100 Books Like Kingston

The gold standard source for what life was like for the hardy souls arriving in Upper Canada in the early 19th century. Although writing from a position of relative privilege, Moodie writes of hardships and deprivations that make the modern reader blanch. We wonder whether we could have survived what she and her family endure.  She writes with richness and great humanity so that we can vividly imagine what it must have been like for her to be taken from the relatively comfortable life she’d known and to make a life in the bush.  Despite her trials and tribulations, she comes to have a great love for the beauty and wildness of her adopted home.

I used Parker’s journal extensively in my research for Bottle and Glass.  It is the account of a British officer arriving in the Canadian wilderness for the first time. Parker’s style is very much modern and journalistic, giving an immediacy to the wonder and apprehension he has for his new surroundings.  The reader is right there with him marveling over the rudeness of frontier life.  A representative quote: “Kingston is one of the dirtiest, or rather muddiest places I have ever been in, even in my extensive peregrinations; it is the worst lighted, and most miserably paved place I have ever been in… the number of masterless dogs prowling about the streets at all times is abominable, the quantity of pigs laying in every corner is disgusting in the extreme, and the number of cattle roaming about the streets with their inexpressive countenances is really, really past bearing!”

Bottle and Glass is set in actual, historical Kingston taverns from the early 1800’s. It is said that there was then a drinking shop in town for every seventh male adult and one visitor claimed that two thirds of the people he passed on the road were drunk. In 1812, when Kingston had a population of less than four thousand, it had about eighty taverns.  So, the Bottle Companion, published in 1768, is a perfect pairing. It is filled with all manner of ribald drinking songs and saucy lyrics, paeans to drink and revelry; it helps set the tone for what early 19th century life was really like. A number of characters in Bottle and Glass, at particular moments of high spirits and ever-expanding mayhem, belt out selections from the Companion.   

Here is another masterpiece.

It purports to be historical fiction set in the Old West, following one of the last great cattle drives. Yet within a few chapters, it begins to feel like a series of episodes from Grimm’s fairy tales.

I remember at UC Irvine, where I earned my Fiction MFA, several fellow writers were reading this novel alongside me. We kept stopping each other in the hall or at cocktail parties to relive this or that chapter, struggling to understand how it could be both so entertaining and so good.

The fact that it is long—a real doorstopper of a book—adds to its “too-big-for-one-genre” feel.

Recently my son asked if I still had this book because he wanted to read it to his children. Why do some childhood books stick in our memory? Mr. McGill was a fun book with characters like Mr. McGill repairing his mill, Mr. McRae cutting his hay, Mr. McCall building his wall. They all have tasks that are too big to do alone and they all want to get to town before the sun goes down. It is a wonderful story of working together; showing how helping someone else can help you. And why do they want to get to town before the sun goes down? “Then when they were done, they sat out of the sun, where Mr. McQuade served them cool lemonade! Ahhh…”

This is an exceptionally well-written and meaningful study that has greatly helped me understand how the national subject is conceptualized in Canada. As an immigrant to this country who became a citizen through a challenging and demoralizing process, this book has enabled me to see how some of us are framed as belonging while others are excluded from the Canadian nation. I have also learned how (above and beyond the national mythology surrounding it) multiculturalism has been deployed to boost Canada’s profile as a liberalizing nation while, at the same time, operating as a tool to control ethnic and religious minorities.  

Ayelet Tsabari’s stunning memoir is all about departure, wandering, displacement, identity, and belonging. As a Mizrahi, or non-European Jew, and a minority in Israeli society and culture, she establishes herself as a powerful voice for emigrants and minorities and speaks truth to power.

In the West, Ashkenazi Jewish culture dominates, and most people are ignorant of, and/or quite indifferent to, the myriad Jewish communities of the world and their complex and rich cultures. Her experiences in the Israeli army, her travels, her difficult relationships, her escape from trauma and pain as she enters into different worlds, and how she makes peace with herself. She focuses on those like herself on the margins of Israeli society and exposes the misogyny and discrimination she and other immigrants like herself experience on a daily basis.

Many of the aspects she writes about resonate deeply with me as an Indian immigrant in the US,… show more.

I love this book’s sprawling effort to answer all sorts of basic questions about the living, vibrant Jews of Canada.

The book was so solid and sold so well when it originally came out with a trade publisher it was re-issued. It uses good social science and approachable theories.

I found it highly informative, intuitive, and curiosity-provoking. What’s more, it’s really funny. If you’re a Canadian Jew, you’ll learn something about yourself or some part of the Jewish world of which you’re a part of. And if you’re not both Canadian and Jewish, you’ll get a very good grounding in understanding the world’s fourth-largest Jewish community. 

This collection of Canadian Jewish fiction gave me 33 different short fiction, personal essays, and poetry windows into the hearts and minds, longings, fears, and dreams of Canadian Jews.

I can’t think of another volume that captures so much life at the intersection of Jewish literary vitality and Canadian content–understood liberally. I think I was most moved by David Bezmozgis’ and Isa Milman’s contributions.

This rom-com is as lighthearted and fun as it gets, but it maintains the nerdy bent we’re all here for. I love LARPing, and this book paints it in the most exciting light! I loved how Daisy used her alter ego, Lade Alenthaea, on her journey to growth, and how this story kept the agency around her personal growth firmly in Daisy’s own hands.