Here are 100 books that Keturah and Lord Death fans have personally recommended if you like
Keturah and Lord Death.
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When I learned, at seventeen, of my father’s Jewish heritage, I flung myself headlong into reading about Judaism. Naturally, this led me to the Holocaust and World War II, and my novels are inspired by family stories from this harrowing time. While doing research, I traveled to Germany and London, interviewed WWII veterans, and read countless memoirs, academic nonfiction tomes, and historical fiction books about this era. I now speak at libraries and to community organizations about the Ritchie Boys, Secret Heros of WWII. People sometimes tell me concentration camp stories are too disturbing, so I recommend books about Jewish survival, heroism, and everyday life during the Third Reich.
I was immediately hooked by this brilliant novel because of its unusual omniscient narrator, the Grim Reaper. Death, stressed out by the surfeit of “clients” he must deal with during World War II, reveals himself to be a sensitive narrator who sees everything. He especially keeps his eye on a young German girl, her loving foster parents, and the Jewish man they hide and protect.
I fell in love with these characters as they struggled with moral decisions, wartime hardship, danger, and tragedy. Despite the realistic portrayal of German life during WWII, I found this book to be an uplifting read.
'Life affirming, triumphant and tragic . . . masterfully told. . . but also a wonderful page-turner' Guardian 'Brilliant and hugely ambitious' New York Times 'Extraordinary' Telegraph ___
HERE IS A SMALL FACT - YOU ARE GOING TO DIE
1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall.
Since losing his mom, thirteen-year-old Jack Wilson has spent most of his time seeing just how much trouble he can get away with so that he feels like a winner at something. But he takes his mischief too far and is faced with the possibility of unbearable consequences. He…
As a child, I was a maladaptive daydreamer. I could often be found crafting elaborate fantasies in my head featuring fully-fledged worlds and characters that I would actively interact with and speak to as if they were real. I was a strange child, and I kept that strangeness with me when I went into fiction. Since then, I’ve always wanted to encapsulate the feeling of giving a movie-like experience in book form. I want the people who read my work to feel like they’re experiencing something real.
Reading this book felt like drinking a pitch-black winter night. That’s the best way I can describe it. Somehow, Valente managed to masterfully bottle the frigid sensation of a bleak midwinter and transport it to the page.
I’ve always loved this book for how mythic and grandiose it feels even in the short amount of pages it has. This is something that I feel would come alive in an animated adaptation where you can really capture the eerie and surrealist imagery used.
A handsome young man arrives in St Petersburg at the house of Marya Morevna. He is Koschei, the Tsar of Life, and he is Marya's fate. For years she follows him in love and in war, and bears the scars. But eventually Marya returns to her birthplace - only to discover a starveling city, haunted by death. Deathless is a fierce story of life and death, love and power, old memories, deep myth and dark magic, set against the history of Russia in the twentieth century. It is, quite simply, unforgettable.
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This story is a twist on a familiar Lewis Carroll tale.
It is unsettling in a dementia-like way, spinning the reader from the known into the unknown with just enough of the old story to keep them from tipping completely off balance, hope and dark humor always alive.
This book helped me with the twisting of fact and fiction in my own books, where I used many of my own family incidents (and fears), but gave them to fictional characters with their own generational slant.
In a warren of crumbling buildings and desperate people called the Old City, there stands a hospital with cinderblock walls which echo with the screams of the poor souls inside.In the hospital, there is a woman. Her hair, once blonde, hangs in tangles down her back. She doesn't remember why she's in such a terrible place-just a tea party long ago, and long ears, and blood...Then, one night, a fire at the hospital gives the woman a chance to escape, tumbling out of the hole that imprisoned her, leaving her free to uncover the truth about what happened to her…
A gay retelling of the classic fairy tale--a scrumptious love story featuring ungrateful stepsiblings, a bake-off, and a fairy godfather.
