Here are 100 books that Monument Lab fans have personally recommended if you like
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I'm fascinated with material culture – studying the things we make and use – and what they tell us about our history. My particular passion is for nineteenth-century Black material culture, often the only tangible history of enslaved and newly-emancipated Black lives. The books on my list educated me of the historical realities for African Americans, from emancipation to Jim Crow – providing critical context for deciphering the stories embedded in historical artifacts. Overall, the gendered (and harrowing) history these books provide on the contributions of African-American women to civil rights and social justice should be required reading for everyone.
I consider Standing Soldiers, Kneeling Slaves one of the best books on how Confederate monuments came to dominate nineteenth-century public spaces – most notably in my hometown of Richmond, Virginia - and what they tell us about post-Civil War history.
It is a compelling narrative of how white Southern society purposefully chiseled racism and white superiority into their post-war commemorative landscape, and used these memorials to both re-define the public’s memory of the Civil War and to cement the white-black hierarchy established during slavery.
Savage’s analysis of the Confederate monuments looks at all the political, historical, cultural, and artistic factors that enabled the creation of Richmond’s racialized landscape. This approach helped me understand the importance of context when examining nineteenth-century public art through a twenty-first-century lens.
A history of U.S. Civil War monuments that shows how they distort history and perpetuate white supremacy
The United States began as a slave society, holding millions of Africans and their descendants in bondage, and remained so until a civil war took the lives of a half million soldiers, some once slaves themselves. Standing Soldiers, Kneeling Slaves explores how the history of slavery and its violent end was told in public spaces-specifically in the sculptural monuments that came to dominate streets, parks, and town squares in nineteenth-century America. Looking at monuments built and unbuilt, Kirk Savage shows how the greatest…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I remember well my first visit to Gettysburg on a high school trip. I had trouble expressing what I felt until I read the words of a battlefield guide who said that he often sensed a “brooding omnipresence.” I have often felt such presences across the historic landscape in the U.S. and elsewhere. I am now Professor Emeritus of History at Indiana University, and former editor of the Journal Of American History. I have also written Preserving Memory: The Struggle To Create America’s Holocaust Museum; The Unfinished Bombing: Oklahoma City In American Memory, and co-edited American Sacred Space; History Wars: The Enola Gay And Other Battles For The American Past; and Landscapes Of 9/11: A Photographer’s Journey.
Levinson’s book does not focus on traditional battle sites. Rather, it thoughtfully introduces readers to battles that take place over clashing expressions of public memory, particularly memorial controversies, including clashes over name changes and monument removal. I think readers will appreciate his thoughtful treatment of the vexing issues that have swirled around the appropriate location of Confederate memorials. Well before the recent push to remove such memorials from public space, Levinson offered readers various options for dealing with such volatile issues. His book is an insightful and timely guide into the battlefields of public memory.
Is it "Stalinist" for a formerly communist country to tear down a statue of Stalin? Should the Confederate flag be allowed to fly over the South Carolina state capitol? Is it possible for America to honor General Custer and the Sioux Nation, Jefferson Davis and Abraham Lincoln? Indeed, can a liberal, multicultural society memorialize anyone at all, or is it committed to a strict neutrality about the quality of the lives led by its citizens?
In Written in Stone, legal scholar Sanford Levinson considers the tangled responses of ever-changing societies to the monuments and commemorations created by past regimes or…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Controversial Monuments and Memorialswas published the year after the “Unite the Right” rally in Charlottesville, which saw whites rally around the monument to Thomas Jefferson on the University of Virginia campus. This event, and the murders of nine African Americans at Emanuel AME Church in Charleston, SC in 2015, hastened public discord with symbols of the Confederacy and white supremacy. Allison’s book was the first to step into the space where scholars, museum staff, and community activists came together to examine how monuments were used as tools for systemic racism as well as progressive social change. The book is a great resource for those looking to enter the conversation about controversies surrounding monuments and memorials in the United States.
Out of the chaos and pain of Charlottesville, museum professionals, public historians, and community leaders must move quickly to face the challenges of competing historical memory, claims of heritage desecration and the ongoing scourge of racism. This book takes on the tough issues that communities across America---and analogous locales overseas---must face as white supremacy, political quagmires and visions of reconciliation with the past collide.
The events of summer of 2017 that culminated in Charlottesville are outgrowths of ongoing dialogues and disputes about controversial history that encompass numerous historical situations and touch every part of US history. Strategies for working effectively…
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
Laura A. Macaluso researches and writes about monuments, museums, and material culture. Interested in monuments since the 1990s, the current controversies and iconoclasm (monument removals) have reshaped society across the globe. She works at the intersection of public art and public history, at places such as George Washington’s Mount Vernon.
