100 Books Like The All-True Travels and Adventures of Lidie Newton

It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.

I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart. 

Unable to walk since childhood, Mathilde Donnay never lets her limitations get in her way. She is on the search for her fiancé who was reported killed in the Great War, but whom she believes might still be alive. Mathilde is feisty, caring, strategic, and driven—all things I’d like to be.

This book is maybe my favorite novel ever written about politics and the lengths that some men are willing to go in the pursuit of power.

It features a memorable cast of characters, most importantly, of course, the figure of Governor Willie Stark, the quintessential populist politician, who manipulates others for his own gain and demonstrates a total lack of morals. Set in the 1930s, the story of Stark’s rise to power and eventual downfall always strikes me for how contemporary it feels and how many parallels it offers with the populist politics of our own time. 

This remains one of the most haunting novels I have ever read. I cannot shake the character of Judge Holden, a formidable man both physically and intellectually, who deploys his insidious intellect to justify acts of abject violence seemingly only for the sake of violence itself. I was mesmerized by a world where “all covenants were brittle.” This was no straight-up Western as I had expected. It was something more.

McCarthy pushed the boundaries of the classic Western by challenging the notion that good will ultimately overcome evil and the hero will save the day. There was no hero here, and the day was truly lost to forces beyond the characters’ control, hallmarks of the Southern Gothic tradition. I was hooked on this curious blend of genres!

I was introduced to this book through Tavernier’s brilliant adaptation, Clean Slate (Coup de Torchon, 1981). Set in Texas, Thompson’s novel was published in 1964, during the Civil Rights Movement, and it offers a portrait of petty-minded racism in the continuing aftermath of slavery. Tavernier’s adaptation transposes the story to 1930s French colonial West Africa. I remain haunted by the ways the two settings illuminate each other. Tavernier’s blending of a deadly serious historical crisis with touches of comedy—slapstick even—brings both eras and the novel itself to life in enjoyable and instructive ways.

The first of Moberg’s 4-volume saga of Swedish immigrants, this book is so thoroughly researched that he invented a term, calling them “documentary novels.” The family in the story are farmers from a poor, remote parish in Sweden whose lives are constricted by both the church and the state. This reflects the painful realities of Europe in 1850, where almost everyone was poor, rural, oppressed, and completely unprepared for the journey ahead of them. Whether you read Moberg’s Emigrant Novels for the intense personal drama or for more understanding of why people leave their homelands, you will find these stories deeply emotional and insightful.

Sometimes it takes dust, drought, and desperation for us to realize what we’re capable of changing. Landscape has the power to alter us and for Rachel it both whittles away and fortifies. The wrath of nature is a tangible presence in her story, though we come to realize the hostile land and searing sky pale in comparison to the silent destruction wrought by the person in whom she has placed her life’s trust. Weisgarber’s ability to slow time down to the painful passing of seconds draws me in every time. 

The Civil War west of the Mississippi doesn’t get much attention in historical fiction, but it’s an incredibly rich period, with storylines and characters to fill a hundred books. Morkan’s Quarry is one of my favorites from that period. It’s set in Springfield, Missouri, the site of one of the war’s first major battles. Michael Morkan operates a rock quarry just outside of town, and rock quarries have one product on hand that is highly prized during wartime – gunpowder. Michael and his son Leighton soon learn how thin the veneer of civilization is once a war is underway. The Civil War in Missouri was characterized by day-to-day savagery, private violence, and disrespect for the “rules” of warfare, and Morkan’s Quarry captures that spirit all too well. 

Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.

Pride and Prejudice was only half the story.

This wonderful novel looks at the whole affair from the servants’ points of view. “If Elizabeth Bennet had the washing of her own petticoats, Sarah often thought, she’d most likely be a sight more careful with them.” I love this book.

Love the way the historical domestic details are covered so effortlessly and the emotions explored of those silent characters who watch their “betters”, take messages, serve meals, and endlessly wash clothes!