Cinderelliot is stuck at home taking care of his ungrateful stepsister and stepbrother. When Prince Samuel announces a kingdom-wide competition to join the royal staff as his baker, the stepsiblings…
Fantasy has long been one of my go-to genres. I also studied history in college and grad school. And while my academic focus was 20th-century America, I’ve always enjoyed studying other regions and eras. So if you can boil a book down to the equation History + Fantasy = Magical Learning Experience, I’m in. Those are also the types of novels I love to write.
Gods of Jade and Shadow starts as a Mexican Cinderella story, except that the fairy godmother is a Mayan god of death.
Not sold yet? What if I told you the god of death is also Prince Charming?
It’s an awesome premise.
I also enjoyed the setting. The story takes place in Jazz Age Mexico, shortly after the Mexican Revolution and at a time when pop culture was “all about the United States” and “reproducing its women, its dances, its fast pace.” Yet there’s far more old than new here. Mayan mythology threads throughout.
I didn’t always love the pace, but the book has an irresistible style. If you like fresh takes on classic fairy tales, Gods of Jade and Shadow is definitely worth a look.
'This is historical fantasy at its best' S.A. Chakraborty, author of The City of Brass
Inspired by Mexican folklore, Gods of Jade and Shadow is a magical, wildly imaginative coming-of-age tale for fans of Katherine Arden, Naomi Novik and Helene Wecker.
The Jazz Age is in full swing, but it's passing Casiopea Tun by. She's too busy scrubbing floors in her wealthy grandfather's house to do anything more than dream of a life far from her dusty, small town in southern Mexico. A life she could call her own.
This dream is impossible, distant as the stars - until the…
I am an art historian, curator, and speculative fiction writer from Croatia, and I’ve always been in love with folklore, mythology, and all things ancient. In my work, I always try to blend real historical details with magic, and I adore secondary worlds that are immersive and solid enough to walk into yet different from our own.
This is a perfect wintry read for me: a book set in the dark, snow-laden forests filled with dangerous creatures who stepped right out of the Russian folk tales.
I love the main protagonist, Vasya, a brave, stubborn girl who fights to protect her family. I found the story immersive and unputdownable, filled with darkness and enchanting beauty, and I wholeheartedly recommend it, as well as its two sequels in the Winternight Trilogy.
_____________________________ Beware the evil in the woods...
In a village at the edge of the wilderness of northern Russia, where the winds blow cold and the snow falls many months of the year, an elderly servant tells stories of sorcery, folklore and the Winter King to the children of the family, tales of old magic frowned upon by the church.
But for the young, wild Vasya these are far more than just stories. She alone can see the house spirits that guard her home, and sense the growing forces of dark magic in the woods. . .
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
We all know what happens when Death takes a holiday, but what happens when Death is given notice?
Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.
Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”
One of the "Discworld" humorous fantasy series. Death is missing. Dead Rights activist Reg Shoe suddenly has more work than he'd ever dreamed of, and newly-deceased wizard Windle Poons wakes up in his coffin to find that he has come back as a corpse.
Over the past 50 years, scientists have made incredible progress in the application of genetic research to human health care and disease treatment. Innovative tools and techniques, including gene therapy and CRISPR-Cas9 editing, can treat inherited disorders that were previously untreatable, or prevent them from happening in the first place.…
I love food. From watching my grandma bake pie as a kid, to learning to bake vegan cookies in my college co-op, to checking out a new restaurant—whether it’s old family favorites or a chef’s tasting menu, I’m happiest when I’m eating something delicious and sharing it with others. I incorporate tasty food into my books wherever I can (bonus points if I “have” to try some things as research), and it was inevitable that I’d write a series like The Infinite Pantry where food plays a starring role. I hope this list gives you some mouthwatering new reads!
T.J. Klune has a gift for making me feel better about humanity, and this book is no exception.
Cozy fantasies set in tea shops often feel samey, to me, but Whispering Door brings all the things I love in cozy fantasy—tasty food, a lovable quirky cast, a setting with lots of personality—and it feels fresh thanks to a fun, charming twist: a redemption story straight out of A Christmas Carol (one of my all-time favorites).
Plus, the tea and food sound delectable, truly lovingly described. Give me a food-driven love story any day!
