Here are 77 books that Killer Pizza fans have personally recommended if you like
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As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
For me, Hyperion epitomizes the Gothic space opera.
It may not sound like it on the surface, with the book often being described as a sci-fi spin on the Canterbury Tales, but the devil’s in the details, and Hyperion has many details indeed, with each character’s story bringing us deeper into both their personal darkness and the darkness of the larger world: the labyrinthine Time Tombs; the Cruciform parasite that turns immortality into a curse; and of course, the eldritch godlike entity known as The Shrike.
As an easily-bored reader, I was floored by how easily Hyperion held my attention, as each of the characters’ stories not only made me care about them more, but also contributed to the adventure they shared...especially when it all came to a head in the sequel, Fall of Hyperion.
Spanning multiple worlds, time periods, and philosophical ideas, Hyperion has everything I want…
This biography for middle-grade readers and up explains who Jane Addams was and why she caused such a stir worldwide. The story follows Addams' first childhood realization of how poverty limits lives, livelihoods, and health to her becoming one of the most beloved―and disliked―women of her day. She worked to…
On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read.
This is really how the Disney film Old Yeller should have ended, with a rabid canine raising hell and ripping out throats. What a phenomenal book.
My first foray into the world of Stephen King. I loved it so much I tried to name my dog Cujo … but I was overruled. We settled on Otto cause it sounds sorta similar. But, again, I love this book for the same reason I love Who Goes There?—a beast is terrorizing people who are trapped and can’t flee. It’s a simple formula for monster-themed novels, but it gets me every single time.
The #1 New York Times bestseller, Cujo “hits the jugular” (The New York Times) with the story of a friendly Saint Bernard that is bitten by a bat. Get ready to meet the most hideous menace ever to terrorize the town of Castle Rock, Maine.
Outside a peaceful town in central Maine, a monster is waiting. Cujo is a two-hundred-pound Saint Bernard, the best friend Brett Camber has ever had. One day, Cujo chases a rabbit into a cave inhabited by sick bats and emerges as something new altogether.
Meanwhile, Vic and Donna Trenton, and their young son Tad,…
I’m a hard (plausible) science fiction author, born in New Zealand and currently living in Australia. Over the course of my career, I’ve written 26 novels in my First Contact series, looking at all the various different ways in which First Contact might unfold. If you enjoy stories that leave you thinking long after the final page, check out my First Contact series.
Although this title seems obscure, most people will recognize the classic movie adaptation under the name The Thing.
For a science fiction story written before the Second World War, this book stands up surprisingly well. It’s the First Contact story we don’t want, where instead of meeting an intelligent extraterrestrial species, we come face to face with a monster. And it is intelligence that saves the day, not brute force or strength.
Although it is out of print, this book can be read online.
Who Goes There?, the novella that formed the basis of the film The Thing, is the John W. Campbell classic about an antarctic research camp that discovers and thaws the ancient body of a crash-landed alien.
Reeni is wild about birds so naturally, when she and her friend Yasmin have to pick a topic for a school assignment, birds in the city are an obvious choice. But when the upcoming bird count is threatened, Reeni has to detour from birding to activism. This is a global…
On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read.
This was a Covid-read for me. We spent some of Covid in Vermont, next to the Northshire Bookstore in Manchester, VT. If you’ve never been, it’s worth going just for this bookstore. Truly incredible.
Anyway, I saw this book in their sci-fi section and read the back copy and was hooked — a foul-mouthed talking crow, a post-apocalyptic wasteland, shambling human zombies. It’s told from the point of view of animals which have survived. There’s also a nice environmental message. It’s weird, odd, funny, insane, and delightful.
A humorous, big-hearted romp through the apocalypse, where even a cowardly crow can become a hero. Perfect for fans of Dawn of the Dead and Isaac Marion's Warm Bodies.
'A thoroughly enjoyable account of the end of the world as we know it. The Secret Life of Pets meets The Walking Dead.' Karen Joy Fowler
'It's transformative, poignant, and funny as hell. S.T. the irrepressible, cursing crow is my new favourite apocalyptic hero.' Helen Macdonald, New York Times bestselling author of H Is for Hawk
S.T. is a domesticated crow. He is a bird of simple pleasures: hanging out with…
I'm Lyra R. Saenz. I'm an off-the-clock goth, a steampunk romantic, and a loyal adopter of lonely books. I'm a writer of genre-breakers and witchy makeovers. I've spent my life with either my nose in a book or my heart on the stage, and my passion for art is my drive every day. I grew up watching Star Wars, which is probably the apex of all magic merged with science settings, and I've always wondered why people don't make more of that: a super advanced society where witches and wizards are respected parts of the world.
I listened to the audiobook of this anthology and man! I could not tell you how beautiful and horrifying this one is.
For those of us who love some horror alongside our fantasy, this one takes the kickers. I love the throughline of each story. There is something to be said for when the line between the technolyzed body and the real body comes into conflict.
I love that there was magical realism in some of the stories, but it was crouched within the human psyche, for where does magic live if not in our heart and soul.
When we were children, we dreamed of being heroes. We wanted to slay dragons and defeat the monsters that scared us.
As we grew older, we were forced to try and find our monsters. We had been told they would be easy to spot. Monsters had too much teeth, too much fur, too much size.
