Here are 100 books that Lost in the City fans have personally recommended if you like
Lost in the City.
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Mid-life for women is many things, including greatly underrepresented in the stories around us. I am forever in awe of the women around me as they continue to rise to each crazy occasion that life presents, managing and coping with wisdom, humor, and strength. This is why I am recommending these books about kickass middle-aged women. I wrote a novel inspired by some of my own challenges in mid-life. It was published by Atria Books, Simon & Schuster. I hope you love the recommendations as much as I do and that you’ll be inspired to check out my book as well.
I love this book because it is not afraid to look at deep sadness and disappointment in an honest and complex way. This novel is a collection of short stories that all take place in a coastal Main town and are connected by the large presence of Olive.
Olive is intelligent, acerbic, and abrasive. She is anything but easy. I appreciate the compassion Strout gives her imperfect characters as they struggle with their messy lives. I grew to care more for Olive as I traveled her rocky path with her, even as she was often the one to throw down the rocks before her.
This is a quiet book, which I read in a quiet way. It brought me comfort in its illumination of uncomfortable things.
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the #1 New York Times bestselling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge. . . . You’ll never forget her.”—USA Today
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
As a writer who can never seem to tell a simple chronological, beginning/middle/end story in the books I write, I want to make a case for fictional works that fall somewhere between novels and traditional short story collections: shape-shifting novels. A shape-shifting novel allows for an expansiveness of time—for exploring the lives of generations within a single family, or occupying a single place, without having to account for every person, every moment, every year. Big, long Victorian novels, remember, were typically serialized and so written, and read, in smaller installments. The shape-shifting novel allows for that range between the covers of a single, and often shorter, book.
I remember my daughter, an astute and sensitive reader from a very young age, coming downstairs in tears after finishing this book when she was in high school.
Her tears were understandable; though Homegoing, remarkably, addresses the lives of members of seven generations of two connected Ghanian families in a mere 320 pages, we as readers come to care deeply about each of the fourteen characters whose stories fill the book.
The storytelling is that concise, yet also that rich and distinct, depicting two separate—but tragically related—trajectories for these families caught in the inevitable and devastating web of slavery, from the late 1770s to the present, and from the infamous Cape Coast Castle to Alabama, Harlem, and San Francisco—and back again.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I‘m primarily a poet, and it seems natural to love prose that gets the most out of every word. I also deeply admire the great works of—say, Theodore Dreiser, who seems, to me, to splash words all over the page. Don’t get me wrong. But it’s precision I love and admire most. It’s what I’ve striven for. It’s what appeals to me in the books I’ve chosen. The phrase “the style is the man” simply iterates the notion that the writer who comes closest to his (or her, of course) innermost passions, deepest held convictions, and writes with clarity in expressing them, is, in fact, the author himself.
I love this book because it forced me to take sharp notice of Hemingway.
No, it wasn’t the big novels, the ones that had become best-sellers; they were everywhere. But when this book fell into my lap, it made me want to dig right into him. It’s his earliest collection of stories, and though Hemingway said once that they were interconnected, critics then and now disagree.
I think they’re great because they show the early manifestations of what he coined “the iceberg theory” of good writing—writing that forced me, one day, standing in a bookstore, reading the last few pages of A Farewell to Arms, twenty years or so after reading the book for the first time, to fairly nearly weep.
A Vintage Classics edition of the early collection of short fiction that first established Ernest Hemingway's reputation, including several of his most loved stories
Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, did more to change the style of fiction in English than any other writer of his time with his economical prose and terse, declarative sentences that conceal more than they reveal. In Our Time, published in 1925, was the collection that first drew the world's attention to Hemingway. Besides revealing his versatility as a writer and throwing fascinating light on the themes of his major…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
As an immigrant in the United States, I have been fascinated by the dynamics between races and cultures—both in the country and globally. As I travel extensively (63 countries so far), I experience some of the biases firsthand—sometimes in the unlikeliest places. I have come to realize that despite the difference in the color of our skin—and the clothes we wear—we are more alike than different.
