Here are 100 books that Indians on Vacation fans have personally recommended if you like
Indians on Vacation.
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Years ago, when I went to Montreal to get my Master's degree in Philosophy, I decided to become a stand-up comic at the same time. I soon realized that I had a lot more fun coming up with the funny bits than I did being ignored or heckled while on stage delivering them. So I became a sit-down comic. (Well, a sprawled-on-the-couch comic.) I've since written and published several novels, which contain a lot of funny bits, but I decided, in addition, to publish the leftover or funny-on-their-own bits in a separate book. Hence, Too Stupid to Visit.
Although it was Mercer'sTalking to Americans that had me rolling on the floor, I list Streeters only because Talking to Americansisn't available in book format. That said, I do feel an affinity with Streetersfor its rantiness (indeed, the subtitle is Rants and Raves from This Hour has 22 Minutes). Sometimes his stuff is too Political-capital-P for me (I don't follow the news anymore), but often it's just political-small-p—which is just right.
Adventures in the Radio Trade documents a life in radio, largely at Canada's public broadcaster. It's for people who love CBC Radio, those interested in the history of Canadian Broadcasting, and those who want to hear about close encounters with numerous luminaries such as Margaret Atwood, J. Michael Straczynski, Stuart…
Ever since I discovered science fiction and fantasy as a kid, I loved playing in other worlds. It didn’t take me long to start creating my own to play in, so I thought I might as well write them down. I also learned that it’s more fun to throw disparate elements and genres together. Why not throw some time travel and aliens in a Western? Or put some aliens and a little cyberpunk in an alternate history? I always find the most interesting worlds are the ones where things are not so easily categorized.
I first discovered Charles de Lint as a fantasy writer, so I was curious to see he had written a cyberpunk novel. While it is a bit of a departure for him, I was very happy to see that he still brings in fantasy touches. I liked this book because of the animist idea of spirits interacting with our world, even when that world is a futuristic dystopia. I also liked there’s a lot of hope, especially in his depiction of the indigenous Claver society.
I loved seeing this world through Gahzee’s eyes as he journeys from his own society (which is sort of proto-solar punk) to the dystopian city, as well as between the human world and the spirit world, as he finds his “Tribe of Three.”
Out beyond the Enclaves, in the desolation between the cities, an Indian flyer has been downed. A chip encoded with vital secrets is missing. Only Gahzee can venture forth to find it--walking the line between the Dreamtime and the Realtime, bringing his people's ancient magic to bear on the poisoned world of tomorrow.
When I moved to Kingston, Ontario, Canada in 2001 I was amazed to find how this city, unlike many North American cities, has preserved and celebrated its past. It’s in the architecture, the streets, the fabric, and the soil. As someone with a deep love of reading and exploring history, I immediately began to research my new home. I didn’t discover the sort of bloodless accounts often taught in school, replete with dates and facts. This history simmers and boils; full of tales of pirates and officers, gadflies and ne’er-do-wells, countless plucky frontiersmen and women. There is enough raw material for a thousand novels.
Roy’s history of Kingston is a fiction writer’s dream. It is crammed with colourful anecdotes and amazing descriptions of life two hundred years ago, each one a possible starting point for a novel. This is not your dry, elementary school history; Roy’s account sweats and stinks, crackles and clangs, chews and spits. He writes of revolting spectacles such as “disfigured or putrified or naked human bodies lying exposed on the shores of the town, or kept afloat and fastened by a rope while the preparations for interment were being made.” Life in a frontier town was not for the faint of heart.
Adventures in the Radio Trade documents a life in radio, largely at Canada's public broadcaster. It's for people who love CBC Radio, those interested in the history of Canadian Broadcasting, and those who want to hear about close encounters with numerous luminaries such as Margaret Atwood, J. Michael Straczynski, Stuart…
I’ve always been fascinated by our creative urges and ambitions, and by what makes us who we are and why we make the choices we do. While I’m interested in many aspects of human experience and psychology, from the mundane to the murderous, I’m especially drawn to narratives that probe our deeper psyches and look, particularly with a grain of humor, at our efforts to expand our understanding and create great works—or simply to become wiser and more enlightened beings. What is our place in the universe? Why are we here? Who are we? The books I’ve listed explore some of these matters in ways both heartfelt and humorous.