When a reaper comes to collect Wallace Price from his own funeral, Wallace suspects he really might be dead. Instead of leading him directly to the afterlife, the reaper takes him to a small village. On the outskirts, off the path through the woods, tucked between mountains, is a particular tea shop, run by a man named Hugo. Hugo is the tea shop's owner to locals and the ferryman to souls who need to cross over. But Wallace isn't ready to abandon the life he barely lived. With Hugo's help, he finally starts to learn about all the things he…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
The older sister of Dream, Death of the Endless manifests as a perky goth girl, a fan of Mary Poppins.
The most powerful of the Endless, she is also the warmest and most caring. For one day out of every century, Death consigns herself to take on the form of a mortal fated to die in order to remember the value of the gift she is taking. This is the setting of The High Cost of Living, my favorite of the Sandman comics featuring Death. "It always ends," Death says when her day is over. "That's what gives it meaning."
Written by Neil Gaiman; Art by Chris Bachalo, Mark Buckingham, and Dave McKean From the pages of Neil Gaiman's SANDMAN comes the young, pale, perky, and genuinely likable Death. One day in every century, Death walks the Earth to better understand those to whom she will be the final visitor. Today is that day. As a young mortal girl named Didi, Death befriends a teenager and helps a 250-year old homeless woman find her missing heart. What follows is a sincere musing on love, life and (of course) death.
I’ve spent most of my career helping companies figure out how to become more relevant to their customers. And the more time I spent understanding what makes a brand relevant, the more I realized it was the same thing that makes a life relevant.
Just as a brand needs to uniquely give something to its customers, human beings also need to give in some way to be relevant in this world.
So if what I write—and the books I recommend—can even in the smallest way guide some company or individual toward a more important, more meaningful, more relevant life…well then, I guess my job here will be done.
Goff teaches readers how to love everyone, no matter what.
He emphasizes the importance of showing love and kindness to those who may be difficult to love and even those who may have hurt us in the past.
As someone who likes to be a people-pleaser, this book really resonated with me. It's a reminder that we're all human, and we all make mistakes. By choosing to love everybody always, we can create a world filled with compassion and understanding.
For anyone looking to improve their relationships and become more relevant to the people around them, this book is for you.
When you learn how to love everyone—even the difficult people—you’ll discover that’s where a life of fearlessness can be lived.
What if we stopped avoiding the difficult people in our lives and committed to simply loving everybody? What happens when we give away love like we're made of it? In Everybody, Always, Bob Goff's joyful New York Times bestselling follow-up to Love Does, you'll discover the secret to living without fear, constraint, or worry.
Bob teaches us that the path toward the outsized, unfettered, liberated existence we all long for is found in one simple truth: love people, even the difficult ones, without distinction and without limits.
In Everybody, Always, Bob shows us the simple truths about life that have…
As a human, I struggle with staying connected during conflict. Because conflict naturally shows up in all relationships, I had to figure out how to do it better, or die alone! My path has woven through studying conflict resolution, becoming a relationship therapist, doing deep learning within my own life partnership, and exploring the realm of somatic psychology in my doctoral work. I long for a world where we have the skills we need to work through conflict without resorting to violence. In my dreams, the world is able to coexist with love and conflict. Our relationships thrive when we speak our full truth, and embody our values in action.
My mantra used to be, "Being in relationship is hard!" I thought that having a healthy relationship meant non-stop effort. What I didn't realize is that relationships become easier when you have the right skills.
David Richo breaks down the necessary skills for effective relating in a way that honors your past, your humanity, and your compassion. Finding this book was like finding a key that unlocked happiness in my personal and business relationships. With thoughtful explanations and practical skill building, this is a must-read for those who are done suffering with painful relationship patterns.
This beloved book has touched hundreds of thousands of lives with its profound and actionable advice. Retaining the core message of becoming more mindful in our relationships, this edition includes new and revised material that addresses how we live and love today. A new preface touches on David Richo’s experience with the book over time and outlines the key updates, including attention to online dating and modern communication styles as well as new perspectives on anger and ending relationships.
“Most people think of love as a feeling,” says Richo, “but love is not so much a feeling as a way…
