100 Books Like Indigo

I literally could not stop reading this book. To this day, it’s my favorite book by Kennedy Ryan.

It is an achy, angst-ridden novel that I couldn’t put down. Both Iris and August were compelling characters, and when they first met at the bar, their chemistry was undeniable. But Iris was in a relationship, and each time she and August met in the story, I could feel the longing. 

The book covers tough subject matter involving domestic violence, and it’s quite graphic. I skipped over the parts that were “too much” and focused on the burgeoning relationship between Iris and August. He showed her in so many ways how much he loved her, and I spent the entire novel rooting for the happily ever after they both deserved. 

This book has everything I love about the billionaire trope—a filthy rich alpha male used to controlling every aspect of his life falling hard for one woman. 

Dante and Vivian were forced into a marriage of convenience because Vivian’s father blackmailed Dante—unbeknownst to her. In the beginning, Dante is rude and unkind, but as the story progresses, Vivian gets under his skin—in a good way.

I got a kick out of watching him slowly fall in love with her and the way that love manifested in acts of kindness—big and small. Dante softened toward Vivian and became willing to do anything to make her happy. His transformation from a hateful brute to a loving future spouse was not only enjoyable to watch, there were times when I actually sighed because Vivian was a lucky chica indeed. 

This was the first novel I read by Maureen Smith, and it sent me down a path to reading all the Wolf books. Not only that, I had to read her other books, too.

The way she writes her heroes, you can’t help but fall in love with them, and that was the case with Marcus Wolf. I simply fell in love with him. He’s a successful attorney who falls head over heels for Samara, a woman he initially meets at a fashion show. 

These two had great chemistry. Their relationship was hot and heavy right from the beginning, but what made Marcus swoon-worthy was how smitten he was with Samara, which resulted in a full-court press to make her his for all time. 

Diego is so very bad, which makes him swoon-worthy good. This book is a combination of two books which I read years ago (Mi Cariño and Mi Cariña), long before dark romance was an official subgenre in romance. 

Diego is wealthy, uber-alpha, and obsessed with Marcella. He’s so obsessed he kidnaps her and won’t let her go. Despite his outrageous behavior, he’s good to her and wants to build a life with her.

I set aside my reservations about his behavior, which I’d never tolerate in real life, and allowed myself to be entertained by a story with a hero who will stop at nothing to hold on to the woman he loves. 

This is a very powerful book that takes the city of St. Louis as a case study to illustrate the amount of violence, discrimination, and inequities that have happened across a 300-year period, particularly with respect to race. 

Johnson develops the idea of racial capitalism throughout the book, and notes that “the red thread that runs through this entire book is the historical relationship between imperialism and anti-Blackness.” At the same time, the city has also been home to both communist and Black radical organizing into the 20th century. 

A highly interesting and important case study of American inequality and exploitation.

All my selections capture unheralded activists undertaking the “social learning” at the core of movement building. Inevitably, a movement against one injustice will uncover larger and denser fabrics of inequality and disempowerment. Lipsitz and Perry collaborated in producing an incredible synthesis of personal biography and broad social and historical analysis. This book opened my eyes to the forgotten history of a northern freedom movement that challenged entrenched and enduring structures of big city inequality. Lipsitz follows Perry from a campaign to open up jobs for St. Louis bank tellers in 1963, to an “unviolent” campaign organizing Louisiana timber workers for voting rights and labor rights in 1965. Perry's subsequent efforts as a St. Louis war on poverty housing coordinator were educations in themselves: most memorably, he organized rent strikes and coordinated an unprecedented campaign to remedy the devastating effects of lead paint poisoning on children.

Here's another amazing woman—angry, determined 18-year-old Adair—who travels through Missouri’s brutal Civil War landscape looking for her father. Jailed in St. Louis under horrid conditions for suspected Confederate sympathies, she brawls with a fellow prisoner, strategically worms her way into the prison matron’s good graces, then captures the heart of a Union interrogator who helps her escape.

I am not a horse person, but Jiles’s description of Adair’s relationship with her horse Whiskey is otherworldly and totally converted me. One nightmare scene follows another as Adair makes her way back to her family home, and I love the resourceful lies she concocts to save herself and Whiskey amid guerrilla warfare and martial law.

Beautiful language; Jiles is a poet, and it shows.

Street Justice is a terrific ethnography on an issue too seldom talked about in criminal justice textbooks, namely, payback in the context of drug dealing.

Jacobs and Wright did not set out here for any new philosophical insights about revenge. Instead, they are interested in its reality. What emerges from this study is a stark catalog of how retaliation actually works, among real people, in a real American city, and what a chilling picture it is.

Based on interviews with actual St. Louis offenders who related their personal experiences with loss, pain, humiliation, and anger, Street Justice is an eye-opener even for those of us who thought we knew something about this topic.

Read this book if you a cop. If you are just interested in law and violence, as I am, read this one alongside Miller, Gould, and a few of the Icelandic Sagas, and I guarantee you will… show more.

One of the best Henrie O novels, I love it that this takes place within the hallowed halls of the academia at the fictitious Thorndyke University, where the sixty-something journalism professor-turned sleuth encourages an ambitious student to dig up the dirt on three unsolved local crimes. Of course, the student gets killed, and against the wishes of the police and the powers-that-be Henrie O gets involved, dredging up a past everyone wants to keep buried. I now realize that not knowingly, but at a subconscious level, this novel inspired me to write mine!

I love Lidie Newton. She is a newlywed who accompanies her abolitionist husband from Illinois to Kansas Territory, at a time when the territory is mired in partisan rage and violence. Lidie narrates the story, and her straightforward, often insightful accounts pulled me in immediately. I was right there with her as she forged her way through numerous exploits, some humorous, others heart-breaking. The story is populated with characters who are both colorful and believable, and I came away with a heightened understanding of the role played by events in Kansas and Missouri during the frightening months leading up to the Civil War.