These were lies. We stopped wanting to be heroes. We started to want to be more, to be too much. We wanted, needed, more than the world could give us. We wanted more than what we were told we should be. We wanted…
I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. Itis rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere whilesimultaneously having a good chuckle.
When I recently read The Yark I was only disappointed in that I hadn’t discovered this book sooner. It has the morbid quip and charm of Roald Dahl combined with highly detailed and immersive illustrations. This is a monster story which will leave you far more afraid of children than what’s under your bed.
The Yark loves children...with the love of a gourmand! This hairy monster dreams of child buffets-ham of boy, orphan gratin, schoolchild puree, breaded babies, girl rillettes. But he has a problem: his delicate stomach can only tolerate nice children; liars give him heartburn, savages spoil his teeth. There are not nearly enough good, edible children around to keep him from starvation. Then the Yark does find delicious, sweet Madeleine. Will he gobble her up? Or will she survive long enough to change his life?
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
I absolutely adore fantasy! I love leaving our world and being transported to another. I love that characters might have magic or crazy heritages. I love the creatures that come with the genre. I adore everything about fantasy. Throwing romantic elements into the story just makes it all that much sweeter. Having a hero with a weakness for a heroine is so comforting to read. Giving the characters someone else to fight for is also a heart-warming, sometimes gut-wrenching, affair. But in the end, having romance in a fantasy just gives it a little extra push to the readers.
This book was a pleasant surprise for me. The covers look a little bit cheesy, which might be off-putting to some. However, and that’s a big however, I adored this trilogy. The main characters gave off Feyre and Rhysand vibes, the main characters from my first pick. I love a book that is inspired by a popular book, but can hold its own. This can definitely hold its own. And it has the ever-popular “enemies to lovers,” which is my favorite trope to write.
I am the founder and principal of Work & Think, LLC., and help clients make complex decisions that include a realistic understanding of uncertainty. My Spangler Ethical Reasoning Assessment® (SERA®) is used across industries and around the world, enabling individuals to combine critical thinking and values to make complex decisions. I am a frequent keynote speaker, a corporate consultant, a researcher, and an author. My new book is Reasoning for Business. Learn more at my website.
I find that Frankenstein transcends eras by posing critical questions about the ways we develop and use new technology.
I first read a comic-book version in elementary school and have returned to Shelly’s novel over the years because it stimulates my critical thinking about technology, particularly the current rise of AI and our response to it. Frankenstein raises a fundamental ethical question about technology in real life: just because humans can create something, should they actually create it?
For me, the novel also creates the opportunity to explore questions about how we engage technology once we choose to invent it. Dr. Frankenstein abandons his creation, and the creature becomes an angry monster. I ask myself, is this an allegory for our own response to technology?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I’m an artist with an analytical mind. I love art and stories but I also love systems and processes. Ever since taking a class at art school about making pop-ups, I’ve been in love with paper engineering. It’s been the perfect synthesis of all my loves. There’s something fascinating about transforming an everyday object (paper) into something unexpected. Combined that with a great story and you have a magical experience! I like focusing my work on books for young readers (board books - picture books) because it gives adults and kids an opportunity to interact with each other and build memories.
Lots of books use die cuts but this book cleverly uses die cuts to have Nibbles, the book monster, look like he’s eating his way through the book!
Not only that, I love how there are books within this book. Like, literally—there are three additional books with their own pages on top of the actual book pages. This book is absolutely inventive and full of fun!
1
author picked
Nibbles
as one of their favorite books, and they share
why you should read it.
This book is for kids age
2,
3,
4, and
5.
What is this book about?
Nibbles the Book Monster is on the loose, and he's chomping through all of your favorite fairy tales! Will anything or anyone be able to stop him?
With books within the book, Emma Yarlett's utterly appealing artwork, and lots and lots of nibbled holes, this laugh-out-loud funny and ferocious charmer's unstoppable appetite for the printed page will nibble a hole right through your heart.
Lois Lowry looks back at history through a personal lens as she draws from her own memories as a child in Hawaii and Japan, as well as from historical research, in this stunning work in verse for young readers.
On the Horizon tells the story of people whose lives were…
I’ve never felt that fiction was quite enough. Like a dream that someone tells you, it’s arbitrary and slightly meaningless to anyone but the dreamer. Nonfiction is nice, but because what is described did, in fact, actually happen, it can’t happen any other way. And where’s the fun (or art) in that? Autofiction, which tries to blur the line between the two, seems to draw attention to itself, making the author of the story more important than the actual story. So what’s the answer? There is no answer. But every now and then, a book seems not to care about the difference and, therefore, transcends it.
Framed by a scholarly appraisal of an actual archaic text, this novel, in verse, proceeds to tell a story of love, from boyhood to death.
It’s the story, amazingly, of a monster, a mythic creature with wings and red skin, but you forget about the myth when you’re reading. And you forget about poetry. Or you wonder, what’s the difference between poetry and a beautiful narrative of longing, of heartbreak, of hope and friendship and family ties, and when you get to the end of the life of this kid, which, like all our lives, is a story of love, you feel you understand a little more clearly what it is.
In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.
There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles - a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by…