Books like Killer Pizza — picked by fans

As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.

On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read. 

I’m a hard (plausible) science fiction author, born in New Zealand and currently living in Australia. Over the course of my career, I’ve written 26 novels in my First Contact series, looking at all the various different ways in which First Contact might unfold. If you enjoy stories that leave you thinking long after the final page, check out my First Contact series.  

On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read. 

I'm Lyra R. Saenz. I'm an off-the-clock goth, a steampunk romantic, and a loyal adopter of lonely books. I'm a writer of genre-breakers and witchy makeovers. I've spent my life with either my nose in a book or my heart on the stage, and my passion for art is my drive every day. I grew up watching Star Wars, which is probably the apex of all magic merged with science settings, and I've always wondered why people don't make more of that: a super advanced society where witches and wizards are respected parts of the world.

I am an illustrator of books, comics, and various other things, but no matter what I illustrate I can’t seem to keep a certain darkness out of my drawings. For most of my life I have been attracted to the macabre. This attraction first emerged out of fear but later out of amusement. It is rather comical to see the amount of effort people are willing to expend in order to avoid thinking and talking about death. I find it far more healthy to acknowledge it everywhere while simultaneously having a good chuckle.  

I’m an artist with an analytical mind. I love art and stories but I also love systems and processes. Ever since taking a class at art school about making pop-ups, I’ve been in love with paper engineering. It’s been the perfect synthesis of all my loves. There’s something fascinating about transforming an everyday object (paper) into something unexpected. Combined that with a great story and you have a magical experience! I like focusing my work on books for young readers (board books - picture books) because it gives adults and kids an opportunity to interact with each other and build memories.

I’ve loved fantasy and science fiction all my life. At its best, it has a numinous quality rarely seen in other books. I’ve read many of the classic fantasy novels written before fantasy was a genre. The beauty of those old books is that the writers received their inspiration from stories not influenced by The Lord of the Rings, so there’s a refreshing originality to their work. I love modern fantasy as well, especially those demonstrating new, inventive ideas.

I never outgrew the curiosity of wanting to know more about the things we fear. Plenty of monsters are just neat! But the more you learn about them, whether they’re animals like bears and sharks or figures of myth like werewolves and dragons, the more interesting they become. I wanted to take audiences deep inside a skin unlike their own so they could understand how it feels to be cast out and how much a monster might look down on us. Because the more you look at monsters, the more you recognize us in them.

I developed an interest in classical literature while at university, folklore in particular. It’s fascinating how fairy tales originated in oral form before being written and rewritten all over the world for generations, and as such, many of them don’t have a single founding author. But each adaption generally maintains the basic plot points of the original tale, and it’s interesting to see how time, culture, and perspective affect a retelling. There’s always room for interpretation, especially when the traditional narratives often involve exhausted themes and stereotypes, and so with my latest novel, I didn’t hold back when it came to the creative possibilities of more than one fairy tale.