94 Books Like Kidnapped

By the author of the wonderfully wicked Flashman novels, this is simply the best book I know on the Reivers (Rustlers) of the Scottish-English Borderlands C14-16th. I referred to it often when constructing Rose Nicolson and Fair Helen. As with Flashman, it depicts resourceful, desperate men and women, trying to survive and prosper amid the shambles of History – in this case, the ungovernable Borderlands. Finely researched, vivid and balanced, Fraser brings to life the extraordinary people of Borders myth and history. Imagine a Wild West that lasted some 300 years of horse and cattle rustling, kidnap and ransom, protection rackets (the words gang and blackmail - black meal or black rent - come from the reivers exploits), with some great narrative poetry and jokes grim or hilarious. A Borderer himself, Fraser gets the romance and the less romantic necessities that governed these intensely-lived, skillful, precarious lives.

Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.

 I love this as something quite different – essentially a close encounter with the Border by bicycle. He knows his history, writes well, and brings it all down to ground level, and conveys the lasting atmosphere (lovely, bleak, ruinous, enduring) of these Debatable Lands. A fine piece of historical travel writing by a deeply knowledgeable and astute writer. Makes you want to go and experience for yourself – if you do, take this book in your pannier (preferably waterproof).

So it is not a novel, but might as well be for its twists, turns, and transformations. Edinburgh in 1572 was a small town of some 3,000 families, so my real-life narrator William Fowler would know and meet one of its most notable citizens, Preacher John Knox of Haddington, along with his young and socially aristocratic second wife (the latter attribute was more a matter of gossip and criticism than the thirty-seven years age gap), and witnessed him being helped up into the pulpit at St Giles to give his congregation a last good talking to. This is the most recent (drawing on a major new cache of letters), and highly readable, life of the man who pushed Scotland towards a Presbyterian Calvinist form of Protestantism – crucially distinct from that evolving in England under the Auld Hag aka Elizabeth I. He is revealed as a much more complex and… show more.

I began to read this book in childhood because it was in our house (sent as a present from an Aunt living in America) and it intrigued me by the title and the illustrations of buffalos, coyotes, bears, the landscape, rivers, canyons, and the covered wagons in a circle with people and their belongings, bedding down by campfires under the starry skies […] The episodes easily captured my attention. Parkman is documenting the first settlers crossing the Mid-West Plains towards the Rockies. This is really ‘a page turner’ and classic of travelogue adventure, even though I had never heard the genre term ‘travelogue’ on first reading. It also reads like a fantasy and provides the reader who has never been to the United States with a longing to go there. Books are parallel to life and in this case for me, I did reach the Origen Trail, walked some of… show more.

I related to Atticus Finch.

He was the dad everyone wished they had. He was also a lot like my old high school football coach. There is authentic love and warmth when he and Scout are together. And there is honesty and spine when Atticus is in the courtroom, defending those who have been wrongly accused.

This beloved book has inspired generations of readers around the world. It is a morality tale about a rough and imperfect country, written in a way that has inspired idealists to stay the course in our fight for justice. We may be flawed, but we can still be strong.

I love the idea that books have souls, and I adore this quotation from Zafon’s classic novel: “Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it.”

I was thrilled to find this novel after I’d written my book because it shows that there are others who sense the soulful quality of old books. I also love it because it is written by a Spanish novelist, and it is in the Spanish-speaking world that we find the true literary origins of my most-loved genre of writing – magical realism.

I’m a huge fan of Dickens but this was a serendipitous Covid discovery.

In 1841, Dickens set his tale at the time of the 1780 Gordon Riots. I hadn’t realised how virulently anti-Catholic they were, nor how violent, the most destructive in the history of London. Barnaby himself, a vulnerable ‘innocent’, is sympathetically drawn. Above all the descriptions of the riots are so real that I found myself wondering if Dickens had spoken to somebody who had witnessed them in his youth – which would have been perfectly possible.

This is as vivid a depiction of what it feels like to be caught up in violent insurrection as you’re likely to find anywhere. You’ll also find out the origin of the ‘Dolly Varden hat’ along the way.

Set in Boston at the beginning of the Revolutionary War, Johnny Tremain tells of a young silver-smith apprentice whose pride leads to disaster. His hand is crippled and he can no longer pursue his dream. His courage and desire to improve his life make him memorable; I still recall Johnny’s passion years after reading the novel. Eventually Johnny’s hand is healed by a surgeon and he joins the patriots. 

Johnny Tremain presents a brave character living in challenging and divisive times. Johnny Tremain brings to life conflicts with British rule and the determination of those on both sides of the struggle.

I was looking for a writer to breathe new life into the sometimes-stuffy traditional English novel format, and Wilkie Collins is that man. In what is widely considered the first detective novel, Collins introduces many of the tropes of the classic whodunit, including the English country house setting, the gentleman detective, the skilled professional contrasted with the bungling local investigator, and a generational curse arising from the initial theft.

Underlying this gripping tale is the truth that the moonstone belongs not to one of the principal players who compete for it but to the religious site in India from which it was originally stolen. Justice has an immediate, local, eternal, and global context. The result is a book with memorable characters and enough twists and turns to keep you guessing until the end.