Here are 100 books that Jim Henson's The Storyteller fans have personally recommended if you like
Jim Henson's The Storyteller.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
Anyone who knows me knows that Christmas is my absolute favorite time of year! I devour all things Christmas, from decor to movies to music to cookies, so curling up with a magical holiday book is my idea of a very merry holiday!
This is a quintessential read for any Christmas bookworm. I read it every year at the holidays. It’s a quick read but such a fun way to immerse myself in the magic of that era. I recommend reading the book as it takes on a totally different feel in the mind than just watching the films.
Tom Baker reads Charles Dickens' timeless seasonal story.
Charles Dickens' story of solitary miser Ebenezer Scrooge, who is taught the true meaning of Christmas by the three ghosts of Christmas past, present, and future, has become one of the timeless classics of English literature. First published in 1843, it introduces us not only to Scrooge himself, but also to the memorable characters of underpaid desk clerk Bob Cratchit and his poor family, the poorest amongst whom is the ailing and crippled Tiny Tim.
In this captivating recording, Tom Baker delivers a tour-de-force performance as he narrates the story. The listener…
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
When I found my second-hand copy for £5 in Acorn Antiques in 2006 (I still have the receipt!), little did I know I was holding the most magical, exquisite, resourceful, fascinating, beguiling, and immersive book on fantasy!
Each page is filled to the edges with intriguing folktales, legends, myths, and old wives tales (more than I could have wished for) and beautifully illustrated throughout. What more could I, an avid reader and writer of fantasy, want?
I still take joy in flicking through the pages until my eyes rest on another intriguing entry to be inspired by. I love losing track of time just reading about all aspects of fantasy, whether it’s the Broth of Oblivion, Floating Islands, the Hammer of Thor, The Bottle Imp, or Fomorians.
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.
Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog."
I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!
A phenomenal bestselling author meets the most magical stories ever told, now in a beautiful clothbound classics edition
In this stunningly designed book of classic fairy tales, award-winning author Philip Pullman has chosen his fifty favourite stories from the Brothers Grimm and presents them in a 'clear as water' retelling, in his unique and brilliant voice. These new versions show the adventures at their most lucid and engaging yet. Pullman's Grimm Tales of wicked wives, brave children and villainous kings will have you reading, reading aloud and rereading them for many years to come.
Twelve-year-old identical twins Ellie and Kat accidentally trigger their physicist mom’s unfinished time machine, launching themselves into a high-stakes adventure in 1970 Chicago. If they learn how to join forces and keep time travel out of the wrong hands, they might be able find a way home. Ellie’s gymnastics and…
As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go!
As a child, I struggled with reading, but this changed when I opened the magical pages of this gem! Not only packed with adventure, magic, and monsters, it’s also part game. The reader chooses how the story unfolds, and I remember being amazed as I decided which path to take, which potion to buy, whether or not to open a treasure chest or to stand and fight the Minotaur by rolling dice or to flee in terror to live another day!
Packed with gorgeous black and white ink illustrations by Russ Nicholson, that drew me in, I would spend ages staring at a mad, crazed prisoner, a couple of ugly goblins playing cards, or a huge, majestic dragon, lost in the fantastic imagery.
FIGHTING FANTASY is the brilliant series of adventure gamebooks in which YOU are the hero! Decide which monsters to fight, which paths to take, who to trust and when to run. Can you survive the clutches of the hideous Bloodbeast, or defeat a noxious inhuman Orc? Deep in the caverns beneath Firetop Mountain lies an untold wealth of treasure, guarded by a powerful Warlock -or so the rumor goes. Several adventurers like yourself have set off for Firetop Mountain in search of the Warlock's hoard. None has ever returned. Do you dare follow them?
I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.
This book contains twelve easily told tales that can be used to discuss character development. The Norfolks include suggestions for classroom use of the tales. I like to recommend this to the teachers in my storytelling classes as the advice comes from a teacher who has written several other books on using stories in the classroom.
To kids everywhere, in the hope that their elders will never stop telling stories.
Throughout history, traditional cultures have recognized the role of storytelling in teaching values to children. This user-friendly, hands-on guide to using storytelling and folktales in character education provides not only rationale for this approach, it includes stories. These twelve stories are fun, time- and audience-tested, and accessible to a wide range of listeners, from preschool to high school.