Pastoralis one of my favorite recent discoveries. It’s one of a quincunx of novels linked by exploration of five classic literary genres—in this case the currently unfashionable pastoral. Newly ordained priest Christopher Pennant isn’t greatly pleased that his first parish assignment is to a rural town where sheep are numerous. He assumes he’ll be a suitable shepherd to the humans, people he expects to be simple and straightforward. Of course, they aren’t. They’re not only as complex as people anywhere else, but very unexpected. Father Pennant not only finds he has a self-appointed cello-playing chef as rectory caretaker, but he witnesses three possible miracles. Or are they trickery? I love the depth and gentle humor in the priest’s attempts to understand his parishioners and himself. And nature, too.
There were plans for an official welcome. It was to take place the following Sunday. But those who came to the rectory on Father Pennant's second day were the ones who could not resist seeing him sooner. Here was the man to whom they would confess the darkest things. It was important to feel him out. Mrs Young, for instance, after she had seen him eat a piece of her macaroni pie, quietly asked what he thought of adultery. Andre Alexis brings a modern sensibility and a new liveliness to an age-old genre, the pastoral. For his very first parish,…
With my debut comedic travel memoir having come out in April, I read every humorous travel book I could get my hands on both as part of my education for inspiration on how to write my book and before I even knew I was going to write a book because I simply love reading these types of stories. From my own experience, travel has made me grow so much as a person, and all of these authors beautifully capture their own journeys and how travel helped them find their way.
I love how this book weaves in discovering who she is, a humorous element, and winding hilarious stories where you never know what's going to happen next. It also talks honestly about being frustrated as a woman and trying to date, the expectations put on us as women, and how these discourage us from taking our own path.
Now writing on Only Murders in the Building, Newman has a lovely, comedic voice.
A few years ago, while researching my novel Incarnate, I sought out Arctic, Alaskan, and winter horror novels. These books explored the dangers of such places—brutal nature, isolation, depression, fear, and suicidal tendencies. Combined with the supernatural, Lovecraftian, and unexplainable, they created gripping stories.
I also read non-fiction essays, books, articles, and watched YouTube videos about these harsh environments. The authors captured the reality of isolation and danger perfectly. If you're curious about what it’s like to venture into these perilous, frozen landscapes—without risking frostbite—these novels are a thrilling way to experience it.
Part of the challenge of writing my novel was trying to study the various cultures, people, rituals, economies, beliefs, and ways the locals survived. This anthology had a bounty of information and a variety of stories that were written by northern authors who knew the area, some of them living there for prolonged periods of time.
The word “Taaqtumi” is an Inuktitut word that means “in the dark”—which seems appropriate. With story titles like “Insinaqtutalik Piqtuq: The Haunted Blizzard” and “Wheetago War II: Summoners,” you can see that the native POV is important to these stories. It is so important that I hired one of the authors, Repo Kempt, to be my Arctic advisor on my book—to help me get the details right.
"Taaqtumi" is an Inuktitut word that means "in the dark"-and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren't quite what they seem. With chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others, this collection will thrill and entertain even the most seasoned horror fan.
I earned my teaching certification as an undergraduate. I went to a program in a very rural place, and I did my student teaching in a very rural school—but all we talked about in my college classes were urban schools, urban kids, and urban teachers. There were certainly some similarities, but I was amazed how research, policy, and practice just seemed to overlook rural education (about one-quarter of all U.S. public schools!). So I went into rural education research and advocacy wanting to do something about that gap: to bring attention to rural education so that we can write policies and practices that sustain, rather than undermine, rural schools and communities.
A highly respected rural education researcher, Corbett documents the educational practices that, while well-intentioned, may contribute to rural depopulation: if rural schools do their jobs well, they are often preparing rural youth for an adult life lived elsewhere.
Still, though, for many rural youth, college remains elusive. As Corbett writes, with typical eloquence, “Higher education remains ‘invisible’ training for invisible jobs in an elsewhere economy…”
With complexity and nuance, this book captures the many dilemmas facing rural youth, families, and teachers, as well as the high costs of higher education for rural communities. My copy is a rainbow of sticky notes and highlights: I consulted it often when writing my book.
