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Is Multiculturalism Bad for Women?.
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I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Studying at Oxford, I was surprised that quite a few of my lecturers, including Ronald Dworkin and Jerry Cohen, hardly ever discussed the importance of culture in our lives. As someone who believes in the motto Know from where you are coming in order to know where you are going, I do not underestimate the power of culture, religion, and tradition in shaping communities. My library research discovered the excellent DPhil dissertation that Kymlicka wrote while he was in Oxford. This dissertation was a fresh air for me, accentuating the need to take culture seriously. Kymlicka reshaped his dissertation into this book which I regard as one of his very best books. Kymlicka presents the liberal view about the nature and value of community culture and bridges between liberalism and multiculturalism. I share this view and promote it in my own studies.
Kymlicka and I later cooperated in writing together…
Liberalism is often described as a theory about the proper relationship between the individual and the state, but it also contains a broader account of the relationship between the individual and society. This book presents the liberal view about the nature and value of community and culture in an unusually explicit and systematic way, and links it to more familiar liberal views on individual rights and state neutrality.
Ancient Evenings is a study of consciousness presented as a series of fictional philosophical dialogues set at the height of the Roman Empire. These dialogues—on good and evil, truth and falsehood, life and death—are historical re-enactments of what persons representing the major Hellenistic schools of philosophy might actually have said…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
I met Bhikhu Parekh when I arrived at the University of Hull in 2008. Bhikhu and I share many common interests and we interact constantly on a number of projects. Bhikhu Parekh wrote many important books and essays, and Rethinking Multiculturalismis arguably one of the most important books, if not the most important. The book is divided into three parts: historical, theoretical, and practical. In this comprehensive and rich work, Parekh critiques Rawls, Raz, and Kymlicka and then probes practices that most frequently lead to clashes of intercultural evaluation. Parekh argues that we can understand individual rights also in non-Western ways, so as to ensure that we do not deny non-liberal cultures certain opportunities to promote their own ways of living.
This important and much acclaimed book rapidly became a classic on first publication. In it, Bhikhu Parekh shows that the Western tradition of political philosophy has very limited theoretical resources to cope with cultural diversity. He then discusses how it can be revised and what new conceptual tools are needed. The core of the book addresses the important theoretical questions raised by contemporary multicultural society, especially the nature and limits of intercultural equality and fairness, national identity, citizenship, and cross-cultural political discourse. The new second edition includes a substantial additional chapter addressing key issues.
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Drawing on contemporary cultural politics from Western Europe, Canada, and the United States, Benhabib understands cultures as continually creating, re-creating, and renegotiating the imagined boundaries between "us" and "them." She defends the creation and expansion of deliberative discursive multicultural spaces in liberal democracies, arguing that a legal pluralist model can be a good complement to deliberative and discursive democratic multiculturalism. In her insightful study, Benhabib contends that the Rawlsian model of public reason and the deliberative model of democracy share certain fundamental premises. Both view the legitimation of political power in the examination of the justice of institutions to be a public process, open to all citizens. The idea that justice should be in the public eye, open to scrutiny, examination, and reflection is fundamental.
How can liberal democracy best be realized in a world fraught with conflicting new forms of identity politics and intensifying conflicts over culture? This book brings unparalleled clarity to the contemporary debate over this question. Maintaining that cultures are themselves torn by conflicts about their own boundaries, Seyla Benhabib challenges the assumption shared by many theorists and activists that cultures are clearly defined wholes. She argues that much debate - including that of "strong" multiculturalism, which sees cultures as distinct pieces of a mosaic - is dominated by this faulty belief, one with grave consequences for how we think injustices…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
I'm intrigued by boundaries and the relationships between different ideologies, or isms. In 1992, I joined the European Project at The Van Leer Jerusalem Institute. This was a fascinating group of people from Israel, Palestine, and Germany who studied the connections between Europe and the Middle East. Then I opened a new field of studies that continues to engage me: multiculturalism. In my books and articles (most recent:The Republic, Secularism and Security: France versus the Burqa and the Niqab), I examine the extent to which democracy may interfere in the cultural affairs of minorities within democracy, how to find a balance between individual rights and group rights, and whether liberalism and multiculturalism are reconcilable.