The tales are enhanced by suggested activities or informal lesson plans, source notes, and extensive bibliographies that point the reader to additional sources of folktales suitable for character…
I am passionate about the importance of telling stories in the classroom. My career has been as a children’s librarian in public libraries, but with much time spent telling stories in schools. My daughter and her husband followed in my footsteps as storytellers and found that using storytelling in the classroom has so many benefits. We all offer workshops for teachers, write articles encouraging storytelling, and try in any way possible to grow the corps of teachers who discover this joyful addition to the classroom.
I found that owning a collection of tales organized by these themes was very useful. Over 100 short folktales on themes of cooperation, courage, diversity, empathy, friendship, generosity, honesty and fairness, perseverance, respect, responsibility, self-control, and bullying prevention. Pearmain also gives suggestions for telling these and for extending them in the classroom. Wrapping an idea in a story really helps the concept sink in for the listener. Having a collection like this helped me build programs for use in the library.
This book features 99 multi-national and multi-cultural folk tales with familiar character and bullying prevention themes but encapsuled in wonderfully diverse stories. The author, a professional storyteller, provides actual stories plus chapters on how to tell a story, not just read it; activities for students; and bulliten board ideas. She also provides hints and tips for teaching kids the art of storytelling which encourages communication skills and classroom unity.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.
This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.
Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.
I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.
Highlight the environment with these thought-provoking stories and activities!
Our relationship to the planet earth is at the heart of the single largest problem we face today. We have a choice: hurt mother earth and we hurt ourselves; care for the earth and we reap its bounty. People from ancient times have always known this and have expressed it in their traditional stories.
Here are more than forty stories from thirty cultures that touch upon ecological themes: "Caring for the Land," "Caring for Other Creatures," "All Things Are Connected," "No Thing is Without Value," and "Planning for the Future." These…
I'm a storyteller and folktale collector. All my jobs have involved telling stories – as a community librarian, in theatre, in education, and since 2006 as a professional storyteller and writer. I work in schools, festivals, and outdoor education with all sorts of people and their animals. I have honed my skills to find the most enjoyable traditional tales that can be shared widely. I live in Scotland, where I encourage families to read and tell their favourite stories together. Storytelling is a living art form that belongs to everyone. More than anything, I love the natural world, and I bring the magnificence of nature into all my work.
This magical picture book presents seven of the best folk stories from around the world.
Retold by Hugh Lupton, a veteran of storytelling and an inspirational writer. Some stories are deliriously funny, and others contain golden nuggets of universal truth. I've repeatedly told these stories, and they enthrall and delight audiences. They come with a CD of Hugh telling the tales orally, which is fantastic for non-readers, busy families, and people learning English.
Niamh Sharkey's beautiful bold pictures take this book of tales to another level of enjoyment. It's a visual and rhythmical feast of storytelling that can be shared with ages six up to seniors. If I had to choose one favourite book of stories for oral telling, then this is it.
Beautifully captured by Niamh Sharkey's quirky and perceptive illustrations, these tales have all the color and vigor of the countries and cultures they represent. At the same time, they each remind readers how vast and mysterious the world is, and how lives can be transformed by the most unexpected circumstances. Full-color illustrations.
My parents were both born and raised in Japan but met in New York and eventually settled in Los Angeles, where I grew up. My first language was Japanese and as a nisei (second generation), I am deeply steeped in my Asian heritage. I am continually inspired by the art and storytelling that originates from Japanese culture and love to incorporate them into my own work.
I grew up reading about and experiencing “kamishibai,” which is a Japanese storytelling format using illustration boards. This book by Allen Say gorgeously renders the life of a kamishibai man and what seems like his dying art of sharing stories. I remember trying to make my own kamishibai in elementary school and I’ve been toying with the idea of making one again. The book is a gem!
The Kamishibai man used to ride his bicycle into town where he would tell stories to the children and sell them candy, but gradually, fewer and fewer children came running at the sound of his clappers. They were all watching their new televisions instead. Finally, only one boy remained, and he had no money for candy. Years later, the Kamishibai man and his wife made another batch of candy, and he pedaled into town to tell one more story—his own. When he comes out of the reverie of his memories, he looks around to see he is surrounded by familiar…
For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.
This is the opening book of the Elenium series and is an excellent example of the heroic quest-type tale. The cynical but lovable Pandion Knight, Sparhawk and his fellow companions must venture to find a cure for a mysterious illness that is besetting their queen.
The mixture of personalities of the companions in the questing group and how they play off one another is what I felt made this book such an excellent read. The world-building is strongly written and realistic for the characters to traverse, and the pacing of the story never lets the reader forget about the ticking clock counting down the seconds of life remaining to the queen, making the stakes of the character's actions all the higher.