Here are 99 books that Coyote Queen fans have personally recommended if you like
Coyote Queen.
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I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This middle-grade memoir written and illustrated by Eugene Yelchin is hands down one of my favorite books in any category, period.
It is a short but rich story with layers of setting, from the Soviet Union during the Cold War, the courtyard of the narrator’s communal apartment building, to his private world under the family table in their one-room apartment. I laughed out loud, except for when I was crying.
An Association of Jewish Libraries Sydney Taylor Honor Winner
With a masterful mix of comic timing and disarming poignancy, Newbery Honoree Eugene Yelchin offers a memoir of growing up in Cold War Russia.
Drama, family secrets, and a KGB spy in his own kitchen! How will Yevgeny ever fulfill his parents’ dream that he become a national hero when he doesn’t even have his own room? He’s not a star athlete or a legendary ballet dancer. In the tiny apartment he shares with his Baryshnikov-obsessed mother, poetry-loving father, continually outraged grandmother, and safely talented brother, all Yevgeny has is his…
An engaging picture book for children that celebrates what it means to be American!
What does it mean to be American? Does it mean you like apple pie or fireworks? Not exactly. This patriotic picture book is perfect for Memorial Day, Independence Day, Election Day, or any day you want…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This is another book I love that doesn’t take place any old somewhere—its very heart and soul is the setting, and it’s a whole lot of fun, wild, creepy (ghost hunting!), and moving heart and soul.
As weird things start happening in Howler’s Hollow, or at least as far as Tennie can see and feel, she discovers how deeply all those weird things are personal and particular to her, her family, and the land.
Bonus points for exceptional, natural dialogue and authentic kid vibes.
A laugh-out-loud, ghostly Southern mystery that's perfect for fans of Cassie Beasley and Natalie Lloyd.
Tennessee Lancaster has a hidden gift. She can pry into folks' memories with just a touch of their belongings. It's something she's always kept hidden -- especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy's job and Mama's blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie's gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants…
A heartbreakingly beautiful novel in verse about adoption, family, friendship, and love in all its many forms, perfect for fans of Robin Benway and Jandy Nelson, from the acclaimed author of Three Things I Know Are True.
Rynn was born with a hole in her heart—literally. Although it was…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I love how this book is the perfect example of how the setting makes a story: the flooded coastal Louisiana town of Boutin, Jillian, and all its residents are the story.
If a place disappears, will its stories also disappear? Jillian doesn’t only see the seemingly inevitable problems; rather, she becomes part of the solution by taking part in ecology projects and collecting the oral histories of the town’s residents. As Jillian says, if she can’t save the land, she can save the stories.
I also love the centered and matter-of-fact way this book handles family problems. Bonus points for all the cooking and great food.
For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie's stories, and the coastal Louisiana town of Boutin that she calls home.
When the worst flood in a century hits, Jillian and the rest of her community band together as they always do - but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she's ever had.
But even when all hope seems lost, Jillian is determined to…
I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.
In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.
Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.
Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
The story is told as a memoir in first person. What I like about this is that it tells of a period in a Derbyshire working class home in the 1940s and 1950s.
The description of the family environment is very realistic and one is drawn in immediately and carried along by the love in the home is and the playful the antics of the children. However, it soon develops into a novel of a young girl who runs away from that home because her mother becomes mentally ill and her father doesn’t know how to help his wife and ends up severely beating her.
It continues into what she does on the streets of London and how she eventually ends up in a women’s refuge. It is a lesson on how things can dramatically change.
Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter,…
Mamiachi & Me is a lyrical and empowering picture book about what it means to be a mariachi in an all‑female band.
Today, Rosa will take the stage next to her mami and play along with her popular mariachi band. But Rosa begins to worry. What if the audience doesn’t…
As a Moldovan emigrant growing up in Greece, I believed that Western institutions were centers of excellent knowledge. After studying in the USA and the UK and conducting research with Muslim and Christian communities in Africa, I became aware of colonial, ethnocentric, and universalizing tendencies in gender, religion, and domestic violence studies and their application in non-western contexts. International development had historically followed a secular paradigm congruent with Western societies’ perception of religion and its role in society. My work has since sought to bridge religious beliefs with gender analysis in international development work so that the design of gender-sensitive interventions might respond better to domestic violence in traditional religious societies.
Laura McClusky’s investigation of conjugal abuse among a Mayan community in Belize is one of the most ethnographically compelling books I have read on lived experiences of domestic violence.