Song’s interdisciplinary work in the fields of politics, law, and philosophy explores the tensions that arise when culturally diverse democratic states pursue justice for religious and cultural minorities and justice for women. Much of Justice, Gender, and the Politics of Multiculturalism relates to North America. Song argues that egalitarian justice requires special accommodations for cultural minorities and that gender equality may restrict cultural accommodation. While we need to be sensitive to historical cultural rights, we should also protect basic human rights. Song lucidly and incisively discusses cultural defense in criminal law, aboriginal membership rules, and Mormon polygamy, examining the role of intercultural interactions in shaping such cultural conflicts. As I did in my work, Song emphasises intercultural democratic, deliberative dialogue as a means for resolving cultural conflicts.
Justice, Gender and the Politics of Multiculturalism explores the tensions that arise when culturally diverse democratic states pursue both justice for religious and cultural minorities and justice for women. Sarah Song provides a distinctive argument about the circumstances under which egalitarian justice requires special accommodations for cultural minorities while emphasizing the value of gender equality as an important limit on cultural accommodation. Drawing on detailed case studies of gendered cultural conflicts, including conflicts over the 'cultural defense' in criminal law, aboriginal membership rules and polygamy, Song offers a fresh perspective on multicultural politics by examining the role of intercultural interactions…
Music came to me as a bolt of lightning when I experienced, at 14 years old, the playing of pianist Vladimir Horowitz. My training in engineering, physics, and music propelled me into a career that continues to evolve. I am fascinated by what creative musicians in all cultures have accomplished through the ages, by how they worked, and by the ways in which new technologies and cross-cultural awareness enlarge music's potential futures. The Pulitzer Prize in Music and numerous other “authentifications” underlie my willingness and ability to make these claims. Music is the most malleable of the arts in terms of the contexts in which it can be useful.
Page explains one of the powers of diversity in complex problem solving–how, if one assembles two groups of advisors in separate rooms, the group containing a diversity of perspectives will produce more useful results than the one containing experts in the same field.
It is a compelling argument that “diversity” is not simply a catch word.
In this landmark book, Scott Page redefines the way we understand ourselves in relation to one another. The Difference is about how we think in groups--and how our collective wisdom exceeds the sum of its parts. Why can teams of people find better solutions than brilliant individuals working alone? And why are the best group decisions and predictions those that draw upon the very qualities that make each of us unique? The answers lie in diversity--not what we look like outside, but what we look like within, our distinct tools and abilities. The Difference reveals that progress and innovation may…
When I was a child, I grew up in a very crowded house in suburbia with three sisters. Reading was the best way to escape all the mayhem. By the age of eight I was reading my parents’ novels, whatever books I could find. I wanted to move to a big city like the ones in their novels. At night I would tell myself Cinderella-type stories where I lived in a fabulous apartment and got to be the heroine. I took a class at Harvard Extension, and the professor read my story aloud to the group. From that day on I was hooked.
I was driving across country to move to Miami. When we stopped in Austin, I picked up a copy of Back to Blood by Tom Wolfe.
I was thrilled to find a novel about the city I was moving to. A thick book meticulously researched I settled back and immersed myself into a brilliant novel about multicultural Miami. The Cuban police officer, a Creole professor, Russian criminals, artists from Miami Art Basel, retired New York Yentas, and many more call Miami home.
It was a great primer for my move. That first year I went to Art Basel, visited Little Havana for pastries, and celebrated my birthday at a Russian nightclub all because of Back to Blood.
As a police launch speeds across Miami's Biscayne Bay - with officer Nestor Camacho on board - Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, an ambitious young journalist and his Yale-marinated editor; a psychiatrist who specialises in sex addiction and his Latina nurse by day, mistress by night - until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the `hoods, `de-skilled' conceptual artists at the Miami…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.
Is it "Stalinist" for a formerly communist country to tear down a statue of Stalin? Should the Confederate flag be allowed to fly over the South Carolina state capitol? Is it possible for America to honor General Custer and the Sioux Nation, Jefferson Davis and Abraham Lincoln? Indeed, can a liberal, multicultural society memorialize anyone at all, or is it committed to a strict neutrality about the quality of the lives led by its citizens?
