51 Books Like In Our Time

I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.

Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.

This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things. 

I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.

Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.

The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.

There is great beauty to the concrete and close-space urban worlds generated by Edward P. Jones. We descend with him into an ever more compassionate world in which people love and hate one another, seek one another, find one another, and bring about uncommon transcendence of heart, mind, and spirit. An artist whose books never fail to forward the depths of American literary gravity, he is a wonder to read and his art a joy to behold. Lost in the City, his first book of short stories, garnered the PEN/Hemingway award. His second book, The Known World, was granted the Pulitzer Prize. The words of social philosopher bell hooks provide the same grounding found in reading Jones’ beautiful powerful stories, it’s “all about love.”

I loved the book because it’s an insightful window into the challenges of a troubled community, the native Indians, who are still haunted by the painful past and face an uncertain future. I loved how the writer picks the thread of stories of many characters who have chosen to live outside reservations and then knits them all together in the end.

Unique characters with unique stories and strong evocative writing make There There a remarkable debut.  

I knew very little about Ernest Hemingway before I read the book, so didn’t approach it as a fan of him wanting to know more.

The book came highly recommended, and I was intrigued by the women that surrounded this controversial figure. Mrs Hemingway covers parts of the lives of each of his four wives, each so differently and wonderfully told. We see Hadley, Fife, Martha, and Mary in relation to Hemingway, but there’s no doubt that this novel is all about them, their thoughts and emotions. It’s brilliantly written and masterfully conveys a sense of the time period too.

It’s one thing to advocate for simple, clear writing—and another to do it consistently. For the most inspiring demonstration of these principles look to Ernest Hemingway. Read even one of his short stories, or any of his novels or reportage, for in-action proof of how convincing we can be by using the most basic English: short everyday words derived from English’s early Anglo-Saxon history, and unadorned, straightforward sentences. Note how the most profound ideas, emotions, and subtle interactions can be communicated with spare language, nearly absent of descriptive words. How to generate this kind of impact with the writing most of us do every day is a central goal of my own book. TIP: a helpful online resource for simplifying copy is found at…Hemingway.com. 

Philip Greene is probably the world’s greatest living cocktail historian (how cool is that?). I am personally grateful to him for correcting and guiding my own work. Greene has written several excellent cocktail books. In To Have and Have Another, he canvases Hemingway’s personal preferences as well as the drinks featured in his writings. I hope that Greene one day does something similar with Evelyn Waugh and his novels, though it may fill several volumes.

Where does persuasive writing start? Whether you’re writing fiction, journalism, or a business message, good sentences are the key. Write good sentences and you write well in all fields. Bad sentences doom your writing. This tight 76-page book shows how to achieve simple, clear sentences, and at the same time build in power and even drama. Euchner moves on to cover paragraphs: how to find the focus of each and create logical, one-idea units. This is the book I wish I’d been given somewhere along the line in school, or later—it would have saved me a lot of trial-and-error! Like Euchner, I believe you need not study grammar rules to write well—that route has always put me to sleep.

As Cyril Connolly himself writes, "What follows are the doubts and reflections of a year, a word-cycle in three or four rhythms; art, love, nature and religion: an experiment in self dismantling..." This fragmentary method of writing, with quotes, aphorisms, epigrams, allusions, from a litany of great writers, thinkers, and diarists, with sudden reflections on love, the loss of love, spirituality, desire, literature, art, and psychology are the collected musings of Cyril Connolly, first published in 1944 in Horizon, the magazine he was founder and editor for.  My favourite parts of his writing are the plentiful poetic depictions of the scene, usually with the aid of perspicacious and evocative lists, revealing the interior life of the poetic author: "Dead leaves, coffee grounds, grenadine, tabac Maryland, mental expectation - perfumes of the Nord-Sud; autumn arrival at Pigalle..." 

This book is a literary sketch or prayer book, overflowing with ideas and… show more.

This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.

The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.