I loved the book because it’s an insightful window into the challenges of a troubled community, the native Indians, who are still haunted by the painful past and face an uncertain future. I loved how the writer picks the thread of stories of many characters who have chosen to live outside reservations and then knits them all together in the end.
Unique characters with unique stories and strong evocative writing make There There a remarkable debut.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I’m a writer fascinated by landscape and history—and the American West is my magnet. I’ve set three books in the West. I can’t get enough of the place. An entire national myth is enshrined “where the deer and the antelope play.” Independence. Freedom from the past. Land we can supposedly call our own. The West is so beautiful and also so scarred. I love to read books that deepen my experience of the deserts, mountains, and rivers. I also love to learn about the people who were here before me, those who have hung on, and those who hope to heal the scars. These books are great stories about a bewitching place.
Annie Proulx is a genius with character, and she’s obsessed with how hard humans work to uphold their myths of identity and achievement even when the odds are stacked against them. Close Range is the best of her three very good story collections about the West. It’s famous, and rightly so, for the trail-blazing tale of cowboy queerness "Brokeback Mountain". But each story is taut with observation and image. “The Mud Below,” “The Half-Skinned Steer”—there’s more than one American classic in this book. Some Westerners aren’t fans of Proulx, but I am. She doesn’t pull her punches about what it’s really like to ranch, rodeo, fantasize about retirement, or care for family in a place with no safety net, extreme weather, and no neighbors around the corner.
From the Pulitzer Prize–winning and bestselling author of The Shipping News and Accordion Crimes comes one of the most celebrated short story collections of our time.
Annie Proulx's masterful language and fierce love of Wyoming are evident in this collection of stories about loneliness, quick violence, and wrong kinds of love. In "The Mud Below," a rodeo rider's obsession marks the deepening fissures between his family life and self-imposed isolation. In "The Half-Skinned Steer," an elderly fool drives west to the ranch he grew up on for his brother's funeral, and dies a mile from home. In "Brokeback Mountain," the…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
How do we overcome the most wild and unforgiving shadows of our personal and communal life together? If anyone can help us more closely understand our lack of understanding of one another, it is the Pulitzer Prize winning novelist and short story writer, Richard Ford. The spare beauty of Wildlife(Ford’s homage to the dark force of lost love), is in close attunement with his cult classic of short story lore, Rock Springs. Ford’s subtlety and power as an artist are irrevocably tied to the uncommon life-giving capacity he shapes in us when we give ourselves to the ancient wisdom of this story collection.
Ten “beautifully imagined and crafted stories” of the American West by the Pulitzer Prize–winning author of Independence Day (Joyce Carol Oates).
In these ten exquisite stories, Richard Ford explores the wind-scrubbed landscape of the American West and the guarded hopes and gnawing loneliness of the people who live there: a refugee from justice driving across Wyoming with his daughter and girlfriend in a stolen Mercedes; a boy watching his family dissolve in a night of tragicomic violence; and two men and a woman swapping hard-luck stories in a frontier bar as they try to sweeten their luck.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
The title story of this collection is a miracle of human relations, ecstatic prose cut to perfection, and the multivalent understandings that arise when we give ourselves freely, openly, and yes brokenly to the will to love. There is nothing so sweet as the kind of development and shaping of humanity found in Davis’ short stories. An author whose work has appeared inBest American Short Storiesand won a Pushcart Prize, Davis is an author who has not received the kind of national following she deserves.
