Here are 100 books that In the Unlikely Event of a Water Landing fans have personally recommended if you like
In the Unlikely Event of a Water Landing.
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From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.
When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
I didn’t know if I could recommend a play here, but reading this one is how I first experienced it because it premiered in London. I hadn’t seen it yet, so I read its two monumental parts, “Millennium Approaches” and “Perestroika,” on a typewritten marked-up rehearsal script someone had lent me.
Quite simply, Tony Kushner wrote THE play for my generation, a generation that lost probably half of itself to an awful plague most people, especially the government, ignored until it was too late. When my lover Jeffrey died, I went to the Bethesda Fountain in Central Park and wept because Tony had given it to me in his play, a monument for the AIDS generation.
Finally seeing it on Broadway, with Jeffrey, as he was dying, was like having my DNA scratched and resurfaced into something other than who I was before it. It was shape-shifting, soul-stirring, and salve…
Winner of the Pulitzer Prize for Drama Angels in America: A Gay Fantasia on National Themes includes Part One, Millennium Approaches and Part Two, Perestroika
“Glorious. A monumental, subversive, altogether remarkable masterwork…Details of specific catastrophes may have changed since this Reagan-era AIDS epic won the Pulitzer and the Tony, but the real cosmic and human obsessions—power, religion, sex, responsibility, the future of the world—are as perilous, yet as falling-down funny, as ever.” –Linda Winer, Newsday
"A vast, miraculous play... provocative, witty and deeply upsetting... a searching and radical rethinking of American political drama." - Frank Rich, New York Times
I felt, after the AIDS crisis, as if I had been one person before it and another after it. I lost so many friends, collaborators, colleagues, and then finally, my own lover, I felt like the shell-shocked survivor of a war after it at least abated somewhat. Then my two sisters and both my parents died, and I became someone whose topic, no matter how veiled it is, is grief and loss. I am a living coffin on its way to a funeral to the sound of a cortège I composed.
Marie’s poems are separated into three sections: childhood (which included an alcoholic and abusive father), the illness and death of her brother Johnny from AIDS, and life beyond his death, including her relationship with James Shannon, a tree surgeon and a fisherman. They were like lifelines to me after Jeffrey died.
I memorized the title poem and said it repeatedly in my head like a litany. These poems are clearly spoken; life boiled down to a stock with the healing power of fresh air and cool water. No other book of poems has ever helped me so much through a catastrophic time, and I ended up setting many of these poems to music.
Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
From the start, tented under bedcovers with a flashlight and diary, writing has been sheer joy and discovery. When I became aware that I was bisexual in my twenties, I wrote a memoir to make sense of my body, especially in light of my Christian upbringing, which became Swinging on the Garden Gate. When a fire burned all my belongings, including decades of writing, I found comfort in keeping a journal and was amazed that the practice still gave me hope. How? Why? My curiosity led to three books on writing as a transformational practice and countless workshops. The mystery of how creating something creates the creator fuels everything I do.
Some of the worst memoir-writing advice I’ve ever heard is, “Don’t write in the midst of emotional turmoil.” If Mark Doty had listened, readers would have never received the gift of Heaven’s Coast. No doubt this memoir began as a journaled record of Doty losing his beloved partner to AIDS.
His record of love, loss, and grief packs a punch because it’s so raw. It has lasting power because Doty took time to revise, adding eloquence, perspective, and insight. This is also a great model for integrating reflection into a story.
HEAVEN'S COAST is an anatomy of loss: tender, heartbreaking, consoling and, ultimately, incredibly moving. Beginning with the first onset of AIDS and its lengthening shadow over a blissful relationship, the book follows the shifting patterns between two loves as the illness takes hold - the change in them and the change in the way they perceive the world, through the lens of grief. Doty examines the nature of AIDS as opposed to other illnesses, the responses of society, the frustration of medical care and the exhausting - and occasionally uplifting - burden of caring for the dying at home.
I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”
Greg Melville’s Over My Dead Body: Unearthing the Hidden History of America’s Cemeteries is a highly personal yet richly researched investigation into the history of U.S. cemeteries. Best of all, Melville doesn’t just study gravestones or the final resting place of famous people, he takes a deep dive into nearly every aspect of memorialization, including landscapes, mortuary practices, economics, and social rituals.
A lively tour through the history of US cemeteries that explores how, where, and why we bury our dead The summer before his senior year in college, Greg Melville worked at the cemetery in his hometown, and thanks to hour upon hour of pushing a mower over the grassy acres, he came to realize what a rich story the place told of his town and its history. Thus was born Melville's lifelong curiosity with how, where, and why we bury and commemorate our dead. Melville's Over My Dead Body is a lively (pun intended) and wide-ranging history of cemeteries, places…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Monument Lab is one book to get your hands on, if you are curious to know how a historic city can remake its traditional monumental history to become more inclusive and reflective of a holistic past and present. The book is about the organization called Monument Lab, which works with communities, artists, and more to reshape the monument culture of Philadelphia. Filled with short essays and colorful photographs, Monument Lab and Monument Lab the book model the democratic turn towards inclusive monument making in an American city.
What is an appropriate monument for the current city of Philadelphia? That was the question posed by the curators, artists, scholars, and students who comprise the Philadelphia-based public art and history studio Monument Lab. And in 2017, along with Mural Arts Philadelphia, they produced and organized a groundbreaking, city-wide exhibition of temporary, site-specific works that engaged directly with the community. The installations, by a cohort of diverse artists considering issues of identity, appeared in iconic public squares and neighborhood parks with research and learning labs and prototype monuments.
