Here are 100 books that Monstrosity fans have personally recommended if you like
Monstrosity.
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I grew up with Irish folklore, Lord of the Rings, and X-Men comics as my bedtime stories, but I am also a domestic violence survivor twice over with c-PTSD. I was never able to get justice for anyone who hurt me. I created my stories as a way to cope and understand my feelings and triggers by making them their own personalities. So, I made my trauma available for everyone in a fantasy setting with two love interests to adore the heroine who had to endure so much but never gave up on giving people someone to root for when they couldn’t for themselves anymore.
What if a witch, a vampire, and a Fairy walk into a bar, all having quit their job to start a detective agency, and you get this book? I loved the pacing, the characters, all of it!
The female lead character, Rachel, is just one of the funniest characters. I loved how she was A-okay with going around the legal system in the ways she did to trip up her target was just fun.
From New York Times bestselling author, Kim Harrison, comes the first book in an exciting urban fantasy series; packed with the perfect balance of wry humour and thrilling action, which will delight fans of thrillers and fantasy alike.
Rachel Morgan is a white witch and runner working for Inderland Security, in an alternate world where a bioengineered virus wiped out a great deal of the world's human population - exposing the existence of the supernatural communities that had long lived alongside humanity.
For the last five years Rachel has been tracking down law-breaking Inderlanders in modern-day Cincinnati, but now she…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I have always been fascinated by stories where faith, myth, and the human condition collide in unexpected ways. The kinds of books that don’t just tell a story, but make you question God, morality, suffering, and what remains of humanity when everything collapses. These are the kinds of stories that stay in your head long after you finish reading. They mix faith, myth, and the end of the world in ways that feel strangely personal and unsettling. They are not simple fantasy, not traditional horror, and not religious fiction in the usual sense. They sit in a strange space where belief, suffering, and human nature all collide.
I love this book because it treats gods, myths, and beliefs as living things shaped by human attention and neglect.
What fascinated me most was how ancient divinities walk unnoticed in the modern world, slowly fading as people stop believing. I felt drawn to the idea that faith itself creates reality.
This story made me reflect on how myths evolve, how belief changes through time, and how the supernatural can feel strangely grounded in everyday life.
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
I'm Lyra R. Saenz. I'm an off-the-clock goth, a steampunk romantic, and a loyal adopter of lonely books. I'm a writer of genre-breakers and witchy makeovers. I've spent my life with either my nose in a book or my heart on the stage, and my passion for art is my drive every day. I grew up watching Star Wars, which is probably the apex of all magic merged with science settings, and I've always wondered why people don't make more of that: a super advanced society where witches and wizards are respected parts of the world.
First of all, the main character, Laytham, gets my little bi-sexual heart leaping with excitement. He’s sexy and dark and mysterious. He’s got some serious issues but handles it all with a healthy dose of cynicism and magic.
I love how gritty this book is. It’s the stench of the city mixed with the sweat and arousal of a dance club. I’ve never seen magic done this way, where one of the characters uses the computer to access his own magical network.
I read this book at a time in my life when things just were not going in the direction I wanted them to. It inspired me to take back control of my life. In a lot of ways, it is very cyberpunk, rooted in urban fantasy.
In the more shadowy corners of the world, frequented by angels and demons and everything in- between, Laytham Ballard is a legend. It's said he raised the dead at the age of ten, stole the Philosopher's Stone in Vegas back in 1999, and survived the bloodsucking kiss of the Mosquito Queen. Wise in the hidden ways of the night, he's also a cynical bastard who stopped thinking of himself as the good guy a long time ago. Now a promise to a dying friend has Ballard on the trail of an escaped Serbian war criminal with friends in both high…
Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
I'm Lyra R. Saenz. I'm an off-the-clock goth, a steampunk romantic, and a loyal adopter of lonely books. I'm a writer of genre-breakers and witchy makeovers. I've spent my life with either my nose in a book or my heart on the stage, and my passion for art is my drive every day. I grew up watching Star Wars, which is probably the apex of all magic merged with science settings, and I've always wondered why people don't make more of that: a super advanced society where witches and wizards are respected parts of the world.
How could I name such a list without going to Wonderland? This book is one of my favorite Alice in Wonderland adaptations.
