Books like Journey from the Land of No — picked by fans

Billed as YA lit, don’t let that stop you. It is an auto-fictional account of a young boy refugee from Iran who suddenly finds himself in the middle of Oklahoma: malls and milkshakes. I was in fits of laughter throughout because the narrator's voice is so unique and charming, a much more optimistic Holden Caulfield. But the themes can also be hard, and therein lies the magic.

I loved the unique story structure of telling his stories in the format of 1001 Nights. This validated my own choice to structure my book in the format of The Little Match Girl, striking matches in a snowstorm. I loved this book for its swirl of myth, magical realism, and family stories that weave seamlessly through a modern-day exploration of refugee identity and belonging.

In this book, a young Hasidic Jew and artist faces the conflict between his orthodoxy and his desire to explore what lies outside his orthodoxy, such as the Crucifixion of Jesus Christ. He is pulled in two directions—by his parents' idea of his identity and by searching for the truth about the human condition through his art.

I read this many years ago, in my 30s, and was heartbroken by how the main character has so much integrity to keep searching and finding in spite of so many forces trying to label him and forbid him from certain explorations. I, too, was searching for my place in those years of creating a career, and it deepened the authenticity of my search. 

Firoozeh Dumas’ humor is so natural that it’s effortless on the page. Many immigrant stories are so dark as to simply become glorified moralizing, but here is a genuinely interesting and fun story that teaches a lesson without being so heavy-handed that it’s little more than a treatise.

I identified with Zomorod’s (“Cindy’s”) new kid on the block in California experience. Likewise, I was a nerd who had to move often, so it wasn’t always easy to make new friends, especially when it was the odd ones who were willing to take on the new kid! 

Parents complicated the situation as well, so seeing how Zomorod navigated during the difficult time of the Iran hostage crisis was personally encouraging. I guess all kids worry that they are weird and one mistake away from shunning, so in that respect, Dumas’ story should appeal to all kinds of kids, not just Persian-Americans. 

Although I’m not a big fan of memoir, I’m a big fan of this one. 

Amini’s struggles as the Persian Jewish daughter of immigrants to America looks through a window that most Americans never see. Her parents reflect the reality of Iran and its challenges to young girls with culture as a primary obstacle, culture that often feels restrictive and anachronistic in the United States.  

What spoke to me the most was Amini’s two older brothers who stepped in to fill in the glaring parenting gaps, nurturing her through coming of age in a way her parents couldn’t or wouldn’t. Although at times the reader might feel trapped in Amini’s head and heart, the ethos is absolutely proper to the memoir. Without it, the full message is lost, and the incredible triumph of her success loses context. 

My family fled Iran a couple years after the Islamic Revolution, but growing up, my parents didn’t talk about that period in their life all that much. It was sort of like my friend whose dad never talked about Vietnam. So, even though I was born in Iran post-revolution, I didn’t learn much about the history of the Shah’s downfall until I read Marjane Satrapi’s incredible graphic novels – Persepolis, Books One and Two. Satrapi manages to create a funny and heartbreaking memoir about her adolescence during the revolution and her life as a young ex-pat living in Paris. 

Follow it up with her graphic novella, Embroideries—which delves into the sex lives of Iranian women. Another topic that was generally off-limits in our household.

This novel tells the powerful story of a well-off Jewish family in Iran whose lives are turned upside down after the father is suddenly arrested following the Revolution. Sofer dives deep into what it means to lose everything—home, safety, and a sense of identity—while also showing the strength it takes to keep going.

The book brings to life the fear and uncertainty that surrounded everyday life in Tehran during that time. It’s a moving story about family, resilience, and the emotional toll of political chaos. Sofer writes with grace and depth, making this a deeply touching and unforgettable read.

This book begins with our inherited views of what constitutes victory – the proudly-displayed Greek panoply of captured weapons, the Roman triumph, the medieval view of battle as awesome divine judgment, and the modern quest for “decisive battle” in mind. By contrast, other cultures – Iran, Assad’s Syria, China, and Russia for example, which are covered brilliantly – may be content with indecisive, drawn-out conflicts which give them the chance to keep their fingers in many pies and incrementally increase their influence. 

Thus our modern Western construct assuming that peace is the norm and war the exception, or that war should aim for a neat victory, and a lasting peace settlement imposed on the defeated adversary, is just that: a construct, rarely reflecting views and practices in other times and in other parts of the world. 

A best seller from BBC security correspondent Frank Gardner.

MI6 agent Luke Carlton is on a mission to uncover a secret cave system at a military complex south-east of Tehran, in which scientists work round-the-clock on a banned nuclear device, at the behest of ultra-conservative Iranian Revolutionary Guards.

Gardner himself was ambushed and left paralyzed by Islamist gunmen, while on assignment in Riyadh. This is a rare thriller set in Iran, although the action also extends to neighbouring countries such as Armenia.

Fast-paced, well-written, and authentic. What more can you ask for?

An engagingly written, fair and balanced history for readers interested in more detail and analysis than is found in my own slim introductory volume. In my view the single best scholarly history of Iran ever written.

Almost three decades after its original French publication, this magnum opus continues to stand alone as the definitive narrative history of the first Persian empire under the Achaemenid dynasty. Briant’s sweeping account offers countless insights into Persian political history, demolishing dated views of the Persian-Greek wars as the beginning of the empire’s decline, and exploring the resilience of Persian elites and institutions even during the conquest by Alexander of Macedon. But the analysis is hardly limited to histoire événementielle, and is at its most impressive in the exploration of social and economic conditions and interactions between Iranian officials and settlers and the empire’s diverse subject populations, from Egypt and the Aegean to Central Asia and the Indus valley.