91 Books Like Barnaby Rudge

I have re-read this classic several times since I was a child.

The abridged version I read in 4th grade. RLS himself said, “The characters took the bit in their teeth; all at once they became detached from the flat paper, they turned their backs on me and walked off bodily…”

Not long after being introduced to Alan Breck Stewart, we hear him exclaim, in a ship’s cabin filled with the blood of villains he has shed, “Ah Davy, am I no’ a bonnie fighter!” How often, as a lad, I imagined myself taking on that crew with my broadsword!

Young David Balfour, in his quest to get back his inheritance, learns from Alan and his complex character that the Jacobite cause in Scotland is not clearly a matter of right and wrong. Did Alan kill “the Red Fox”? This is debated among Highlanders to this day! 

This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.

McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!

Truly magical realism at its finest, Carlos Ruiz Zafón weaves a sweeping story into the most breathtaking setting.

I’ve not read anything like Shadow of the Wind. I was so immersed that my review in 2016, the minute after I read it for the first time, I wrote that I was a ten-year-old boy discovering books for the first time.

I fell in love and grew up and solved a mystery. I experienced it, not just read it. I got lost in the pages and came out gasping, having just been through so much. It was a gift that you should give yourself too.

This was difficult to do well, but Ackroyd makes it work–and he makes it look easy: One half of the story is told in a very idiosyncratic version of early eighteenth-century English (the other half in contemporary English). The level of sheer craftsmanship is impressive.

The story gripped me: a serial killer mystery with touches of the occult and supernatural. London is a haunted place in this story, but not only the victims of the past but also the killers are still with us today. We come to understand that our entire world is built on the flawed achievements of the past.

For comfort reading, I like period children’s stories, as written by, say, E.Nesbit, Noel Streatfield, Richmal Crompton. Childhood seems to have been more fun when it came up against the constraints of an adult society more formal than our own. Gillian Avery’s achievement was to write spirited historical children’s stories that have all the social nuance you would find in the above authors. The Greatest Gresham (written in 1962, set in the 1890s) is about the timid children of one family who are brought out of their shells by the bolder kids next door, and it all feels just right. For instance, when the mother of the timid children is out on her ‘calling’ (or visiting) day, they always have tea with the family maids, one of whom habitually reads their fortune in their tea leaves. 

I’ve always loved this book and have paid homage to it by naming the local aristocrat in my novel Lord Hartley.

The book is set in 1900, and adolescent schoolboy Leo spends the long, hot summer with his wealthy schoolfriend Marcus at Brandham Hall, Norfolk. The boy copes with agonising class differences, lost innocence, and eventual breakdown. He is undone in his role as messenger for the daughter of the house, who is having a steamy affair with the tenant farmer next door.

The book was turned into a film, set at Melton Constable Hall (my model for Swan Hall in The Sitter), Heydon, and Norwich.

I came across this novel when I was researching my book, although I had been aware of author Neal Ascherson’s expert writing about Poland and Ukraine for many years.

This is a big, engrossing piece of fiction, based on real events, moving deftly between wartime Scotland and Poland, skilfully portraying the complexities of conflict. As well as an engrossing story, it is one of the best evocations I have read of the unholy muddle of war, where so much that happens is down to fallible human beings trying to cope with appalling situations.

For me, it also made sense of so much that I had found hard to understand about my Polish family history but I suspect anyone whose forebears were refugees might find it enlightening and moving.

This was another novel I came across while researching a book of my own.

Galt’s novel is written in the voice of the minister (i.e. priest) of a rural kirk. It is observant, moving, and at times hilarious, the story of a lowland parish and its inhabitants from 1760 to 1809, as seen through the eyes of the minister. It is also an account of a life well lived - ‘douce’ would be the Scots word for the sober and sedate narrator - crammed with interesting, gossipy, everyday details.

I’ve lived in a similar village for many years and it made me realise how little has changed here in rural Ayrshire over the 200 years since The Annals was written!

Ruckley manages to strike a rare balance between high fantasy prose and Grimdark’s dirt-under-the-nails realism, and combines it all with thoughtful character development and an oftentimes sombre tone. On the one hand it’s about a boy’s coming of age journey and the tragedy of loss, and on the other a bitter and ultimately futile conflict of a people riven by the dogma of an emergent religion. There are visceral and superbly paced clashes between these opposing sides, which are both blinded by the all-encompassing madness of a magic user who is rapidly losing control of his own power. The fact that all of the suffering and slaughter in this story could easily be avoided is what makes it hit deepest. If everyone had just been nice to the poor boy, maybe he wouldn’t have turned into a narcissistic half-corpse hell-bent on psychic slavery and death. But hey, then there would… show more.

You like your small, introspective, architecture-of-a-marriage stories? Well, here’s the Romance version. Nothing really happens, plot-wise. It is simply a masterclass of two characters matched in every way that matters, ready to destroy everything they could potentially have because they’re scared of getting hurt. Humorous. Hot. Nerdy. Incisive. Affecting. This will introduce you to the basic foundation of Historical Romance—essentially, “the marriage plot”—in the quiet way you’re looking for.