Book description
In this extraordinary epic poem, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon.
There is a strong mixture of whimsy and sadness in Geryon's story. He is tormented as a boy…
Why read it?
4 authors picked Autobiography of Red as one of their favorite books. Why do they recommend it?
Framed by a scholarly appraisal of an actual archaic text, this novel, in verse, proceeds to tell a story of love, from boyhood to death.
It’s the story, amazingly, of a monster, a mythic creature with wings and red skin, but you forget about the myth when you’re reading. And you forget about poetry. Or you wonder, what’s the difference between poetry and a beautiful narrative of longing, of heartbreak, of hope and friendship and family ties, and when you get to the end of the life of this kid, which, like all our lives, is a story of love,…
From John's list on blurred lines on fiction, nonfiction, and poetry.
On the spectrum that ranges from narrative fragmentation to narrative linearity, this verse novel triumphs in its capacity to compel the reader both to turn the page and linger over every fine phrase.
A remarkably contemporary retelling of ancient myth, Autobiography of Red reminds us that the ancient stories are the new ones. As the poet Linda Gregg once wrote, “The singers change, the music goes on.” This is a must-read for all students of poetry and lovers of literary experimentation.
From Joseph's list on greatest book-length poems of the past 50 years.
This narrative-in-verse is based loosely on the story of the Greek monster Geryon, taken from a poem by Stesichorus. Geryon was sexually abused by his older brother. His mother was too weak to protect him. The boy finds comfort in photography and falls into a complicated romance with Herakles. The writing is poetic, experimental, searing, and heartbreaking.
From Cyril's list on tackling surrealism, memory, and desire.
If you love Autobiography of Red...
Based on the tale of the Tenth Labour of Herakles, this queer, lush, and cheeky novel grabbed my heart from the moment I was assigned to teach it. I did an undeclared minor in Classics during my undergrad, and aside from being extremely clever with the wordplay, I was delighted by how Carson absolutely takes the mickey out of academic writing around mythology, classical archeology, and translation. Told as a form of free-verse poetry, this novel is comprised of some of the most incredible word-crafting I've ever experienced.
By changing the word “arrows” in the original tale to “eros”, Carson…
From J.M.'s list on meta-fiction about books.
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