It has been argued that if education is to be democratic and serve the purpose of social and cultural elevation, then it must be generic and transcend the specificity of the locale. Corbett's case study of Digby Neck, Nova Scotia, which shows continuing rates of highschool drop-out among youth in rural and coastal communities, particularly among young men, illustrates the failure of this approach.
I’m a New Englander by birth, a Canadian by circumstance, and a Nova Scotian by choice. For as long as I can remember, I’ve told stories, first to my little sister—a captive audience—then to my children, then at my book readings, and now on my podcast, Kate and Friends, which I’m lucky enough to record with two professional musicians. For me, the ultimate test of a story is whether it can be told without visual aids. While I love picture books, and the way an artist can deepen a child’s experience of a story, I gravitate to satisfying, stand-alone tales with a good twist. They’re difficult to write, easy to remember, and great fun to tell!
As a kids’ storyteller, I’ve often used this book, and it bears telling even without its gently comic pictures. When Farmer Joe complains of his daily toil, his clever wife tricks him into becoming so uncomfortable that, once returned to normal conditions, he will never complain again! The story carries a message about positive attitude, without being didactic. Best of all, kids can chuckle along with Farmer Joe’s wife, understanding her trick while hapless Joe does not. Kids, in my experience, love to be smarter than at least one grownup in a story, and this book delivers that in spades!
Farmer Joe has a problem: he works so hard that by the end of the day he is very hot and tired.
"What can I do?" he asks his wife.
You'll laugh at the clever way Farmer Joe's wife helps him keep his cool. Or does she?
Farmer Joe's Hot Day was both the author and illustrator's debut book, and the trilogy became a favourite with kids and teachers alike. Now the classic series returns in a bright levelled reader format for a new generation of book lovers!
I’m a fantasy addict, I work with wild animals for return to native ecosystems, and my favourite place to be is in a forest! People mock all the hiking in Lord of the Rings. But how better to tune into an unfamiliar landscape than to turn over that mossy stone, to uncover that buried gem, to find mushrooms? I enjoy fairy rings on three levels. First, by knowing they’re a food source for malleefowl and bush turkeys. Second, by understanding that their structure stems from the radius travelled by the hyphae underground. Third, by imagining where I might be whisked off to if I only dared set foot inside.
I can’t resist the combination of magic, music, and forests. Plus my mother grew up in Canada, and I’ve meandered along those berry- and bear-rich pebbly beaches. In this book, magic, fey-inhabited Wales crashes into modern Ottawa. De Lint’s setting and style seized my soul as a young adult reader. That yearning youngster is not only still part of me, but part of everyone, I hope.
Sara Kendall and Kieran Foy become trapped in the midst of the eternal battle between good and evil, in a tale of magic and romance that moves from ancient Wales to modern Canada.
I wasn’t a fan of reading when I was young. I was a lazy reader. Subjects and genres were always chosen for me during education, until I hunted for my own. I used to write a lot more than reading in early high school. I wrote a horror journal, submitted to my English teacher every week. He told me that my writing was good but advised me that reading the genre could help develop my ideas. Funny, a young teenager couldn’t work that out? So, off I went to the local bookstore and bought my first horror novel. I devoured it within a week. I've been a reader and writer of horror ever since.
A book I’d wanted to read for a long time, but it wasn’t until later in life I was able to get it. When I was just on the early stages of my writing career, my now longtime friend, Marty, said he had a spare copy of Cabal laying around and offered to send it to me. Marty was my writing mentor at the time as he’d been writing horror for many years previous, and his work is inspiring. So, knowing I was getting a book in the mail from my mentor, to whom I hadn’t met in person yet, was very exciting. The book itself was a tired secondhand copy (which I was told it was) yet this gave it more special meaning. Even the cover was a little torn and it was a pocket edition. So, I sat back with this little book, which I still have as…
A fabulous journey through the mind of the master of dark imaginative fiction, Clive Barker.
The nightmare had begun....
Boone knew that there was no place on this earth for him now; no happiness here, not even with Lori. He would let Hell claim him, let Death take him there.
But Death itself seemed to shrink from Boone. No wonder, if he had indeed been the monster who had shattered, violated and shredded so many others' lives.
And Decker had shown him the proof - the hellish photographs where the last victims were forever stilled, splayed in the last obscene…