Books like Killer Pizza

For me, Hyperion epitomizes the Gothic space opera.

It may not sound like it on the surface, with the book often being described as a sci-fi spin on the Canterbury Tales, but the devil’s in the details, and Hyperion has many details indeed, with each character’s story bringing us deeper into both their personal darkness and the darkness of the larger world: the labyrinthine Time Tombs; the Cruciform parasite that turns immortality into a curse; and of course, the eldritch godlike entity known as The Shrike.

As an easily-bored reader, I was floored by how easily Hyperion held my attention, as each of the characters’ stories not only made me care about them more, but also contributed to the adventure they shared...especially when it all came to a head in the sequel, Fall of Hyperion.

Spanning multiple worlds, time periods, and philosophical ideas, Hyperion has everything I want… show more.

This is really how the Disney film Old Yeller should have ended, with a rabid canine raising hell and ripping out throats. What a phenomenal book.

My first foray into the world of Stephen King. I loved it so much I tried to name my dog Cujo … but I was overruled. We settled on Otto cause it sounds sorta similar. But, again, I love this book for the same reason I love Who Goes There?—a beast is terrorizing people who are trapped and can’t flee. It’s a simple formula for monster-themed novels, but it gets me every single time. 

Although this title seems obscure, most people will recognize the classic movie adaptation under the name The Thing.

For a science fiction story written before the Second World War, this book stands up surprisingly well. It’s the First Contact story we don’t want, where instead of meeting an intelligent extraterrestrial species, we come face to face with a monster. And it is intelligence that saves the day, not brute force or strength.

Although it is out of print, this book can be read online. 

This was a Covid-read for me. We spent some of Covid in Vermont, next to the Northshire Bookstore in Manchester, VT. If you’ve never been, it’s worth going just for this bookstore. Truly incredible.

Anyway, I saw this book in their sci-fi section and read the back copy and was hooked — a foul-mouthed talking crow, a post-apocalyptic wasteland, shambling human zombies. It’s told from the point of view of animals which have survived. There’s also a nice environmental message. It’s weird, odd, funny, insane, and delightful.

I listened to the audiobook of this anthology and man! I could not tell you how beautiful and horrifying this one is.

For those of us who love some horror alongside our fantasy, this one takes the kickers. I love the throughline of each story. There is something to be said for when the line between the technolyzed body and the real body comes into conflict.

I love that there was magical realism in some of the stories, but it was crouched within the human psyche, for where does magic live if not in our heart and soul.

When I recently read The Yark I was only disappointed in that I hadn’t discovered this book sooner. It has the morbid quip and charm of Roald Dahl combined with highly detailed and immersive illustrations. This is a monster story which will leave you far more afraid of children than what’s under your bed. 

What does it mean to be human, and what happens to us when we don’t receive unconditional love?

The two main characters in this Gothic novel, a human and a "monster," are presented in such a way that I questioned which main character was more human. There’s a warning of what can happen when we deny the basic human need for unconditional love.

Shelly’s use of a frame story pulled me in from the first page.

I picked up this book because it reminded me of a writing assignment I did in college. Instead of a traditional critical essay on Frankenstein, I wrote a “scene” in which Mary Shelley and Victor Frankenstein discussed the novel's themes. (I got a good grade if you are curious.) This isn’t the most lyrically written novel, but I loved the bold premise of bringing Victor into the real world to interact with the Villa Diodati group, telling them the unbelievable tale of his creation.

I admired the clever turns throughout, and the climactic discovery was well-earned. I’ve always been a fan of the fictional character stepping off the page. This one had me thinking long after I’d finished it.  

Monstress is an awful lot of things: An epic fantasy that confronts the horrors of modern war; a work of fusion that marries Western and Eastern aesthetics and the epic scale of George R. R. Martin with the cosmic and body horror of Junji Ito; an incredible trove of beautiful visual art; a stage for women of all kinds, young and old, beautiful and monstrous, weak and powerful, with and without shark heads; and a story about a girl coming to grips with a dark family legacy and what it means for her place in a bloody, painful world.

More than anything else, it’s about what happens when people use each other. For my money, the best epic fantasy currently being published in any form.

This book is one of my all-time favorites. It’s full of funny and sweet surprises: 1. There’s a monster in Annie’s backpack. 2. It ate her lunch (except for the carrots—they make the monster burp) 3. The monster ripped up her homework. Isn’t it the worst? But wait! The monster was just making confetti for the parade it was throwing—the ANNIE-IS-GREAT PARADE.

Aww! Come on, is that not the cutest? I want a monster in my backpack.