The essence of Wonderland is this magical place where nothing makes sense, and everything is as it shouldn’t be. I love this book, though, because it talks about the technology of Wonderland. There are weapons and machines in this Wonderland, and when the two clash, all hell breaks loose.
Steampunk, in and of itself, lends itself well to the merging of magic and technology because the technology we are talking about is powered by a completely different source of energy than we are used to.
The Myth: Alice was an ordinary girl who stepped through the looking glass and entered a fairy-tale world invented by Lewis Carroll in his famous storybook. The Truth: Wonderland is real. Alyss Heart is the heir to the throne, until her murderous aunt Redd steals the crown and kills Alyss? parents. To escape Redd, Alyss and her bodyguard, Hatter Madigan, must flee to our world through the Pool of Tears. But in the pool Alyss and Hatter are separated. Lost and alone in Victorian London, Alyss is befriended by an aspiring author to whom she tells the violent, heartbreaking story…
On the wall in my office, I have an old newspaper article containing a recipe for Boris Karloff's guacamole. (If you're interested, the title of the article is "Boris Karloff Mad About Mexican Food.") I keep it there because it reminds me of what I love about this genre, in that monsters can contain multitudes. They're not just evil... they can also love guacamole. A good monster novel will have you both cowering in fear and feeling a pang of empathy for the creature, making it a ton of fun to read.
When I was writing my own kid book dealing with monsters, I picked this one up on a whim just to see how kid book authors handle monsters.
I was pleasantly surprised to find it dealt with everything I love: small towns, a gang of kids, and other worldly creatures—in this case vampire-werewolf hybrids. Think Mystic Pizza + Attack the Block. It’s exciting, monster-hunting fun.
Toby McGill dreams of becoming a world-famous chef, but up until now, his only experience has been watching the Food Network. When Toby lands a summer job at Killer Pizza, where pies like The Monstrosity and The Frankensausage are on the menu, things seem perfect. His coworkers, Annabel and Strobe, are cool, and Toby loves being part of a team. But none of them are prepared for what's really going on at Killer Pizza: It's a front for a monster-hunting organization!
Learning to cook pizzas is one thing, but killing hideously terrifying monsters? That's a whole…
I’ve always loved science fiction because it offers a hope, a dream, or a future that we just haven't seen yet. When I write my stories, I feel there is no better use of my imagination, than to contemplate a new world, a new civilization, or future technology. At the same time, I hope to entertain readers and spark young imaginations. Inside Modified, I reached into a distant future with off-world colonies that float in the clouds of Venus, while robots toil on the planet’s surface. Of course, in such a future, when advanced modifications and recursive designs are used, leads one to wonder if my robot can love too.
It’s science fiction writers like Carol Emshwiller that must be mentioned here, especially when she writes about Ruthie and Joe, who own a robot whom they call the “grey-green” thing, the hound, the Rover, or sometimes just “bitch”. In order to increase their chances for a successful hunt, Joe programs the robot to track a bear, and it does so with ease. Eventually Joe commands the “grey-green thing” to actually kill it, and the robot carries out its deadly mission. At the end you shudder at the thought of the careless use of the machine, not to mention what would happen if the “grey-green thing” had been programmed to kill a human being.
Crossing the boundaries between fabulist literature, science fiction, and magical realism, the stories in this collection offer a valuable glimpse into the evolution of Carol Emshwiller’s ideas and style during her more than 50-year career. Influenced by J. G. Ballard, Steven Millhauser, Philip K. Dick, and Lydia Davis, Emshwiller has a range of works that is impressive and demonstrates her refusal to be labeled or to stick to one genre. This exhilarating new collection marks the first time many of the early stories have been published in book form and is evidence of the genius of Emshwiller, one of America’s…
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
In my book I frequently draw upon monsters in fiction to understand our complicated relationship with both our own messy, unpredictable embodied minds and the uncertain, often-terrifying world that we operate these embodied minds within.
This haunting book of short stories is a great example of grappling with the complexities of our lives through a monstrous lens in order to better understand the human condition.
