100 Books Like Never Caught

This book is one of the reasons why I became a historian.

Ulrich uncovered the nearly illegible diary of an eighteenth-century midwife in Maine and included excerpts of the original at the start of each chapter. When I read the excerpts, I thought: How could these possibly be significant and what do they mean, anyway?

And then, like a detective, a gifted mind-reader, and a learned botanist all rolled into one, Ulrich unpacked each entry, weaving each snippet into the fabric of a wide textile of social history that includes reproductive history, gender and marital relations, local economies, political conflicts, and religion.

Abortion and abortifacients play a marginal role in the story Ulrich tells, but the history of midwifery and reproductive health are central to it. 

Probably the biggest tragedy of F. Scott Fitzgerald’s life was his wife Zelda’s descent into mental illness.

This magnificent biography chronicles their tumultuous relationship as well as Zelda’s upbringing, and how she became the perfect flapper, independent and even a little wild. While the story is drenched in sadness as we all know its ending, this book reveals the struggles of creative women to be respected and seen as individuals, not just appendages to their famous husbands.

It also illuminates Scott’s enduring love for Zelda. Even as he had an affair at the end of his life, he never abandoned his wife to public institutions, insisting she have the best care, no matter the expense, at private ones.

This poignant narrative of Anne Sexton’s life takes you inside the complicated emotions of a prize winning poet who began her career as a suburban housewife and mother. I especially loved but also envied the portrait of Sexton’s long friendship with poet Maxine Kumin with whom Sexton took her first steps in the writing of poetry. Famously, the two women kept a separate phone line open between their houses so that they could share and craft lines between domestic chores. Sadly, despite the pulls of friendship, the biography shows, even the most talented writer has demons that can’t be vanquished. Middlebrook reveals the psychic cost of creativity, especially for women artists in the years before feminism. 

Not a biography in the strict sense, this book is an investigation into “an American controversy” by a legal scholar that demonstrates the value of historical research and analysis by showing how Jefferson’s grandchildren, and white scholars and biographers following their lead, effectively conspired to hide the truth of Jefferson’s 30+ relationship with a woman he owned. And Gordon-Reed published this book a full year before the DNA-based analysis showed that Jefferson was overwhelmingly likely to have been the only father to Hemings’s four children.

Kerrison brings careful scholarly research and even detective work to this fluidly-written story of Jefferson’s two white daughters, Martha and Maria Jefferson, and one Black daughter, Harriet Hemings. The book offers a more detailed chronicle of Martha and Maria, but Kerrison reveals for the reader her search for what happened to Harriet after she left Monticello and why that story ultimately remains a mystery.

Jill Lepore is a Swiss-Army-Knife historian, capable of tackling any topic in American history with verve. Here she offers a biography of Jane Franklin Mecom, best known as Benjamin Franklin's younger sister. Jane's life gives us a wonderful foil for "Benny," who arose from obscurity in Boston to the center of the American stage. Lepore keeps the dual narratives moving briskly along while also opening a window on how biographies are assembled.

Along the way, the reader finds recipes for making soap, an assortment of maxims from Poor Richard and Silence Dogood, family gossip and tragedies, Jane's reactions to rising Revolutionary violence, her fear of dementia in old age, and the idiosyncrasies of Benjamin Franklin's earliest biographers. The chatter between the siblings, on matters large and small, is captivating. Lepore has to fill in many gaps in the source material to complete the life of Jane Mecom, but the pleasure… show more.

Whoa! There has been a lot of crazy controversy over this title, so I thought the book would be wild and confrontational. However, it turned out to be kinder and more careful in its claims than its opponents made it out to be. The whole thing began as a multi-media project for the New York Times to commemorate the first arrival of enslaved Africans to North America, and then it took off as a symbol of often manufactured culture wars.

I wanted to check it out for myself and found that this book is full of surprises. Ok: I expected to see essays about our strange American origin story and how race and power were entwined from our nation’s earliest days. But I was enthralled by the short essays (illustrated with gorgeous images and featuring brief works of poetry and fiction) that took on topics like Traffic, Healthcare, Fear, and… show more.

Much of my financial nonsense was taught, indirectly and directly, by my parents, family, and community members. Coming from a low-income and blue-collar working-class family, I am armed with a mentality toward poverty.

This book was written in plain language about saving, budgeting, investing, and wealth building. The steps were practical and easy enough for me to implement. Because of this book, I have a plan for my money; I know exactly where it goes, and I am an investor. These are no longer things I thought were reserved for white people.  

Percival Everett’s book speaks to me because it challenges the trite rule that a black author must write about the (stereotypical) black life–so, by extension, I must write about white women?

It’s a concept that goes against the very definition of a novel and denies a writer’s ability to be creative. Everett’s perfect satire of a writer’s life ridicules this bogus concept of authenticity. It’s a serious topic, but I couldn’t stop laughing.

This book brings the format of a graphic novel to the subject of women's resistance during enslavement and the trans-Altantic slave trade—and the result is fresh and compelling. As a historian myself, I appreciated the interwtined narratives of Hall's own research quest as a historian following the documentary record—and her reconstruction of the extraordinary revolt of the women held captive in 1772 on the slave-ship Unity. Both the search for truth and the dramatic uprising are conveyed with great skill and emotional power. The account of the Unity revolt calls attention to what we know, how we know it, and what we don't know. But Hall refuses to stop there. Instead, carefully marking speculation as such, Hall offers a fascinating, well-informed, effort to imagine a fuller account of what might have actually happened. We are left with a powerful sense of why this history matters two and a half… show more.