100 Books Like Fictional Leaders

The book presents business leaders as characters who are complex, complicated, and far from as rational as the public often holds them to. 

I loved reading it as much as I enjoy good fiction. It is a gripping tale of protagonists who are very human, inventive, sensitive, and sometimes a bit of drama queens. I enjoyed the compelling tales of vulnerability and ambition, as well as reciprocity. To lead is not one-sided, and the leaders are often influenced, even manipulated, by the followers. 

I loved how the book spins its tale with quite a few twists. Leadership is by no means something that concerns only leaders, and what is most important about it cannot be reduced to skills, procedures, or, indeed, algorithms. 

I loved this collection of stories about leadership; what a page-turner! I was thrilled by the depth and imaginativeness of possible connections between fairy tales, legends, and traditional stories and management learning. I loved how the tales of Prometheus, Dædalus and Icarus, Merlin, and others are interwoven with issues important for contemporary managers.

Stories of conceit and hubris, as well as of adventurous quests for integration are spun in a way that made me feel compassion for the plight of many employees as well as of leaders, but, at the same time, they spoke to my rebellious streak. With so many glorious tales to learn from, we deserve better leaders: inspired, spirited, humane, or at the very least–human. 

In the corporate world out there, the managers are actual people: men and women enter the stage under quite unequal conditions. I loved how this book throws light on a game that is far from fair from the outset and the odds are stacked against the women who enter it.

This is a classic that ages well–time changes, waves of equal opportunity policies are introduced, but still, I felt the basic mechanism this book reveals stays very much the same. I was fascinated by this book’s striking depiction of how men and women are dealt dissimilar cards but expected to perform just as well–and to act as if their conditions were fair and only merit mattered.

“The best and brightest” is a myth and not an inspiring one. 

I loved how this book literally links the surface of modern organizations with the depths of the human art of storytelling. Stories have been reservoirs of knowledge since times immemorial. Even now, although superficially supplanted by rational procedures and even computer code, it is in the stories collected and told about organizations that the richness of meaning can be found, which can help to understand and change them for the better.

I enjoyed how this book presents ideas that are both profound and serious in a way that is exceptionally readable and, in a way, liberating. I thought: wow! What an eye-opener! The superficial reductionism of the contemporary organization is just a shell and within lies hidden so much wisdom. It germinates. 

I loved this writer’s brilliant combination of memoir, eco- and literary criticism, and an exploration of contemporary life.

Each chapter feels so personal, and yet Schaberg manages to connect these experiences to broader questions of how we live our lives, what matters, and how many things (including the health of the planet and the confidence we have in truth) are under threat–and we need to protect them simultaneously.

I imagine Schaberg is as deeply engaging teacher as he is a writer. I found this book deeply compelling and relevant. 

This is a fascinating historical novel about Thomas Jefferson’s oldest daughter, Patsy Jefferson. Aside from learning much more about history than I ever did in high school or college, I enjoyed reading about the relationship that she had with her father. 

It’s difficult, I think, to have a relationship with a man like Jefferson who was devoted to his ideals and dreams first and to his family second. He had goals that were so immense that there was no competing with them. And yet, Patsy is completely devoted to her father and his goals. It’s a story about loving an imperfect man and making sacrifices.

It gave me a different perspective on a historical figure, but it also made me think about my own relationship with my father because I could relate to coming second or third in the life of a father you love. I know what it’s like… show more.

This anthology of African women writers has been my personal lodestar in writing about Regina Twala, a forgotten African writer.

Busby (a pioneering editor and publisher of Ghanaian heritage) was one of the first to recognize that the canon of African writers was much bigger than famous men like Chinua Achebe and Wole Soyinka.

Her work taught me about a longstanding rich female literary tradition on the African continent – some of her earliest examples of women writers date to Ancient Egypt!

Busby recognizes that we can’t always look to the written page for evidence of this, given that many women writers were denied opportunities to publish their work.

So she broadens the focus of her anthology by paying attention to both “words and writing,” thinking about female writers of novels, poetry, plays, non-fiction, and journalism.

A must read. 

This book is an unusual anthology that speaks loud to the reader, reminding them of their loves and hurts, longings, terrors, and dreams.

It’s a cross-lingual hybrid with a literary bend that integrates poetry and short fiction, and is inclusive in its cast of authors of Black, Black-Latinx, Cherokee, Japanese-American, and contributors of much diversity.

The anthology is both visually aesthetic—in the artistic array of its poetry—and textually arresting with stories of ancestry, superstition, and the deity.

Auerbach wrote this book while he lived in exile in Istanbul, having fled from the Nazis. This forced him to turn his attention very closely to the original texts, classical in their reputation from the ancient through the medieval, and the early modern period. He demonstrated brilliantly the true value of thorough philological work and the great yield of close reading, profiling all of pre-modern European literature in a unique fashion. This book lives on until today.

This is the work of a cultural sage with deep wisdom to offer on how political issues affect culture, especially literature.

It illuminated to me how significant cultural artifacts of high modernity like the short story as a phenomenon, the work of Charles Baudelaire in relation to the city, the plays of Bertolt Brecht, and the stories of Franz Kafka - that I had once been uncomfortable with because of their density - mattered and needed to be engaged with to make sense of the intellectual currents of the age.

To take my place among a culturally aware Benjamin is a writer I could not sidestep.