalisations about my country and my continent was alert upon first reading this line. Suspicious and vigilant; ready to slam the book closed at any nefarious stereotypes. But I confess that the narrator’s voice—the funny, wry, intellectual and calculating voice of an American anthropology student obsessed with a celebrated American anthropologist attempting to build a utopian matriarchal society in the Kgalagadi desert—swept my defenses aside. 

The book is expansive and comic, and also serious about relationships between men and women, courtship, love, social movements and Southern African politics. A sequence early in the book in which the narrator is reduced to weeping at the beauty of the Victoria Falls and lamenting her lack… show more.

Here’s another fantasy I didn’t know I had until I listened to this fabulous audiobook: to be neighbors with the great Chef, Julia Child. Not only that, to solve crimes with her!

Tabitha Knight has arrived in post-World War II Paris from Detroit for an extended stay with her French grandfather. She’s on a journey of discovery and about to get mixed up in a murder investigation.

Mysteries are my favorite genre, especially cozy mysteries focused on a topic and places I’d love to visit. This book combines some of my favorite things: cooking, France, and did I mention Julia Child?  

My all-time favorite amateur detective is Miss Marple, and if I had to pick a favorite book she is in, it would be this one. I love the idea of a quiet, mostly ignored spinster who most people dismiss being the one character who seems to know exactly what is going on and what people are up to.

I really like the way Miss Marple figures out why the main character thinks she is going mad and proves that she isn’t. In this book, Miss Marple really proves her status as one of the best amateur detectives, and I love it.

In 2000, there were few English-language fantasy books based on Japanese myths. I opened this one, and instantly, Heian Period Feudal Japan came alive in a lyrical, mesmerizing way, unlike the dry history books.

And unlike the fantasy I’d grown up with, the main voice of the book was a woman—a complicated, imperfect magical kitsune who also felt like a human woman. This book made me hungrier for more non-Western myths as a lens through which to view my own concepts of womanhood.

I like this novel because it is one of the few that I know of that features a blind musician like the protagonist of my novel. Also, I feel that the author offers fine descriptions of jazz piano and jazz music. This book was published in 1965, a turbulent time in America. The author depicts being black as a disability like blindness. I think William Melvin Kelley was an excellent novelist who deserves greater recognition.

I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.

Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.

I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.

This is one of the first books I read about writing that gave me that A-HA feeling. Originally published in 1999, it’s still relevant and foundational. What does your character want? Why? And what is standing in their way? It seems like a simple concept, but it isn’t easy! And boy, oh boy, if you are missing one of those elements, it can be the difference between a page-turner and a wall-banger (when a reader throws your book against the wall because you just wasted their time.)

Without really understanding what your character wants and why, writers risk nonsensical plot progression and alienating the reader.