100 Books Like Mad Honey

Want to spend 10 glorious hours with Meryl Streep?

I loved her audiobook performance of Tom Lake. Her intonation mirrors the exact qualities that the main characters, who are actors, strive for: neither underacted nor overacted. Just genuine. 

Ann Patchett is a treasure, and in Tom Lake, she effortlessly navigates two timelines: one in which Lara tells her daughters about meeting famous actor Peter Duke in a long-ago play. These scenes are just as compelling as the flashbacks in which we learn about her time with Duke before he became a famous movie star.

It's a talent, the ability to tell a mostly ordinary life in a page-turning way. Her imagery is magnificent. Every scene is wondrous. Touching. So real.

I adored the intertwined storylines in The Magnolia Palace. 

Fiona Davis is famous for her historical fiction which unearths little-known true stories. She sets this book in dual timelines, between 1919 and 1966, until the two characters meet in the present day. Her heroine’s gripping drama takes her from losing her mother, to being sought for questioning in her landlord's death, to landing a job as a private secretary in The Frick House. Along the way, we get an insider's view of art, architecture, and the rich inner lives of colorful characters.

Davis depicts the world of fashion and modeling, taking inspiration from real-life model Audrey Munson. I loved learning about Munson, whose likeness can be found on statues around New York City. 

The Magnolia Palace is magnificent!

The Chao’s are a mother-daughter duo who have created an absorbing, beautifully-written story.

Each scene is brought to life with well-wrought details. This time period is personally meaningful for me, as my grandparents were a well-off family in Shanghai who left everything behind to forge a new life in the U.S. 

Impressively, Claire Chao strikes the perfect balance between keeping the authenticity of the Chinese names and vernacular while making the storyline clear for an English-speaking audience. I loved being transported to this long-ago world, and am glad that Remembering Shanghai has captured this time and place for posterity.

This book is a poignant exploration of guilt, love, and redemption in the aftermath of a life-altering swimming accident. 

The novel follows Hunter, paralyzed from the waist down, and his ex-girlfriend Emma, who blames herself for his disabling accident. This is a topic that really touches me, as I’ve met Purple Heart veterans who have dealt with life changing in an instant. 

I loved Woodburn’s evocative prose and authentic character development, as Emma journeys through self-forgiveness and the healing power of art. 

I’d recommend Before & After to anyone who is seeking a compelling read that reminds us of the resilience of the human spirit and the transformative nature of forgiveness. 

This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.

She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.

When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.

This is the best book ever written about the psychology of the male perpetrator in a trauma bond.

In this book, I was able to see into the mind of an abuser and no longer make excuses for them. I love how the author described the different types of abusers and how he explained how to leave a trauma bond.

I refer this book to every one of my patients.

This is certainly a gripping tale as it gets going.

I was impressed by how it realistically shows abuse of children and abuse of women in different families in two different story threads that are tied together dramatically as a thriller. It is told from two points of view: Celia a mother who works in Citizen’s Advice, and Lucie the little girl she befriends.

It begins as a normal domestic scene with the two characters meeting by chance, but soon it develops into a thriller where Celia is suddenly hijacking at knifepoint whilst going about her business. It shows another aspect of violence against women where they can be suddenly assaulted by strangers.

Laura McClusky’s investigation of conjugal abuse among a Mayan community in Belize is one of the most ethnographically compelling books I have read on lived experiences of domestic violence.

McClusky was motivated to write this book because most domestic violence research had been clinical or sociological and had focused solely on the experience of violence, often approaching the phenomenon in a “peopleless manner.”

Refreshingly, McClusky decided to focus on the emotions, desires, motivations, and personal experiences of living women more holistically, thus overcoming tendencies to reduce women to the experience of violence and granting them the recognition as agents of actions that they deserve.  

In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.

Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.

Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.

Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.