Here are 100 books that Jacques the Fatalist fans have personally recommended if you like
Jacques the Fatalist.
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A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
Commonly interpreted as the finest account of the ‘gigantic criminality’ of the Nazi and Stalinist totalitarian regimes, Arendt’s book has for me a more immediately visceral significance. It has profound things to say about what she called a "terribly cruel" contradiction lurking within the modern democratic commitment to equality.
She pointed out that although democracy demands that we recognize others as our equals, certain groups, especially for reasons of their past sufferings, are prone to misuse and abuse their democratic freedoms. They do so by violently asserting their rights to live as a "sovereign people" at the expense of others whom they treat as "superfluous."
Would Arendt have been surprised by the way a "democratic" state born of the ashes of genocide is nowadays behaving? Would she have condoned its military efforts to destroy "in whole or in part" (Genocide Convention Article 2c) a "superfluous" people known as Palestinians? Almost…
Hannah Arendt's definitive work on totalitarianism—an essential component of any study of twentieth-century political history.
The Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
An exhilarating set of 676 aphorisms composed by the Austrian-British anti-philosopher Ludwig Wittgenstein during the final months of his life, On Certainty questions the human will to cock-sure knowledge and mastery of the world. It’s an appeal for greater humility about what we claim to know, a warning against literal-mindedness and self-indulgent talk of "facts" and "objective reality." Facts are artifacts, and what counts as truth varies through time and space, he dared to say.
Wittgenstein went on to imagine a world where instead of saying ‘I know,’ we chose more humbly to say "I believe I know." This suggestion has an important flipside: gloomy convictions that we’re living in a doomed age headed for hell are the conjoined twin of optimistic know-all certainty. Pessimism is optimism turned upside down.
Written over the last 18 months of his life and inspired by his interest in G. E. Moore's defense of common sense, this much discussed volume collects Wittgenstein's reflections on knowledge and certainty, on what it is to know a proposition for sure.
A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
At once Jewish, French, and Christian, an ex-factory worker and field laborer, and political thinker whose short life was tragically ended by a hunger strike against Nazism, Simone Weil should today be remembered as the first thoughtful defender of our need for social and ecological roots.
Published posthumously, this extraordinary book is a withering protest against deracination: the forcible uprooting of peoples’ lives by unbridled capitalism, state socialism, nationalism, and war. Anticipating the recent celebration of the ideals of civil society, Weil stood against violence and every form of institutional standardization, bossing, and bullying. Felt obligations toward others, freedom from arbitrary power, and self-government based on citizens’ grounded consent are, for her, the mark of a good society.
Hailed by Andre Gide as the patron saint of all outsiders, Simone Weil's short life was ample testimony to her beliefs. In 1942 she fled France along with her family, going firstly to America. She then moved back to London in order to work with de Gaulle. Published posthumously The Need for Roots was a direct result of this collaboration. Its purpose was to help rebuild France after the war. In this, her most famous book, Weil reflects on the importance of religious and political social structures in the life of the individual. She wrote that one of the basic…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
A good part of my life has been devoted to trying to think and write creatively about politics, history, media, and democracy. Under the pseudonym Erica Blair, my first writings were about the meaning and significance of civil society. In early 1989, in London, I founded the world’s first Centre for the Study of Democracy (CSD); more recently, I designed and launched the experimental Democracy Lighthouse platform. My books have been published in more than three dozen languages, and I’ve also contributed interviews and articles to global platforms such as The New York Times, Al Jazeera, South China Morning Post, The Guardian, Letras Libres, and the Times Literary Supplement.
One of those rare pieces of political writing that outlive their moment of birth to become classics, Havel’s grippingly written essay invites us to rethink the meaning of power. The radical idea is that the powerful are never as powerful as they, or we, might imagine.
Since within any institution or political order, the lines of organized power pass like low-current electricity through all its subjects, the downtrodden always have within themselves the power to short-circuit the system and to remedy their own powerlessness by refusing the power of rulers bent on running and ruining their everyday lives.