Monument Lab is a fabulous compendium of the exhibition and a critical…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
Garrett Epps is the author of two published novels and five works of non-fiction about the U.S. Constitution. He graduated from Duke Law School in 1991; since then he has taught Constitutional Law at the American University, the University of Baltimore, Boston College, Duke University, and the University of Oregon. For ten years he was Supreme Court Correspondent for The Atlantic, and covered from close up cases involving the Affordable Care Act, same-sex marriage, and the Trump Administration’s immigration policies. He is now Legal Affairs Editor of The Washington Monthly, and at work on a novel about crime and justice during the years of Southern segregation.
Scottoline, a former big-firm litigator, has created Benny Rosato, the founder of an all-female firm of defense lawyers, as the master of the world of courts and jails. InMistaken Identity, however, Benny defends an unexpected client—“Alice Connoly,” who is Rosato herself, a double claiming to be a long-lost twin. What follows raises the question of why (as the mysterious defendant asks) Alice is in jail while Rosato is free, secure, and successful. In a way, Mistaken Identityis a feminist version of The Trial--a fever dream of that same hellish world that Kafka saw beneath K.’s feet--the law, supernatural and inhuman, that waits to devour the innocent and the guilty alike.
Another riveting courtroom thriller from the female John Grisham.
Crack trial lawyer Bennie Rosato is called to the local prison to consult with Alice Connolly, a woman accused of committing cold-blooded murder and who wants Bennie to represent her at the trial. Bennie has no intention of taking the case, until she comes face to face with Connolly: the incarcerated woman is a dead ringer for Bennie - and claims to be her long-lost twin sister. Disbelieving but somehow convinced, Bennie takes on the case against her better judgement, and starts sniffing out the corruption and dangerous cover-up that lies…
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
Simon Finger’s book, The Contagious City, is a wonderful, concise introduction to the politics of public health in early America. By focusing on Philadelphia, a city literally designed by William Penn to be healthier than European cities, Finger shows how a distinctly American view of public health developed even after that original plan failed to achieve its desired results. Finger describes the growth of the medical community in Philadelphia, its trials during the Revolution, and its failures during the 1793 yellow fever epidemic.
By the time William Penn was planning the colony that would come to be called Pennsylvania, with Philadelphia at its heart, Europeans on both sides of the ocean had long experience with the hazards of city life, disease the most terrifying among them. Drawing from those experiences, colonists hoped to create new urban forms that combined the commercial advantages of a seaport with the health benefits of the country. The Contagious City details how early Americans struggled to preserve their collective health against both the strange new perils of the colonial environment and the familiar dangers of the traditional city,…
I’m fascinated by angry, feral, primal women. In my book, ten stories feature these women, the ones doing the things we’re not supposed to do, thinking and feeling and saying the things we’re not supposed to. I think we’re beyond powerful when we embrace our anger, nourish and cultivate it, channel it. So I write about these women in the hopes that I’ll get a bit of their strength. The books in this list have inspired me as a writer and thrilled me as a reader.
This story collection grabbed me right away from the title and stole my heart with some of the most exciting and visceral characters that I’ve read. In “West of the Known,” my favorite story, a young girl escapes violence to become an outlaw; in “The Diplomat’s Daughter,” a woman renames and reworks herself into a feared force of nature. I’ll be honest that reading this book inspired me and scared me; I wanted to write as powerfully and truthfully about anger and violence in women as Chanelle did. So when I asked her to read an early copy of my book, and she came back with lovely praise, I just about lost my mind.
*LONGLISTED FOR THE 2018 PEN/ROBERT W. BINGHAM PRIZE FOR DEBUT FICTION*
*SHORTLISTED FOR THE 2018 WILLIAM SAROYAN INTERNATIONAL PRIZE FOR WRITING*
Named a Best Book of 2017 by The San Francisco Chronicle
Named one of Electric Literature’s 15 Best Short Story Collections of 2017
A stunningly original debut collection about lives across history marked by violence and longing.
A brother and sister turn outlaw in a wild and brutal landscape. The daughter of a diplomat disappears and resurfaces across the world as a deadly woman of many names. A young Philadelphia boy struggles with the contradictions of privilege, violence, and…
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I love reading stories that are a good mix of reality and fantasy, just as much as I like to write them myself. And I guess that comes from my background as a journalist. But perhaps not so, as the first stories I wrote in my teens that were published in a Dutch women’s magazine were retellings of Biblical stories. I recounted those from the point of view of women: the (future) wives of Joseph (with the ten brothers) and of Moses. I was a writer long before I became a journalist, a profession I needed to gather the knowledge I could then use to write my books, so it seems.
Amazing how a picture, published in 1948 in an American Magazine, of four children with a sign saying they were for sale can lead to a book.
I loved the way the writer used it to take me to the States of the forties and fifties with its different classes and its deep poverty. For me, being a journalist, part of the attraction of the book is that the story involves old-fashioned journalists and newspapers. And fake news of the worst kind, long before it became a daily occurrence.
A NEW YORK TIMES BESTSELLER A USA TODAY BESTSELLER A WALL STREET JOURNAL BESTSELLER A NATIONAL INDIEBOUND BESTSELLER An unforgettable bestselling historical fiction novel by Kristina McMorris, inspired by a stunning piece of history from Depression-Era America. 2 CHILDREN FOR SALE The sign is a last resort. It sits on a farmhouse porch in 1931, but could be found anywhere in an era of breadlines, bank runs and broken dreams. It could have been written by any mother facing impossible choices. For struggling reporter Ellis Reed, the gut-wrenching scene evokes memories of his family's dark past. He snaps a photograph…
