100 Books Like Taaqtumi

I grew up reading Stephen King, and one of the earlier titles I read by him, is Misery. When I think about isolation, danger, and being trapped in a cabin—this book comes to mind.

Of course, his number one fan, she has different ideas for the protagonist of this book, Paul Sheldon. She wants his novel/s to end differently, a different fate for the characters she has grown to love. And she’ll go to great lengths to get him to change his mind. After his car accident, she ties him to the bed and hobbles him—one of the most intense (and violent) scenes in the book. And who can ever forget her calling him a Dirty Birdie—that phrase will echo in my head forever.

Of course the movie is well done, too—a stellar performance by Kathy Bates. As the wind and ice howl outside the cabin, we are trapped… show more.

When I think about the arctic, and horror, I immediately think of Dan Simmons and The Terror.

It’s an expansive, tense, visceral book that feels historical. The authority and details make this feel like fact when we know this is fiction. It’s also quite lyrical and haunting—the setting as a backdrop, the weather, and senses brutalized by this expedition, and the events that slowly unfold. Madness, mutiny, and cannibalism? Yes, please. There are so many ways you can die out here in the cold—starvation, hypothermia, scurvy, exposure, etc.

Whether you came to his work via this book, Carrion Comfort, or (like I did) with Song of Kali, this may be his best work to date. And the television series is worth a gander as well. Immersive, unsettling, gripping, and bleak this is one of my favorite Arctic horror novels to date.

Such a great premise. An earthquake unearths  a hidden cave, inside Mount Ararat, in Turkey. A newlywed couple wants to be one of the first to investigate. And what do they find inside the cave? A buried ancient ship that may be Noah’s Ark. So of course they end up trapped.

While all of my choices in this list have echoes of The Thing, this one might come the closest to that feeling of being trapped, as a mysterious evil is awoken. Thrilling, terrifying, this is a chilling masterpiece—with so many key elements for horror—Lovecraftian vibes, the paranormal, Satanic themes, and paranoia. This is a must-read when it comes to Arctic horror.

While the aforementioned Ararat channels The Thing, Stranded leans into another classic horror film, Jacob’s Ladder.

Lost and completely alone, the crew of the Arctic Promise finds itself in dire straits as each one succumbs to a mysterious illness. Eventually, they are frozen in, landlocked, and forced to leave the ship.

There are so many ways to die in the Arctic, and this book explores them all. Visceral, disturbing, and rippling with psychological horror, it is a thrilling read. Known for his genre-bending work and original storytelling, this might be my favorite book by Bracken MacLeod.

This book by a distinguished Canadian archaeologist is the finest overview of the human history of the circumpolar region. Its twin concerns are the indigenous peoples of the Arctic and the impact of intruders from the south. It is unusual in its coverage of the Russian and Scandinavian Arctic. The excellent account of the Norse colonies in Greenland feeds into a compelling analysis (through the prism of trade goods) of Norse penetration into the territories of the Dorset and Thule peoples. 

I tracked down a 1973 hardback edition of this book because I fell in love with it. The publication date, the year of my birth, was an added bonus. I borrowed Lowenstein’s translation of material collected by Knud Rasmussen, the famous polar explorer, from the library. As soon as I read the preface, I knew I had to own it. It’s an owning kind of book. Inuit poems are raw like the environment they are birthed in – the words and the people. Some might call the poems simplistic, but having lived in the Arctic, I know that even the simplest things can be challenging, and often life-threatening. The poems in this book capture another world that is so very far removed from our own and yet startlingly vibrant and important. 

Perseverance, and an unwitting courage against all odds; that’s the essence of Farley Mowat’s People of the Deer.

Mowat’s book immortalizes a small band of Inuit as they traverse the barrens of Canada’s eastern Arctic, enduring starvation, punishing winter conditions, and a sociopolitical system bent on eradicating their five-thousand-year-old culture. This book shattered my perception about how I see myself as a Canadian, and injustices inflicted on indigenous peoples.

Written over seventy years ago, People of the Deer is testament to Mowat’s insight into a travesty that continues to this today, and tells me we still have a long way to go. 

Living high in the world’s Arctic regions, Inuit civilization remained largely free of European influences until the twentieth century, allowing its traditions to remain relatively intact into the modern era. Like the Norse, Inuit are a people of wolves and sea monsters and giants. But while the Norse focus mainly on male gods and supernatural warriors, Inuit legends are full of female deities and resourceful humans, making for an arguably more relatable and compelling mythology. Neil Christopher’s immensely readable compendium of Inuit myths is a great introduction to this vibrant tradition.

George Manuel was once asked by a white coworker, “Does Indians have feelings?” Refusing dehumanization, Manuel reveals the ongoing colonial relations between First Nations and the Canadian settler state. He charts his political journey from Secwepemcúl̓ecw to the National Indian Brotherhood to the World Council of Indigenous Peoples.

Manuel argues that the victories of the anti-colonial independence movements of the twentieth century did not end colonial domination of Indigenous Peoples—what he calls the Fourth World. The Fourth World is not a destination but the right to travel on your own road in your own way.

With a new insightful introduction, foreword, and afterword, the book's latest edition shows how Manuel’s analysis of colonialism and vision for solidarity continue to be relevant to contemporary struggles for decolonization. 

To Speak for the Trees is one of my favorite books ever, partly because I love trees, and partly because of my own Celtic heritage from my maternal line. Diana Beresord-Kroeger, a scientist in biochemistry and botany, begins with her childhood in Ireland. After losing her parents at a young age, she is raised in the ancient Celtic nature wisdom and Druid beliefs by an entire community, and literally taught the language of trees: Ogham. Blending scientific discoveries about trees and the importance of forests to our species' survival, this book is a fast and delightful read that I won’t forget. I feel enriched from having been blessed to spend time with such a brilliant woman through the pages of her book.