McClusky was motivated to write this book because most domestic violence research had been clinical or sociological and had focused solely on the experience of violence, often approaching the phenomenon in a “peopleless manner.”
Refreshingly, McClusky decided to focus on the emotions, desires, motivations, and personal experiences of living women more holistically, thus overcoming tendencies to reduce women to the experience of violence and granting them the recognition as agents of actions that they deserve.
Marriage among the Maya of Central America is a model of complementarity between a man and a woman. This union demands mutual respect and mutual service. Yet some husbands beat their wives. In this pioneering book, Laura McClusky examines the lives of several Mopan Maya women in Belize. Using engaging ethnographic narratives and a highly accessible analysis of the lives that have unfolded before her, McClusky explores Mayan women's strategies for enduring, escaping, and avoiding abuse. Factors such as gender, age inequalities, marriage patterns, family structure, educational opportunities, and economic development all play a role in either preventing or contributing…
I’ve been reading crime fiction all my life. I love following the detective sifting through the evidence—the clues, the false trails, and the eventual denouement. It was a crime fiction book that made me realise that history is not fixed but is, in fact, detective work. It changes as more evidence is discovered or a new interpretation is accepted. That book made me decide to take history as my subject at university and I spent six deliriously happy years examining evidence, evaluating it, and, reaching conclusions. Amongst my case studies were the princes in the tower, the gunpowder plot, and witchcraft. Happy days!
The search for the body commenced. Then the victim walked into town.
Behind the picture-postcard façade of Kingsmarkham lies a community rife with violence, betrayal, and a taste for vengeance. When sixteen-year-old Lizzie Cromwell reappears no one knows where she has been, including Lizzie herself. Inspector Wexford thinks she was with a boyfriend. But the disappearance of a three-year-old girl casts a more ominous light on events. And when the public's outrage turns toward a recently released pederast and another suspect turns up stabbed to death, Wexford must try to unravel the mystery before any more bodies appear, and before…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
I think this is a basic skills book from which I was able to refresh my own knowledge.
This is an excellent workbook for therapists dealing with domestic abuse. It shows the real statistics behind domestic abuse, and begins by debunking myths, then explores the long-term effects on the survivors including the cycle of abuse in families.
It itemises therapeutic approaches and how people can be helped. It explores ways in which people can be helped to reconnect with their own identity and find themselves again after the terrible period of trauma.
Counselling Survivors of Domestic Abuse explains how counsellors can facilitate recovery from domestic abuse within a secure, supportive therapeutic relationship.
There has been growing awareness in recent years of the impact and consequences of domestic abuse, especially the relationship between domestic abuse and mental health. To appreciate the nature of trauma caused by domestic abuse, professionals need to understand its complex nature and the psychobiological impact of repeated exposure to control and terror. This book examines the therapeutic techniques and specific challenges, such as secondary traumatic stress, faced by professionals when working with survivors of domestic abuse. The author stresses…
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to…
I've been a researcher, educator, and practitioner of domestic violence services for over 15 years, and am extremely passionate about this topic. After having worked in the domestic violence field, I then pursued my PhD to study this problem, which I now continue to research and teach about as an Assistant Professor of Anthropology at Moravian University. In our ever-globalizing world, I believe it's especially important for us to consider domestic violence from a cross-cultural perspective, and having studied this issue in Latin America and among Latina women in the U.S., I hope to spread that knowledge even further. More than ever, it is important for everyone to gain knowledge on this worldwide problem.
Hearing about domestic violence from a survivor’s first-hand perspective is one of the most important ways to learn about this widespread issue.
This book was one of the first that I ever read about this topic many years ago, and even though the book is nearly three decades old, it still remains one of the most powerful first-hand accounts of a survivor’s experience.
When I teach with this book, my students are blown away by Beth’s strength and what she overcomes. Through this book, they come to understand how someone can end up in such a dangerous situation, and the many barriers they often face to finding justice and safety.
I Am Not Your Victim vividly details the evolution of domestic violence during the 16-year marriage of author Beth Sipe. Encouraged to publish her story by her therapist and co-author, Evelyn J. Hall, Beth relates the background and events leading up to and immediately following the tragic act of desperation that ended the life of her sadistic perpetrator. Beth's subsequent mishandling by the police, the military, a mental health professional, and the welfare system illustrates how women like Beth face further revictimization and neglect by the very systems that should provide support and assistance. Insightful commentaries written by experts in…
