Books like Jacques the Fatalist — picked by fans

Commonly interpreted as the finest account of the ‘gigantic criminality’ of the Nazi and Stalinist totalitarian regimes, Arendt’s book has for me a more immediately visceral significance. It has profound things to say about what she called a "terribly cruel" contradiction lurking within the modern democratic commitment to equality.

She pointed out that although democracy demands that we recognize others as our equals, certain groups, especially for reasons of their past sufferings, are prone to misuse and abuse their democratic freedoms. They do so by violently asserting their rights to live as a "sovereign people" at the expense of others whom they treat as "superfluous."

Would Arendt have been surprised by the way a "democratic" state born of the ashes of genocide is nowadays behaving? Would she have condoned its military efforts to destroy "in whole or in part" (Genocide Convention Article 2c) a "superfluous" people known as Palestinians? Almost… show more.

An exhilarating set of 676 aphorisms composed by the Austrian-British anti-philosopher Ludwig Wittgenstein during the final months of his life, On Certainty questions the human will to cock-sure knowledge and mastery of the world. It’s an appeal for greater humility about what we claim to know, a warning against literal-mindedness and self-indulgent talk of "facts" and "objective reality." Facts are artifacts, and what counts as truth varies through time and space, he dared to say.

Wittgenstein went on to imagine a world where instead of saying ‘I know,’ we chose more humbly to say "I believe I know." This suggestion has an important flipside: gloomy convictions that we’re living in a doomed age headed for hell are the conjoined twin of optimistic know-all certainty. Pessimism is optimism turned upside down.

At once Jewish, French, and Christian, an ex-factory worker and field laborer, and political thinker whose short life was tragically ended by a hunger strike against Nazism, Simone Weil should today be remembered as the first thoughtful defender of our need for social and ecological roots.

Published posthumously, this extraordinary book is a withering protest against deracination: the forcible uprooting of peoples’ lives by unbridled capitalism, state socialism, nationalism, and war. Anticipating the recent celebration of the ideals of civil society, Weil stood against violence and every form of institutional standardization, bossing, and bullying. Felt obligations toward others, freedom from arbitrary power, and self-government based on citizens’ grounded consent are, for her, the mark of a good society.

One of those rare pieces of political writing that outlive their moment of birth to become classics, Havel’s grippingly written essay invites us to rethink the meaning of power. The radical idea is that the powerful are never as powerful as they, or we, might imagine.

Since within any institution or political order, the lines of organized power pass like low-current electricity through all its subjects, the downtrodden always have within themselves the power to short-circuit the system and to remedy their own powerlessness by refusing the power of rulers bent on running and ruining their everyday lives. 

I admire the way this book jumps out of the box and debunks the emphasis on “pure craft”—a term that grew out of the hero’s journey. (Basically the “Horatio Alger” story about a character going from rags to riches.)

This model stifles the voices of writers from other cultures.

Salesses’ techniques help writers mine their cultural background and discover stories only they can tell. It also frees all writers from the model of the hero’s journey.

The Trio captures the essence of friendship and love and the coexisting yet diametrically opposed social anxieties that can accompany them. This is why I love this book–love is presented as complex, challenging, and fraught with more that is unsaid than actually expressed.

I also love this book because it expresses love as a real feeling, something that is experienced but not always easy to explain (or get along with). The characters are relatable, honest, and flawed, yet likable. The book is also set in beautiful locations–Stockholm, Paris, London–which makes it beautiful to read.

Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.

Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.

I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.

The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…

A gripping portrayal of the "house for fallen women" funded by Angela Burdett-Coutts and managed by Charles Dickens in Victorian London.

Urania cottage offers refuge for prostitutes, petty thieves and the destitute who end up there for various reasons and respond to it in different ways.

I loved the way Halls skilfully depicts women from different classes. Josephine is a working-class woman who comes straight from prison, whereas Angela Burdett-Coutts is the richest woman in London, but her wealth cages her in a different way. I found this novel beautifully observed, unsentimental, and absorbing.

I love this classic novel; it is one of my old favorites.

Nowhere in the genre of young adult literature does there seem to be an author more subversive than Paula Danziger; here (and in the companion novel The Cat Ate My Gymsuit), she directly encourages the young reader to question adult authority and suggests that with protests and education about what rights the law gives (and withholds from) young people, it might be possible to effect change and increase their rights.

I also found it great that the novel shows the protagonist’s parents in raw realism–the father as a hypocritical, cheap, unlikable domestic despot, the mother as a shrinking violet who at first tends to excuse the father and conform to his expectations, but eventually starts questioning her stance when she sees her daughters rebel.