Claire Davis's novels have won acclaim from reviewers, readers, and booksellers alike. In "Labors of the Heart", she offers a stunning first collection of stories, some of which have been honoured by the Pushcart and Best American Short Stories anthologies. Adultery presents the quandary of a middle-aged man whose mother is cheating on her husband by keeping company with her ex-husband. In Grounded, a mother follows her teenage son as he attempts to run away along Montana's highways. And in Labors of the Heart, a lonely man - enormous and virginal - is literally struck by love for a woman…
Alongside writing poems and short stories, I am a clinical psychologist focusing on the psychology of men. People echo the vastness of the stellar expanse in which only 1% is matter like the planets and stars, our bodies, days in which we love and hate, moments we embody healthy intimacy or enact violence, the light that gives the face radiance. 19% of the universe is dark energy, and 80% dark matter-- less than 1% is light, and yet light is the foundation of life. "God is light," the ancient text intones, and though the words resound, what that light means in the despair of this world is a beloved mystery.
Master of the novella (Legends of the Fall; Revenge; The Man Who Changed His Name), screenwriter, poet (The Theory and Practice of Rivers), and short story writer, Jim Harrison is unafraid to write with the kind of masculine energy that fills the world with a desire for life, freedom, autonomy, and intimacy. His powerful novella, The Woman Lit by Fireflies, the final movement in this collection, gathers the feminine and the masculine in a form of nonbinary exchange that results in deeper hope, and greater love.
Three novellas by the author of Legends of the Fall. “A brilliant tour de force . . . Jim Harrison at his peak: comic, erotic, and insightful” (San Francisco Chronicle).
Across the odd contours of the American landscape, people are searching for the things that aren’t irretrievably lost, for the incandescent beneath the ordinary. An ex-Bible student with raucously asocial tendencies rescues the preserved body of an Indian chief from the frigid depths of Lake Superior in a caper that nets a wildly unexpected bounty. A band of sixties radicals, now approaching middle age, reunite to free an old comrade…
Several months before the Covid-19 pandemic upended the world as we knew it, my life was turned upside-down by reports of suicide rates and attempted suicides doubling for Black children. In fact, during late Fall 2019, Congress established an Emergency Task Force on Youth Suicide and Mental Health. I’d already been reading accounts of Black children ending their lives on social media, and as a writer, decided to leave a legacy of books that helped armor Black children with love as they navigated spaces that would not always welcome their brilliance and beauty. I wanted to help encourage them to embrace life’s joys and to love themselves, always.
Derrick Barnes and Gordon C. James are the award-winning team behind Crown: Ode to a Fresh Cut. Barnes is also the author ofThe King of Kindergarten and The Queen of Kindergarten. I Am Every Good Thing is a powerful counterpunch to the negative societal messaging Black boys receive throughout their lives. This book celebrates the chi of Black boys; affirms the beauty, spirit, and vulnerability of Black boyhood, and helps create children proud of everything they are: human.
I am a nonstop ball of energy. Powerful and full of light. I am a go-getter. A difference maker. A leader.
The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through - as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you - and shows…
I write about race and technology, and specifically the histories of Black folks as they influence online activities, from memes and community-building to care networks and activist efforts. I use theory, research, and most importantly lived experiences to tell the story of Black digital practices. The books I choose here represent how diverse my thinking is when it comes to this topic: from fiction to non-fiction, these works are as fluid yet meaningful as I think identity is, on and offline.
As a young Black and West Indian academic and, importantly, an avid early Twitter user, I finally saw myself in the world of nonfiction works about technology when I first read this book.
Before I even got through the introduction, I dog-eared every other page and ran out of room in the margins for my notes (most of which included an embarrassing number of exclamation points on my part). Digital Black Feminism’s wit and historical heft weaves through multi-generational negotiations with Black feminism and beautifully writes Black women’s contributions back into existence.
Winner, Diamond Anniversary Book Award, awarded by the National Communication Association
Winner, 2022 Nancy Baym Book Award, given by the Association of Internet Researchers
Traces the longstanding relationship between technology and Black feminist thought
Black women are at the forefront of some of this century's most important discussions about technology: trolling, online harassment, algorithmic bias, and influencer culture. But, Catherine Knight Steele argues that Black women's relationship to technology began long before the advent of Twitter or Instagram. To truly "listen to Black women," Steele points to the history of Black feminist technoculture in the United States and its ability…