Vaclav Havel's remarkable and rousing essay on the tyranny of apathy, with a new introduction by Timothy Snyder
Cowed by life under Communist Party rule, a greengrocer hangs a placard in their shop window: Workers of the world, unite! Is it a sign of the grocer's unerring ideology? Or a symbol of the lies we perform to protect ourselves?
Written in 1978, Vaclav Havel's meditation on political dissent - the rituals of its suppression, and the sparks that re-ignite it - would prove the guiding manifesto for uniting Solidarity movements across the Soviet Union. A portrait of activism in the…
I’m a military veteran who has read science fiction and fantasy since the second grade. After reading everything on my parent’s bookshelves, everything in the school and public libraries, I had a teacher recommend I become an author. I love stories about strong-willed individuals standing up for what they believe in and changing the world. I have a master’s degree in engineering, a love for well-built things and taking stuff apart to see how it works, and a fascination with people and how they behave. In addition to writing, I am an avid gamer and a dabbler in a variety of things, from metalworking to hiking.
I read this book in high school and absolutely loved the entire idea, of essentially a prisoner of war escape plan similar to The Great Escape, set in a science fiction universe against the scale and scope of a planet.
I love how the author took a main character that had been so strong and tough through seven previous books and made her vulnerable, gave her new room to grow, and allowed some of her supporting cast to shine as well.
For eight bloody years, Commodore Honor Harrington has been in the forefront of the battle between the Star Kingdom of Manticore and the vastly more powerful People's Republic of Haven. Now Honor has fallen, captured by the Peep Navy, turned over to the forces of State Security, and executed, her death shown on the interstellar network's nightly news. The Manticoran Alliance is determined to avenge her. Yet their military is over-extended and the People's Republic is poised to take the offensive once more. And neither protagonist is aware of events on a distant, isolated, inescapable prison planet called Hell. Honor…
I’ve been into spy stories for many years. I love the intrigue, the deception, the secrecy of that world. Of course, real spying may involve lots of periods of doing nothing, possibly followed by manic, dangerous action. All while dealing with the anxiety of hiding the fact that you might be a traitor to your country or simply not the person the world thinks you are. It’s a fascinating world, and that fascination is what draws me in.
I really love the characters in this book. It’s the fourth book in a series, but I read this out of order, which meant I didn’t have the benefit of some of the backstory for one or two people. This is a story of treachery and betrayal, and spies that stay in the game for years before getting out or getting caught.
From "quite possibly the best historical novelist we have" (Philadelphia Inquirer), the fourth Joe Wilderness spy thriller, moving from Red Scare-era Washington, D.C. to a KGB prison near Moscow's Kremlin
In Moscow Exile, John Lawton departs from his usual stomping grounds of England and Germany to jump across the Atlantic to Washington, D.C., in the fragile postwar period where the Red Scare is growing noisier every day.
Charlotte is a British expatriate who has recently settled in the nation's capital with her second husband, a man who looks intriguingly like Clark Gable, but her enviable dinner parties and soirees aren't…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
As a career journalist/communications specialist and historical suspense novelist, the intersection of fact and fiction has always been a fascination and an inspiration. In journalism and nonfiction reportage, the best we can hope to ascertain are likely facts. But in fiction—particularly fiction melded with history—I believe we can come closest to depicting something at least in the neighborhood of truth. My own novels have consistently employed real people and events, and as a reader, I’m particularly drawn to books that feature a factual/fictional mix, something which all five of my recommended novels excel in delivering with bracing bravado.
I was immediately taken with author/filmmaker Nicholas Meyer's brilliant pairing of a flailing, cocaine-addicted Sherlock Holmes with a winningly rendered Sigmund Freud, whom a desperate Doctor Watson has recruited to save the self-destructive detective.
