Books like Taming the Wolf — picked by fans

I literally could not stop reading this book. To this day, it’s my favorite book by Kennedy Ryan.

It is an achy, angst-ridden novel that I couldn’t put down. Both Iris and August were compelling characters, and when they first met at the bar, their chemistry was undeniable. But Iris was in a relationship, and each time she and August met in the story, I could feel the longing. 

The book covers tough subject matter involving domestic violence, and it’s quite graphic. I skipped over the parts that were “too much” and focused on the burgeoning relationship between Iris and August. He showed her in so many ways how much he loved her, and I spent the entire novel rooting for the happily ever after they both deserved. 

This book was my first Beverly Jenkins novel, and it made me fall in love with her historical romance novels. Before I read it, all the historicals I’d read were Regencies. I was thrilled to find a historical romance with black characters in the United States, which opened my eyes to a part of history I didn’t know much about.

But, the historical aspects were not the only thing that captured my attention. Galen, the Creole hero and free Black man who worked as a conductor on the Underground Railroad, is the reason I recommend this book. There is plenty of chemistry and sensuality between the couple, but his gentleness and love for Hester, a former slave, is unmatched. Galen is one of the best kinds of heroes, and Hester deserves all the love he showers her with. 

This book has everything I love about the billionaire trope—a filthy rich alpha male used to controlling every aspect of his life falling hard for one woman. 

Dante and Vivian were forced into a marriage of convenience because Vivian’s father blackmailed Dante—unbeknownst to her. In the beginning, Dante is rude and unkind, but as the story progresses, Vivian gets under his skin—in a good way.

I got a kick out of watching him slowly fall in love with her and the way that love manifested in acts of kindness—big and small. Dante softened toward Vivian and became willing to do anything to make her happy. His transformation from a hateful brute to a loving future spouse was not only enjoyable to watch, there were times when I actually sighed because Vivian was a lucky chica indeed. 

Diego is so very bad, which makes him swoon-worthy good. This book is a combination of two books which I read years ago (Mi Cariño and Mi Cariña), long before dark romance was an official subgenre in romance. 

Diego is wealthy, uber-alpha, and obsessed with Marcella. He’s so obsessed he kidnaps her and won’t let her go. Despite his outrageous behavior, he’s good to her and wants to build a life with her.

I set aside my reservations about his behavior, which I’d never tolerate in real life, and allowed myself to be entertained by a story with a hero who will stop at nothing to hold on to the woman he loves. 

The book is an engaging memoir about what it was like in the 1950s for a single woman just out of college to balance life and relationships while starting a career in magazine publishing in the Big Apple and follows her career and family relationships through to the 1970s.

Though things like finding an apartment in a trendy neighborhood back then were significantly easier than they are in modern day, the hilarious accounts about the challenges of adapting to small living conditions still ring true.

It’s an entertaining glimpse into the golden age of the print magazine industry, but it’s also a brutally honest account of women’s mental health issues, and what it’s like to seemingly have it all but still feel the constraints imposed by choosing to live in NYC. Any aspiring writer should read this book. 

And now the year is 2007, and here’s the big-ass Korean-American book we’ve all been waiting for – Free Food for Millionaires. In baseball terms: while the rest of us first-time novelists choked up our bats and hit our singles and doubles, Min Jin swung for the fences. At the center of the novel is Casey Kim and her quest to find her passion, never mind the consequences of being basically disowned by her parents, but make no mistake: the scope of this book is like that of Casey’s favorite authors, George Eliot, the Brontë sisters, and Anthony Trollope. There are multiple generations of Koreans at work and play here. It’s exactly the type of book I love to read and never even consider writing, because I just don’t have that kind of ambition. Thank goodness some do!

This made me laugh, and it made me cry. I challenge anybody with a heart not to feel for Augie Pullman as he not only survives a new school and new situation but thrives in them. He doesn’t just overcome his self-doubt; he proves to himself and everyone else that he’s not only his classmates’ equal but their superior. Augie surpasses every single other child character in this book with his compassion and intelligence. He is a hero of the 21st century. 

As cliché as it sounds, I couldn’t put it down. In between reading sessions (that I undertook with my daughter), I found myself obsessing about Augie’s plight and wondering what would happen to him next. I needed to know how the young boy with the messed-up face would respond and react to whatever challenges the world, his school, his town, his family, and his friend threw at him.… show more.

This novel of interconnected stories is a fascinating snapshot of life in 1920s New York City.

Considering that it was written in 1925, Dos Pasos does an incredible job of representing different backgrounds and classes as they move through the city with one another. It shows how one can’t exist in such a setting on the highest levels of society without the help of people who make up the fabric of the rest of the town.

Encountering day-to-day strangers in the city won’t feel the same after reading this book. Plus, it takes place during Prohibition from a real time perspective, showing that the “Roaring Twenties” were more of a yelp.

This book is an unfinished work, hard to follow, because it is a draft never reviewed by the author and published posthumously.

However, it is a must-read, so please do not be discouraged as I was, for the ideas that it encloses picture a more equalized society practically based on the changing of our economic road, nothing else than ending capitalism as we know it.

Two subjects are of particular interest: first, how to correctly retribute people for the wealth they generate through their work; and second, a demonstration of how excess production and money amassing do not amount to wealth. An interesting lesson in economics.

It’s 1764 on Manhattan Island, and a stranger from London arrives at a small town called New York. He expects to receive a thousand pounds. A cast of dynamic characters appear. There are intrigues and adventures. All writers try to be vibrant on the page—to write smart, vivid, witty descriptions and dialogue. And then you come upon a writer like Francis Spufford, who is able, somehow, do it a degree or two better than everyone else.