An NPR, Book Riot, Chicago Public Library, Tor.com, South China Morning Post,Ms. Magazine, and Shelf Awareness Best Book of 2022
2023 Pacific Northwest Book Prize Winner & Longlisted for the 2023 Joyce Carol Oates Prize
A BuzzFeed, WIRED, LitHub, ALTA, and PureWow Best Book of Winter
"The strange and wonderful define Kim Fu’s story collection, where the line between fantasy and reality fades in and out, elusive and beckoning." ―The New York Times Book Review
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made…
As a queer reader and writer of horror, I have little interest in anything that could be deemed “positive representation.” Horror is most compelling when it gets honest and ugly about the bad, selfish, cruel, or simply unwise choices people make when they’re truly scared–and that includes queer people. I love queer stories that aren’t primarily romantic or neatly resolved. I like messy groups of friends, toxic emotional entanglements, and family dynamics that don’t fit in a Hallmark card. These days there are lots of stories in other genres about queer people becoming their best selves, but horror also has space for us at our worst.
It’s rare to find a book that combines my two favorite horror subgenres–queer horror and parenting horror–but this book does that and more. With four different protagonists who are all, in one way or another, queer, this bizarre family saga delves into the surreality of grief and the questionable choices people make to protect themselves and the ones they love.
The true queerness of this novel goes beyond its characters’ various same-sex attractions and relationships; at its heart, it’s a queer story because it shows how we build families out of the rubble that’s left when the lives we expected to lead fall apart.
A "genuinely scary" horror debut written in "prose so beautiful you won't want to rush" about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes (Ana Reyes)
Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago's lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family's decaying Mexico City estate. Eventually, Monstrilio…
The world is an amazing, diverse place that needs stories that represent everyone. I identify as gender fluid and am part of my city’s LGBTQIA+ community. For kids, there aren’t enough stories that feature non-straight cis protagonists where that identity isn’t the focus. LGBTQIA+ kids exist. They are normal. Let a gay kid go into space. Let a teenage lesbian solve a mystery. Let a trans girl defeat a dragon. Let an ace teen be a witch. Everybody deserves their adventure.
The City of Lucille has gotten rid of all its monsters.
That’s what Jam, a teenage trans girl, believed until the demonic-looking Pet emerged from one of her mother’s paintings. But despite their monstrous appearance, Pet isn’t the monster, but came forth to hunt a monster already living among the people of Lucille undetected.
Pet contains vivid imagery, powerful themes, and a sensitive and brave protagonist. Be bold. Be vigilant. Monsters never entirely go away because we are the monsters.
4
authors picked
Pet
as one of their favorite books, and they share
why you should read it.
This book is for kids age
12,
13,
14, and
15.
What is this book about?
How do you save the world from monsters if no one will admit they exist?
She stumbled backwards, her eyes wide, as the figure started coming out of the canvas ... She tried to be brave. Well, she said, her hands only a little shaky, at least tell me what I should call you. ... Well, little girl, it replied, I suppose you can call me Pet.
There are no more monsters anymore, or so the children in the city of Lucille are taught. With doting parents and a best friend named Redemption, Jam has grown up with this lesson…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
This book is Hogwarts meets The Glass Bead Game meets The Handmaid's Tale. I was recommended it when I talked about my games book at a local bookshop. I must admit that I was initially very nervous about a book riffing on one of my favorite books of all time (The Glass Bead Game), but I really enjoyed it.
It is set in a school that trains students to play the game against a political backdrop that Margaret Atwood could easily have conjured up. It helped to give another perspective on Hesse’s fictional game that, as I said in my first recommendation, I’ve been obsessed with ever since reading about it as a student.
'BEAUTIFUL' JOANNA CANNON
'MESMERISING' ERIN KELLY
'TOTALLY ADDICTIVE' JOANNA GLEN
'SUMPTUOUS' OBSERVER
'DIZZYINGLY WONDERFUL' THE TIMES
WINNING WAS EVERYTHING...
UNTIL IT DESTROYED THEM
Two young men, Leo and Carfax, close friends and fierce rivals. A family ripped apart by madness and tragedy. One woman, her life built upon a lie, with a mysterious connection to them all...
'INGENIOUS' GUARDIAN
'A STORYTELLER OF RARE IMAGINATION' MAIL ON SUNDAY
'BRILLIANT' WOMAN & HOME
'A RICH DELIGHT' SANDRA NEWMAN
'CAPTIVATING' DAILY MIRROR
'AN IMMERSIVE, IMAGINATIVE SLICE OF STORYTELLING' DAILY EXPRESS
'MAGICAL' IRISH INDEPENDENT