Teachable Monuments is an expensive book, but it is also a book useful for integrating the work of scholars with teachers, using monuments to examine and create new meanings from monument culture via curriculum and classroom activities. The book comes after the murder of George Floyd in 2020, a seismic event in the United States and abroad which hastened the removals of many Confederate and Columbus monuments, as well as monuments in Europe and beyond.
Monuments around the world have become the focus of intense and sustained discussions, activism, vandalism, and removal. Since the convulsive events of 2015 and 2017, during which white supremacists committed violence in the shadow of Confederate symbols, and the 2020 nationwide protests against racism and police brutality, protesters and politicians in the United States have removed Confederate monuments, as well as monuments to historical figures like Christopher Columbus and Dr. J. Marion Sims, questioning their legitimacy as present-day heroes that their place in the public sphere reinforces.
The essays included in this anthology offer guidelines and case studies tailored for…
When I moved to South Carolina some 25 years ago, I found understanding all the history around me challenging. Even more than that, I found it hard to talk about! Politics and history get mixed up in tricky ways. I worked with students to understand stories about plantation sites, leading me to start reading the words of survivors of captivity. I started reading slave narratives and trying to listen to what people had to say. While sad sometimes, their words are also hopeful. I now read books about our nation’s darkest times because I look for ways to guide us to a better future.
Washington, our first president…Mr. American Freedom himself—was not just a slave owner but a slave hunter. What was his problem, I wondered, as I read about how he and his wife positively obsessed over re-capturing Ona Judge, a woman who escaped from their bondage.
They spent years, money, and some political clout tracking her down and trying to drag her back. They had plenty of other enslaved people! They weren’t short of money! As I read this wild tale of courage and cruelty, I got the message…the Washingtons knew that if a slave could flee the President of the United States, it would demonstrate the hypocrisy of trying to found a nation on liberty that, uh,…..held men, women and children in bondage.
My spoiler for you: They failed. Judge never returned to the Washingtons and lived to tell her own tale about the ugly history of American freedoms. Dunbar’s book…
A startling and eye-opening look into America's First Family, Never Caught is the powerful story about a daring woman of "extraordinary grit" (The Philadelphia Inquirer).
When George Washington was elected president, he reluctantly left behind his beloved Mount Vernon to serve in Philadelphia, the temporary seat of the nation's capital. In setting up his household he brought along nine slaves, including Ona Judge. As the President grew accustomed to Northern ways, there was one change he couldn't abide: Pennsylvania law required enslaved people be set free after six months of residency in the state. Rather than comply, Washington decided to…
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
Simon Finger’s book, The Contagious City, is a wonderful, concise introduction to the politics of public health in early America. By focusing on Philadelphia, a city literally designed by William Penn to be healthier than European cities, Finger shows how a distinctly American view of public health developed even after that original plan failed to achieve its desired results. Finger describes the growth of the medical community in Philadelphia, its trials during the Revolution, and its failures during the 1793 yellow fever epidemic.
By the time William Penn was planning the colony that would come to be called Pennsylvania, with Philadelphia at its heart, Europeans on both sides of the ocean had long experience with the hazards of city life, disease the most terrifying among them. Drawing from those experiences, colonists hoped to create new urban forms that combined the commercial advantages of a seaport with the health benefits of the country. The Contagious City details how early Americans struggled to preserve their collective health against both the strange new perils of the colonial environment and the familiar dangers of the traditional city,…
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
The first time I learned that I was raised by a “bad” mother was when I was in the first grade. The teachers complained that my mother hadn’t shown up for parent-teacher conferences and never could get me to school on time. But I knew what they did not, that my mother worked a lot and was raising kids all her own and yet still had time to take us to the library to read books that were well beyond the ones at school. Because of my highly iterant life raised by a bookish and neglectful mother, I have always been interested in the relationship between children and their less-than-perfect mothers.
This book takes the idea of “badass” to another level of meaning and measure.
Here, Hattie is a mother of twelve children of various stories and in some ways, a stand-in for all mothers who made the migration north from the deep south of the United States. She’s tough but loving and endures the kind of struggles that would knock many people down.
