78 Books Like Iona Iverson's Rules for Commuting

This novel made me giggle and made me think, too. It’s written from the perspectives of several very different people whose lives unexpectedly intermingle on a train. The one who steals the show (for me, at least) is Iona Iverson. She’s a middle-aged eccentric, equipped with an ever-ready handbag and French bulldog, and she is magnificent with it! She does not care what others think of her and has her own rules and routines firmly in place, but she has a huge heart. 

Some advice from Iona: "Your past experiences… are the foundations on which to build your future. Build them on pride, not shame."

I found it fascinating to read how play has changed over the past fifty years and beyond. I found many parallels between the changes to children’s play and changes to children’s reading. The influence of mass media on today’s children's play is undeniable and the authors did a great job of highlighting both the potentials and limitations of this influence. I was left with many questions and ideas after reading the book and really enjoyed how the book taught me to think about children’s play in a new way.

Can we talk about how amazing Nora Roberts is? I started reading her more traditional romance novels as guilty pleasures when I was younger and quickly realized she loves to write about strong women. The O’Dwyer trilogy is part of her supernatural books, focusing on an ancient curse, a long-held obsession and the enduring power of love. Tucked in a small village in Ireland are a brother and sister, their American cousin, and their circle of friends. Together, witches, warlocks, and humans battle an ancient evil to break a curse that has plagued their family for centuries. Two of the main characters are separated from each other by the curse and their longing is so palpable. I don’t do spoilers, so you will have to read the trilogy to find out what happens. 

This book is the most captivating exploration into the domestic violence epidemic I’ve ever read. Published at the same time as my sister’s high-profile case, this book served as both validation and a deep education into the full scope of intimate partner violence, putting my sister’s experience into a larger context.

With page-turning writing, journalist Rachel Louise Snyder expertly challenges common domestic violence myths and makes readers aware of the signs and symptoms that allow abuse to continue. I think it is a vital reading for every person in our society. 

I think this is a basic skills book from which I was able to refresh my own knowledge.

This is an excellent workbook for therapists dealing with domestic abuse. It shows the real statistics behind domestic abuse, and begins by debunking myths, then explores the long-term effects on the survivors including the cycle of abuse in families.

It itemises therapeutic approaches and how people can be helped. It explores ways in which people can be helped to reconnect with their own identity and find themselves again after the terrible period of trauma.

The story is told as a memoir in first person. What I like about this is that it tells of a period in a Derbyshire working class home in the 1940s and 1950s.

The description of the family environment is very realistic and one is drawn in immediately and carried along by the love in the home is and the playful the antics of the children. However, it soon develops into a novel of a young girl who runs away from that home because her mother becomes mentally ill and her father doesn’t know how to help his wife and ends up severely beating her.

It continues into what she does on the streets of London and how she eventually ends up in a women’s refuge. It is a lesson on how things can dramatically change.

Jodi Picoult and Jenny Boylan have created a masterful novel on teenaged love and injustice.

Like an onion, the radiating relationships provide a platform for deep-dives into social issues. Woven throughout the book are detailed subplots on everything from beekeeping to gender discourse.

I love the story behind the book's title. There actually is Mad Honey, which can muddle people's thinking, and has been used to win battles in history. 

I especially appreciated the authors' notes. "What do I want the reader to take from this book?" Jodi asks rhetorically. "Nothing. I don't want the reader to take anything. But to give something, to give to the world." What an accomplishment, what a treasure.

Before even finishing the book, I'd ordered a copy for my beekeeper sister-in-law!

In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.

Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.

Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.

I’ve never been to Wyoming, the setting of this book, and if I’ve read a book set in Wyoming, I can’t remember, but I won’t soon forget this story.

The landscape of Wyoming and all its flora and especially its fauna (hello, title!) are deeply ingrained in this moving and unique story where a little bit of magic (weirdness? nature? something wonderful, that’s for sure) adds a soulful twist to a story dealing with harsh realities.

Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.