Music came to me as a bolt of lightning when I experienced, at 14 years old, the playing of pianist Vladimir Horowitz. My training in engineering, physics, and music propelled me into a career that continues to evolve. I am fascinated by what creative musicians in all cultures have accomplished through the ages, by how they worked, and by the ways in which new technologies and cross-cultural awareness enlarge music's potential futures. The Pulitzer Prize in Music and numerous other “authentifications” underlie my willingness and ability to make these claims. Music is the most malleable of the arts in terms of the contexts in which it can be useful.
Rovelli’s compact, lucid, and searching volume explains, from the perspective of a practicing physicist, the fact that science is fundamentally a conservative undertaking in which ideas are collaboratively tested.
In short, he explores how science questions and evaluates new proposals and their skepticism is our assurance of their cedibility.
Named a Best Book of 2021 by the Financial Times and a Best Science Book of 2021 by The Guardian
“Rovelli is a genius and an amazing communicator… This is the place where science comes to life.” ―Neil Gaiman
“One of the warmest, most elegant and most lucid interpreters to the laity of the dazzling enigmas of his discipline...[a] momentous book” ―John Banville, The Wall Street Journal
A startling new look at quantum theory, from the New York Times bestselling author of Seven Brief Lessons on Physics, The Order of Time, and Anaximander.
Page explains one of the powers of diversity in complex problem solving–how, if one assembles two groups of advisors in separate rooms, the group containing a diversity of perspectives will produce more useful results than the one containing experts in the same field.
It is a compelling argument that “diversity” is not simply a catch word.
In this landmark book, Scott Page redefines the way we understand ourselves in relation to one another. The Difference is about how we think in groups--and how our collective wisdom exceeds the sum of its parts. Why can teams of people find better solutions than brilliant individuals working alone? And why are the best group decisions and predictions those that draw upon the very qualities that make each of us unique? The answers lie in diversity--not what we look like outside, but what we look like within, our distinct tools and abilities. The Difference reveals that progress and innovation may…
Gifts from a Challenging Childhood
by
Jan Bergstrom,
Learn to understand and work with your childhood wounds. Do you feel like old wounds or trauma from your childhood keep showing up today? Do you sometimes feel overwhelmed with what to do about it and where to start? If so, this book will help you travel down a path…
An experienced composer and author looks closely at the works and ways of one of the most original 20th-century composers. Morton Feldman’s music, over his career, evolved along a trajectory with the steepest angle of any recgnized composer: from the rudimentary and simplistic to a deeply challenging and provocative complexity.
Rarely does a reader get the chance to see a variety of analytic tools brought into focus on a triad of visionary musical works.
The Marvelous Illusion: The Viola in My Life I-IV is a detailed analytical study of four of Morton Feldman's most important works. Morton Feldman was one of the most original composers of the 20th century, and throughout his career he attempted to locate sound at the moment the listener becomes conscious of its presence. Focusing on the listener's attention on the sounds themselves, Feldman created the "marvelous illusion" of sounds shaping into coherent music through the act of perceiving them, rather than through the act of composing. Each work appears to assemble itself for the listener as they experience it.…
Pinker is a radical thinker (in this dictionary sense: “of or proceeding from the root”). His concerns embrace the nature of human behavior and firmly establish its upward trajectory over the last century and a half.
He argues that human life is continuously improved by the discovery and implementation of new ideas and solutions to fundamental problems.
Why do we laugh? What makes memories fade? Why do people believe in ghosts?
How the Mind Works explores every aspect of mental life, showing that our minds are not a mystery, but a system of organs of computation designed by natural selection.
Gifts from a Challenging Childhood
by
Jan Bergstrom,
Learn to understand and work with your childhood wounds. Do you feel like old wounds or trauma from your childhood keep showing up today? Do you sometimes feel overwhelmed with what to do about it and where to start? If so, this book will help you travel down a path…
McAdams in a uniquely catalytic and honored figure who has established, through numerous collaborative and ground-breaking experiments, the ways in which creative innovation in music can be optimized.
His leadership of institutions, including Ircam in Paris and CRMMT in Montréal, has impacted in enabling ways hundreds of musicians and scientists.
Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Universite Paris-Sorbonne and the Universite de Montreal, originally published in French.
The book bridges the fields of music psychology, music theory, and music analysis by way of a consideration of several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is…
My book is based upon lectures given at the University of Illinois to an audience including the eminent musicologist Gilbert Chase. He connected me to a publisher and urged me to package my lectures so that curious laypersons might better understand the innovative directions taken by musicians and other creators of aesthetic content in the 20th century.
My training as an engineer, a pianist, and ultimately as a composer lent the book an unexpected range of subjects, including acceleration and pace, commerce and excellence, alternate ways of addressing audiences, psychedelic drugs, the spatial dimension of sound, altered temporal frames, graphics and notation, computers and the implications of abundance. This book was and still is audacious. When published, it had no competition as regards either its varied subject matter or its approach.