'I can't remember when I read anything that moved me quite this way, besides the work of Toni Morrison.' Oprah Winfrey
'Mathis traces the fates of Hattie's 12 children and grandchildren over the course of the 20th century . . . [it] is remarkable.' Sunday Times
'Ms. Mathis has a gift for imbuing her characters' stories with an epic dimension that recalls Toni Morrison's writing.' New York Times
Fifteen years old and blazing with the hope of a better life, Hattie Shepherd fled the horror of the American South on a dawn train bound for Philadelphia.…
After more than 30 years in daily journalism in Minnesota, I moved to a trout stream near Durango, Colo., to stage a second act. Editors at the Minneapolis Star Tribune, where I worked for 26 years, gave me a freelance contract to write a Minnesota History column every Sunday. It’s morphed into a popular crowd-sourcing of history with readers feeding me delicious family stories. I’m the lucky one who gets to weave these stories—enriching my knowledge of what being Minnesotans is all about.
This 2008 biography of a Hall of Fame baseball pitcher follows Charles Albert Bender from the White Earth Reservation in Minnesota to his heyday with the Philadelphia Athletics in the early-1900s. While fans know about Minnesota baseball stars like Dave Winfield, Paul Molitor, and Jack Morris, Bender’s amazing life has been all but forgotten. Swift breathes new life into a man with a foot in both his Indian and white worlds.
The greatest American Indian baseball player of all time, Charles Albert Bender, was, according to a contemporary, "the coolest pitcher in the game." Using a trademark delivery, an impressive assortment of pitches that may have included the game's first slider, and an apparently unflappable demeanor, he earned a reputation as baseball's great clutch pitcher during tight Deadball Era pennant races and in front of boisterous World Series crowds. More remarkably yet, "Chief" Bender's Hall of Fame career unfolded in the face of immeasurable prejudice. This skillfully told and complete account of Bender's life is also a portrait of greatness of…
Writing this book brought back memories from my childhood—of watching Perry pitch in the late 1960s and, more deeply, of relations with my parents. My father (a math prof at UC Berkeley) and mother cared little for sports, but by the time I turned seven, an identity uniquely my own emerged from my infatuation with the San Francisco Giants. By age ten, I regularly sneaked off to Candlestick Park, which required two long bus rides and a hike through one of the city’s worst neighborhoods. I knew exactly when I had to leave to retrace my journey to get home in time for dinner. Baseball was, and remains, in my blood.
Nathanson (like me) faced the dilemma of writing biography when the subject declines to be interviewed. His approach showed me the way. The availability of digital newspaper databases has opened up enormous possibilities for research, and Nathanson took advantage of them to provide color, detail, and analysis on a grand scale. The many dozens of reporters and newspaper writers who covered Dick Allen wrote game accounts, opinion columns, and feature stories that informed, inspired, and entertained contemporary readers. They watched the games from the vantage point of the press box, peppered the players and managers with questions in the clubhouse afterward, and often rode the buses and planes with the teams. They had a level of access that is the envy of historians, and Nathanson greatly profited from their work.
When the Philadelphia Phillies signed Dick Allen in 1960, fans of the franchise envisioned bearing witness to feats never before accomplished by a Phillies player. A half-century later, they're still trying to make sense of what they saw.
Carrying to the plate baseball's heaviest and loudest bat as well as the burden of being the club's first African American superstar, Allen found both hits and controversy with ease and regularity as he established himself as the premier individualist in a game that prided itself on conformity. As one of his managers observed, "I believe God Almighty hisself would have trouble…
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
Like many people, my passions were first ignited when I was a toddler, and I mainly have my maternal grandfather to thank what for interests me. I remember coming to my grandparent’s house when I was young and watching WWII documentaries that my grandfather had on VHS (yes, I’m that old). Since then, I’ve always had a passion for history. It doesn’t really matter the subject, I’m interested in everything; from the Ottoman Empire to the Vietnam War, to the Spanish Reconquista of the Iberian Peninsula, to the US-backed coup in Guatemala during the Cold War. I hope that passion for history comes through when readers explore my book.
Gangsters of Capitalism covers a part of US history that is often deliberately overlooked by Americans, because it clashes with our national myths about ourselves. Katz follows US imperial history from the very end of the 19th century through to the middle of the 20th century, by following the life and career of Smedley Butler, a man who served in the marines for so much of this history. Gangster of Capitalismis in the top five of my favorite books that I have ever read. Katz’s ability to weave a personal biography with sweeping history and how that history still affects us all in the present is superb.
A groundbreaking journey tracing America’s forgotten path to global power—and how its legacies shape our world today—told through the extraordinary life of a complicated Marine.
Smedley Butler was the most celebrated warfighter of his time. Bestselling books were written about him. Hollywood adored him. Wherever the flag went, “The Fighting Quaker” went—serving in nearly every major overseas conflict from the Spanish War of 1898 until the eve of World War II. From his first days as a 16-year-old recruit at the newly seized Guantánamo Bay, he blazed a path for empire: helping annex the Philippines and the land for the…
