Here are 99 books that Coyote Queen fans have personally recommended if you like
Coyote Queen.
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I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This middle-grade memoir written and illustrated by Eugene Yelchin is hands down one of my favorite books in any category, period.
It is a short but rich story with layers of setting, from the Soviet Union during the Cold War, the courtyard of the narrator’s communal apartment building, to his private world under the family table in their one-room apartment. I laughed out loud, except for when I was crying.
An Association of Jewish Libraries Sydney Taylor Honor Winner
With a masterful mix of comic timing and disarming poignancy, Newbery Honoree Eugene Yelchin offers a memoir of growing up in Cold War Russia.
Drama, family secrets, and a KGB spy in his own kitchen! How will Yevgeny ever fulfill his parents’ dream that he become a national hero when he doesn’t even have his own room? He’s not a star athlete or a legendary ballet dancer. In the tiny apartment he shares with his Baryshnikov-obsessed mother, poetry-loving father, continually outraged grandmother, and safely talented brother, all Yevgeny has is his…
Mal's older brother has disappeared into thin air. Laura's parents went away for the weekend and when she gives them a call, they have no idea who she is. In pursuit of answers, the teens become entangled with two others similarly targeted by a force they don't understand and now,…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This is another book I love that doesn’t take place any old somewhere—its very heart and soul is the setting, and it’s a whole lot of fun, wild, creepy (ghost hunting!), and moving heart and soul.
As weird things start happening in Howler’s Hollow, or at least as far as Tennie can see and feel, she discovers how deeply all those weird things are personal and particular to her, her family, and the land.
Bonus points for exceptional, natural dialogue and authentic kid vibes.
A laugh-out-loud, ghostly Southern mystery that's perfect for fans of Cassie Beasley and Natalie Lloyd.
Tennessee Lancaster has a hidden gift. She can pry into folks' memories with just a touch of their belongings. It's something she's always kept hidden -- especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy's job and Mama's blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie's gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants…
The summer holidays have finally arrived and Scout can’t wait for her adventure in the big rig with Dad. They’re on a mission to deliver donations of dog food to animal rescue shelters right across the state. There’ll be dad-jokes, rock-collecting, and a brilliant plan that will make sure everyone’s…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I love how this book is the perfect example of how the setting makes a story: the flooded coastal Louisiana town of Boutin, Jillian, and all its residents are the story.
If a place disappears, will its stories also disappear? Jillian doesn’t only see the seemingly inevitable problems; rather, she becomes part of the solution by taking part in ecology projects and collecting the oral histories of the town’s residents. As Jillian says, if she can’t save the land, she can save the stories.
I also love the centered and matter-of-fact way this book handles family problems. Bonus points for all the cooking and great food.
For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie's stories, and the coastal Louisiana town of Boutin that she calls home.
When the worst flood in a century hits, Jillian and the rest of her community band together as they always do - but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she's ever had.
But even when all hope seems lost, Jillian is determined to…
I am a licensed marriage and family therapist, and I also have my Ph.D. in somatic psychotherapy. In my clinical practice, I noticed how many smart, kind women were trapped in trauma bonds. So, I researched the topic and decided to write a book to help women understand the complex psychological process of trauma bonds and how to recover from coercive control and abuse. Also, my ex-husband is the "Wolf of Wall Street", so I have personal experience of a trauma bond as well.
This is the best book ever written about the psychology of the male perpetrator in a trauma bond.
In this book, I was able to see into the mind of an abuser and no longer make excuses for them. I love how the author described the different types of abusers and how he explained how to leave a trauma bond.
In this groundbreaking bestseller, Lundy Bancroft—a counselor who specializes in working with abusive men—uses his knowledge about how abusers think to help women recognize when they are being controlled or devalued, and to find ways to get free of an abusive relationship.
He says he loves you. So...why does he do that?
You’ve asked yourself this question again and again. Now you have the chance to see inside the minds of angry and controlling men—and change your life. In Why Does He Do That? you will learn about:
• The early warning signs of abuse • The nature of abusive…
I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.
In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.
Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.
Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.
Eleven-year-old Sierra just wants a normal life. After her military mother returns from the war overseas, the two hop from home to homelessness while Sierra tries to help her mom through the throes of PTSD.
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.
A boy runs across a busy road. His father smacks him. A passer-by intervenes ...
When Billy Wright runs across a busy road, his world is altered irreversibly, even though he doesn't realise it at the time. Because a passer-by has stopped to watch the scene. She has seen Billy's father catch up with him and smack him. Within an hour she has informed social services, plunging the family into a living nightmare which begins with a social worker's visit and escalates through a series of misunderstandings until the family is threatened to its core. What I Did is a…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.
She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.
When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.
Cursed by her grandmother and trapped in domestic violence in 1960s Britain, Evelyn must find a way to protect her five young daughters. Aware that her firstborn, Kim, is doomed to repeat her own disastrous life choices, Evelyn places her in the care of one of her admirers to protect her from her fate.
Meanwhile, her daughter Bess carries a deep-rooted sense of shame and guilt that her birth nearly killed her beloved mother. Subjected to sexual abuse, she tries to make sense of her feelings and her place within the secretive family she grows up in, desperately seeking love…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
I think this is a basic skills book from which I was able to refresh my own knowledge.
This is an excellent workbook for therapists dealing with domestic abuse. It shows the real statistics behind domestic abuse, and begins by debunking myths, then explores the long-term effects on the survivors including the cycle of abuse in families.
It itemises therapeutic approaches and how people can be helped. It explores ways in which people can be helped to reconnect with their own identity and find themselves again after the terrible period of trauma.
Counselling Survivors of Domestic Abuse explains how counsellors can facilitate recovery from domestic abuse within a secure, supportive therapeutic relationship.
There has been growing awareness in recent years of the impact and consequences of domestic abuse, especially the relationship between domestic abuse and mental health. To appreciate the nature of trauma caused by domestic abuse, professionals need to understand its complex nature and the psychobiological impact of repeated exposure to control and terror. This book examines the therapeutic techniques and specific challenges, such as secondary traumatic stress, faced by professionals when working with survivors of domestic abuse. The author stresses…
Zeni lives in the Flint Hills of Southeast Kansas. This tale begins with her dream of befriending a miniature zebu calf coming true and follows Zeni as she works to befriend Zara. Enjoy full-color illustrations and a story filled with whimsy and plenty of opportunity for discussions around the perspectives…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
The story is told as a memoir in first person. What I like about this is that it tells of a period in a Derbyshire working class home in the 1940s and 1950s.
The description of the family environment is very realistic and one is drawn in immediately and carried along by the love in the home is and the playful the antics of the children. However, it soon develops into a novel of a young girl who runs away from that home because her mother becomes mentally ill and her father doesn’t know how to help his wife and ends up severely beating her.
It continues into what she does on the streets of London and how she eventually ends up in a women’s refuge. It is a lesson on how things can dramatically change.
Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter,…