In Written in Stone, legal scholar Sanford Levinson considers the tangled responses of ever-changing societies to the monuments and commemorations created by past regimes or…
I grew up and completed the formative years of my college education in Cape Town, South Africa, while active also in anti-apartheid struggles. My Ph.D. dissertation in the 1980s focused on the elaboration of key racial ideas in the modern history of philosophy. I have published extensively on race and racism in the U.S. and globally, in books, articles, and public media. My interests have especially focused on the transforming logics and expressions of racism over time, and its updating to discipline and constrain its conventional targets anew and new targets more or less conventionally. My interest has always been to understand racism in order to face it down.
Stuart Hall provided me with a model for mapping the shifting political conjuncture in real time, and the transforming racial dynamics that centrally shaped neoliberalism’s political emergence and cultural expression of the period. He showed how the newly emergent racial politics identified with neoliberalizing societies is increasingly linked to the immigrant, the unbelonging, the supposed rise in local crime as a consequence, and the perceived threat to the traditional culture of their host society. Hall offers the dynamic terms of analysis for these emerging phenomena: the floating signifier of race, the pluralizing of racism, racial panics, the law and order society, articulation of race with class and gender, etc. His work, so formatively brought together here by Paul Gilroy and Ruth Wilson Gilmore, was enormously generative for me in analyzing the formative connections of neoliberalization and the shifting dynamics of racial politics.
In Selected Writings on Race and Difference, editors Paul Gilroy and Ruth Wilson Gilmore gather more than twenty essays by Stuart Hall that highlight his extensive and groundbreaking engagement with race, representation, identity, difference, and diaspora. Spanning the whole of his career, this collection includes classic theoretical essays such as "The Whites of Their Eyes" (1981) and "Race, the Floating Signifier" (1997). It also features public lectures, political articles, and popular pieces that circulated in periodicals and newspapers, which demonstrate the breadth and depth of Hall's contribution to public discourses of race. Foregrounding how and why the analysis of race…
I’ve been fascinated by different cultures since I was 14 years old growing up in inner-city Chicago. My passion has given me a curious quest to travel the world and learn about different cultures. My friends have a tagline for me which is ‘From the Hood to Hanoi and All the Stops In Between’ because of my international teaching in Vietnam. As an adult who is now an international professor, sought-out global trainer, and cultural subject matter expert, my passion has increased for bringing an awareness to a broader audience about the beauty of diverse friendships.
In this book, the author does not allude that we need to ignore attributes such as class, race, ethnicity, etc. We don’t have to be color-blind to accept people who are of a different race or ethnicity. We just need to extend respect, care, empathy, and love while acknowledging that we haven’t always gotten it right with different cultures.
He presents a great case for grace and being a bridge builder in our communities.
ECPA Christian Book Awards
"The parts that we think are less honorable we treat with special honor." 1 Corinthians 12:23
When people deal with color, class or culture in a negative way, that's racism. But the answer is not to ignore these as if they don't matter. Instead, we can look at color, class and culture in a positive way. That's gracism.
Pastor David Anderson responds to prejudice and injustice with the principle of gracism: radical inclusion for the marginalized and excluded. Building on the apostle Paul's exhortations in 1 Corinthians 12 to honor the weaker member, Anderson presents a…
I’ve always loved books that take me on an emotional journey. Whether the story is realistic or fantastical, set firmly in the here and now or on another planet centuries in the future, I want to ride the roller coaster as the characters experience the highest of highs and the lowest of lows. That’s also one of my focuses as a writer for children. Little kids can have very big feelings, and stories for young readers can validate those feelings—without skimping on the fun. After all, joy can be a big feeling too.
When soccer-loving Lola accidentally injures a classmate during a pickup game at recess, her peers start calling her “Mean Lola Levine.” Losing playground privileges and friends is enough to put Lola in a bad mood that almost lives up to her unfortunate new nickname. I like that Brown treats Lola with empathy (after all, what happened was an accident) while also having her realize she was playing too aggressively and does bear some responsibility for the incident. This story can guide young readers through similarly sticky situations.
Meet Lola Levine--a biracial bicultural second grader, who isn't afraid to be herself, in this first book in a new chapter book series.
Lola loves writing in her diario, and playing soccer with her team, the Orange Smoothies. But when a soccer game at recess gets too "competitive," Lola accidentally hurts her classmate. Now everyone is calling her Mean Lola Levine! Lola feels terrible, but with the help of those who love her most, she learns how to navigate the 2nd grade in true Lola fashion--with humor and the power of words. In this first book in a series, Lola's…