Freud’s efforts eventually teased out the darkest of secrets driving Holmes’ notorious substance abuse in a manner I found enthralling. I believe the best historical novels confidently ground you in a time and a place that captivates but also conjures a reality all their own in their blending of fact and fiction, which this novel does in spades.
I’ve revisited it many times over the years. A wonderful film adaptation by Meyer was also released many years ago, starring Nichol Williamson as Holmes and Alan Arkin as Freud.
First discovered and then painstakingly edited and annotated by Nicholas Meyer, The Seven-Per-Cent Solution related the astounding and previously unknown collaboration of Sigmund Freud with Sherlock Holmes, as recorded by Holmes's friend and chronicler, Dr. John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
Every story belongs to a genre and genre is a part of story development. I found this book to be the best available explaining what genres are and how they work to support the process of story development.
Truby’s book lays out each major story genre, its beats, dynamics, and place in the world of storytelling. This is an essential reference every writer needs on their bookshelf.
A guide to understanding the major genres of the story world by the legendary writing teacher and author of The Anatomy of Story, John Truby.
Most people think genres are simply categories on Netflix or Amazon that provide a helpful guide to making entertainment choices. Most people are wrong. Genre stories aren’t just a small subset of the films, video games, TV shows, and books that people consume. They are the all-stars of the entertainment world, comprising the vast majority of popular stories worldwide. That’s why businesses―movie studios, production companies, video game studios, and publishing houses―buy and sell them. Writers…
I’m autistic, with a passion for narrative structure and my brain is exceptional at predicting twists, so something genuinely surprising is a rare treat I crave and value. As a queer and trans person, I’m always looking for content in which I can see myself and my loved ones. I’m obsessed with YA thrillers that don’t just keep me guessing but also give me messy, brilliant, unforgettable queer characters to root for. These are the books that stuck with me, made me lose sleep to finish, and gave me new queer icons to love. I hope you enjoy them as much as I did!
I’m an absolute sucker for a ‘what really happened that night’ tale and this is one of my all time favourites due to the unreliable narration and the sense of slowly creeping dread.
The core of this book is the messy tangle of friendship, obsession, and unspoken longing, which I can never get enough of. Throughout my first read of the story, I re-evaluated what I thought I knew, and went back to the start over and over. I had to know who was lying…
Jessica Wong is the kind of girl nobody notices. She's also the kind of girl who sees everything. There's no one better at overlooking Jess than her best friend, Angie. Jess can live without Angie knowing her real feelings, just so long as they're best friends. But when Angie meets Margot, Jess recognises that things will never be the same. Worse still, Margot is one of the rare people who sees exactly how Jess feels about Angie. As Angie falls hard for Margot and gets caught up with Margot's wealthy friends, Jess's life begins to fall apart. If she isn't…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
As a baby, I was fascinated by shadows, how they lengthened and shortened till they disappeared, and how they moved their position around me and objects. I used to play with Barbies; I invented stories that lasted for days, progressively postponing the main events in favor of their preparation. Progressively, I became accustomed to my relatives’s death and their funerals. I realized that time connected these observations and games as much as the novels and films that I loved. In my list, you can find stimulating books where Time shyly shows itself on a stage.
I adore how the scholar Sternberg analyses how some of the greatest authors of all time create and play with time. His work is the example par excellence of how a comprehensive theory about time in literature should be written.
He discusses different epochs and genres, linking them to a coherent history. Sternberg’s brilliance charms me.
.."". this is one of the few books on narrative worth reading and rereading, a study that will make -- or should make -- a difference in the way we read narrative."" -- Nineteenth Century Fiction
""This is a remarkable book: original, clear-sighted, and luminously focused on a subject that has never been explored nearly so systematically or intensively.""A -- Dorrit Cohn, Harvard University
This book, long out of print, is now available in a paperback edition, providing another window into one of the most exciting minds working in the areas of literary and biblical literary criticism.
